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A Streetcar Named Desire Review
Tennessee Williams's masterfully written drama explores the extremes of fantasy versus reality, the Old South versus the New South, and primitive desire versus civilized restraint. Its meager 142 page spine is no indication of the complexity and significance that Williams achieves in his remarkable work. A strong aspect of the play is Williams's amazingly vivid portrayal of desperate and forsaken characters who symbolize and presumably resolve his battles between extremes. He created and immortal woman in the character of Blanche DuBois, the haggard and fragile southern beauty whose pathetic last grasp at happiness is cruelly destroyed. She represents fantasy for her many outrageous attempts to elude herself, and she likewise represents the Old South with only her manners and pretentions remaining after the foreclosure of her family's estate. The movie version of A Streetcar Named Desire shot Marlon Brando to fame as Stanley Kowalski, a sweat-shirted barbarian and crudely sensual brother-in-law who precipitated Blanche's tragedy. He symbolizes unrestrained desire with the recurring animal motif that follows him throughout the play. A third major character, Stella Kowalski, acts as mediator between her constantly conflicting husband and older sister. She magnifies the New South in her renounce of the Old pretentions by marrying a blue collar immigrant. Conflicts between these and other vividly colorful characters always in light of the cultural New Orleans backdrop provide a reader with a lasting impression and an awe for Williams's impeccable style and intense dialogue.A Streetcar Named Desire Overview
The Pulitzer Prize and Drama Critics Circle Award winning play-reissued with an introduction by Arthur Miller (Death of a Salesman and The Crucible), and Williams' essay "The World I Live In."
It is a very short list of 20th-century American plays that continueto have the same power and impact as when they first appeared-57 yearsafter its Broadway premiere, Tennessee Williams' A Streetcar Named Desireis one of those plays. The story famously recounts how the faded andpromiscuous Blanche DuBois is pushed over the edge by her sexy andbrutal brother-in-law, Stanley Kowalski. Streetcar launched thecareers of Marlon Brando, Jessica Tandy, Kim Hunter and Karl Malden,and solidified the position of Tennessee Williams as one of the mostimportant young playwrights of his generation, as well as that of EliaKazan as the greatest American stage director of the '40s and '50s.Whobetter than America's elder statesman of the theater, Williams'contemporary Arthur Miller, to write as a witness to the lightning thatstruck American culture in the form of A Streetcar Named Desire?Miller's rich perspective on Williams' singular style of poeticdialogue, sensitive characters, and dramatic violence makes this aunique and valuable new edition of A Streetcar Named Desire.This definitive new edition will also include Williams' essay "TheWorld I Live In," and a brief chronology of the author's life.
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