32% Off Discounts: Purchase Cheap Drawing Lab for Mixed-Media Artists: 52 Creative Exercises to Make Drawing Fun (Lab Series) Review

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Drawing Lab for Mixed-Media Artists: 52 Creative Exercises to Make Drawing Fun (Lab Series) Review

I've never considered myself an "artist", because I've never been able to "draw". That belief has colored my artistic expression for decades. Lately, the pull towards art has led me to some wonderful books, but THIS BOOK speaks to me. When I look through the activities, I know I can do them, and I know they are non-fail projects. There is so much fun and whimsy built in, that creating will be a joy. I stumbled on this book by accident, and what a happy accident it has turned out to be. If blank pages intimidate you, Carla has solutions to inspire.

Drawing Lab for Mixed-Media Artists: 52 Creative Exercises to Make Drawing Fun (Lab Series) Overview

Carla Sonheim is an artist and creativity workshop instructor known for her fun and innovative projects and techniques designed to help adult students recover a more spontaneous, playful approach to creating. Her innovative ideas are now collected and elaborated on in this unique volume. Carla offers a year's worth of assignments, projects, ideas, and techniques that will introduce more creativity and nonsense into your art and life. Drawing Lab for Mixed-Media Artists offers readers a fun way to learn and gain expertise in drawing through experimentation and play. There is no right or wrong result, yet, the readers gain new skills and confidence, allowing them to take their work to a new level.


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41% Off Discounts: Lowest Price The New Drawing on the Right Side of the Brain: The 1999, 3rd Edition Review

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The New Drawing on the Right Side of the Brain: The 1999, 3rd Edition Review

I can't emphatize how good this book is. I used to consider myself absolutely useless at drawing. I barely managed to pass exams at art classes at school. Now I am drawing fairly decent portraits from almost everyone I know. The book focueses on seeing the things' real shapes and it is just this non rational, non mathematically based approach that makes it work. I used to have big problems with proportions and perspective, and Betty Edwards made me realise it's all a matter of looking at things with loving attention (and not attaching a name to the bit you are drawing). This book has made me realise I've lost many years of my life blocking myself as an artist. Drawing is a skill that everyone can learn. Do it with this book!

The New Drawing on the Right Side of the Brain: The 1999, 3rd Edition Overview

illustrated with 12-page color photo insert and line art throughoutA revised and expanded edition of the classic drawing-instruction book that has sold more than 2,500,000 copies.When Drawing on the Right Side of the Brain was first published in 1979, it hit the New York Times bestseller list within two weeks and stayed there for more than a year. In 1989, when Dr. Betty Edwards revised the book, it went straight to the Times list again. Now Dr. Edwards celebrates the twentieth anniversary of her classic book with a second revised edition.Over the last decade, Dr. Edwards has refined her material through teaching hundreds of workshops and seminars. Truly The New Drawing on the Right Side of the Brain, this edition includes:* the very latest developments in brain research;* new material on using drawing techniques in the corporate world and in education;* instruction on self-expression through drawing;* an updated section on using color; and* detailed information on using the five basic skills of drawing for problem solving.Translated into thirteen languages, Drawing on the Right Side of the Brain is the world's most widely used drawing-instructionguide. People from just about every walk of life--artists, students, corporate executives, architects, real estate agents, designers, engineers--have applied its revolutionary approach to problem solving. The Los Angeles Times said it best: Drawing on the Right Side of the Brain is "not only a book about drawing, it is a book about living. This brilliant approach to the teaching of drawing . . . should not be dismissed as a mere text. It emancipates."

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