Showing posts with label more than paper version. Show all posts
Showing posts with label more than paper version. Show all posts

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Eat, Pray, Love: One Woman's Search for Everything Across Italy, India and Indonesia

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Eat, Pray, Love: One Woman's Search for Everything Across Italy, India and Indonesia Review

I find it so surprising--reading the angry, negative reviews--that the people who hated the book hated it for exactly the reasons why some steer clear away from the the spiritual-journey-memoir genre. Yes, the author is self-absorbed, yes, she seems to think of only trite stuff, yes, she seems self-indulgent with her problems. And yes, she's allowed. It is after all a book that is positioned to address these things in the author's self; who otherwise would not be searching for something more: more meaning and more appreciation in/of her life.
Here is a woman who shows all the possibly-perceived-as-lacking-substance thoughts of hers and we are throwing tomatoes at her. One thing, she obviously wasn't afraid of that. She wasn't aiming to be coming off as some deeply wise woman but a fumbling girl-woman trying to break out of what she felt was imminent disaster (had she had the baby and delayed her need to find out what she truly wants from her life she might have left not only her husband, but their child, or most probably ending up not leaving out of guilt and becoming crazy instead: exposing her family to that for years; not an uncommon reality). She is not one for anti-depressants, remember.
This memoir falls in the same category as the TV show Sex and the City (of which it was compared to in a review here). Both get trampled for being supposedly superficial, covering the silly plights of city girls who don't know what they want and yet have everything. But this book--as the TV show--actually are part of a wider story that is illiciting reactions from the public because it reflects the transition in which women in the modern world are experiencing: now that we have equality with men professionally, now that we are liberated from all the limitations being a woman dictated two generations ago, how does that affect us? From a distance, in a glance, it seems that women have all the cards to play with now. But this book and many other works by women and/or about women of this generation show that having all those cards does not mean Happiness.
There are still things in society--in regards to a woman's role--that grates. And then there are things within our Modernised, Westernized, Individualized, Ambitious selves, that are lacking.
This is what Miss Gilbert's search is about, and what she represents.
On a collective level, much of the modern world is in search of God, Spirituality (one just needs to walk through bookstores in the US and see the plethora of soul searching self help books on the shelves). This is what needs to be observed and understood as a phenomena in the West; the small voices, small cries, here and there by those who come up with the balls to share their journeys and thoughts with us--no matter how trite-sounding, how shallow-seeming--are part of a collective howl for the meaning of life.
Elizabeth Gilbert's voice is just one of many that calls for recognition as part of a chorus for something that firstly, many women are hollering about, and secondly, humanity in general--humanity in the first world--are crying for: some kind of guidance, indication, that the collective paths we fought for and chose (the best education, career ambitions realised, a certain amount of money needed to live that certain kind of magazine-lifestyle life--which is what Liz Gilbert's life is a reflection of, remember--love in the form of marriage and what society dictates) are truly the things that give us peace and happiness in the infinite sense.
Eat, Pray, Love might not be that deep, wise voice representing the deep, wise journey into the deep, wise self. But this book's packaging and tone, hell, its WORDS, never did say it was. It is a fumbling--almost child-like in its guilelessness--show of the ego's awareness and needs, and its attempt at searching for what many people from all walks of life only wish they could go out and find: THEMSELVES. SELF, being the keyword here. And in this memoir, ultimately, God, being in each of our selves.
To the people who were disappointed that the author didn't seem to give a hoot about India's poverty, they must have not read the book through: Miss Gilbert never ventured out of her ashram and the little village it is located in, after making a decision to further develop her meditation skills and thus skipping the rest of India. She also ignored Italy's corruption with her indulging in good food and focus on learning and enjoying the Italian language. Again, the critics missed the point of this memoir. It's a book about a writer, a New Yorker, a recently-divorced-woman-in-her-early-thirties' journey to heal and find spiritual strength through various means: pleasure first to recover (Italy), spiritual examination and purging (India), combining the two for balance (Bali), which would result hopefully in the kind of substance and depth and balance that so many critics mentioned she lacks.
One doesn't pick this book up to: 1. Be exposed to India's poverty and expect the author to discuss that in depth. 2. Be exposed to Italy's corruption and expect the author to discuss that in depth. 3. Be exposed to Balinese wiles and expect the author to discuss that in depth. (which she actually did in the account of the Balinese woman she raised money for to buy the land the woman needed to build a home).
Next time you pick a book up at the bookstore, call up your powers of perception before purchasing it. A book IS pretty much its cover. Did everyone really expect a book titled "Eat, Pray, Love" A Woman's Search for Everything, to be an experience of religious fervor, one that would reveal the secrets of the universe? It's a story about a girl who thought everything she thought she wanted, would bring her happiness. It didn't. It didn't for her, and possibly not for many other women. If it took this one woman to go to Italy, India, and Indonesia, to get away after a difficult and painful divorce to heal and get perspective--instead of festering and turning into a pile of flesh in depression--then by all means. Yes, she financed her travels through her book advance--after giving away the suburban home and NYC apartment to her ex-husband. And if she wrote this book for us, it's really for us to appreciate and enjoy the ride with her. Anybody else who got so upset needed only to put the book down and pick another one to their taste. If anything, that's this book's lesson: Do what makes you smile and thankful for life.

Eat, Pray, Love: One Woman's Search for Everything Across Italy, India and Indonesia Overview



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The Hobbit

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The Hobbit Review

[This is a review of the 70th Anniversary Edition, not so much of THE HOBBIT itself. I've reviewed the book proper elsewhere, and would rather focus on the actual edition itself.]
THE HOBBIT is one of those few books that I have felt justified to buy multiple copies over the years. It is a book I have read and cherished, and a book I dearly love. THE HOBBIT is a novel that deserves to be bought multiple times over, and I always enjoy looking at new editions of this classic work. So imagine my excitement when I found out they would be publishing a 70th anniversary edition of one of my most cherished novels!
This has been a big year for Tolkien fans. Christopher Tolkien published THE CHILDREN OF HURIN, a newly completed version of Turin's legend, in April. We've gotten (at long last), THE HISTORY OF THE HOBBIT, expertly handled by brilliant Tolkien scholar John D. Ratcliffe and published in two separate volumes. And of course, we have the 70th anniversary of Tolkien's first primary work, THE HOBBIT, which this edition is published in celebration of that momentous occasion. And does it live up as a major new edition of this fantasy classic?
That's a pretty easy answer. The answer is NO.
First off, here are the positives. The 70th anniversary edition is pretty much how the first edition of THE HOBBIT was actually published back in 1937 with some notable improvements, and conforming to Tolkien's pretty exacting specifications, including how the dust jacket should appear, as well as the art and maps that accompany the text.
These are the notable differences between the first edition and this edition. Due to cost, Tolkien was not able from a production standpoint to have the book appear exactly as he envisioned. The 1937 publication cut some of his artwork, the map was not how he so desired, and the dust jacket, due to printing cost, was limited to three primary colours (green, black, and white). Originally, Tolkien wanted the sun on the front cover and the dragon on the back cover to be totally in red, but this was not feasible.
Obviously Tolkien's work is successful enough that these production costs are no longer an issue, and so this is a relatively accurate facsimile of what Tolkien would have wanted to publish in 1937 had money not been an object, as it too often is in the real world. For that, this edition has some worth.
Now, there are some negatives. And these are big negatives.
First off, paper quality and binding. It's bad.
Then there's the actual art work. The colour artwork is quite nicely implemented into the main text, and overall I don't have a problem with the colour artwork from a production standpoint. The paintings are bright and colourful, and remain true to higher quality prints of Tolkien's phenomenal painting. But unfortunately the same cannot be said of the black and white illustrations. Like a reviewer said before me, it appears Tolkien's drawings were reproduced on a cheap scanner. Tolkien's artwork is highly valuable, but unfortunately the drawings here are rather badly reproduced in this edition.
Then there's the advertisement for LOTR at the end that's rather annoying. They reproduce the first chapter of FELLOWSHIP and place it at the end of the novel, acting like a cheap plug for Tolkien's masterpiece. I don't have any problem with plugging LOTR, but to me this inclusion of the first chapter just cheapens the whole book, especially when it's supposed to be a major edition of a major work. We all know about LOTR. Do we really need the first chapter here? Rather tacky, to say the least.
Then there's the problem of Christopher Tolkien's forward. This is what I was most looking forward too, actually. Having read E. A. Solinas's review, I was under the impression this was a new forward prepared specifically by Christopher for the 70th anniversary of his father's work. Not the case. It's simply a reprint of the forward he wrote for the 50th anniversary of THE HOBBIT, twenty years previously.
As far as textual authenticity, I must be honest in the fact that I've only browsed it at a Borders bookstore, but I'd be very surprised if they did not use the text from The Annotated Hobbit, as it is the most definitive and accurate text yet established for the book. Still, I can't verify that that is the case.
Overall, this is a fair edition of THE HOBBIT. It could have been a lot more. What sets this apart from the other copies is this is how Tolkien truly envisioned how he wanted the book to appear, and for that fact alone, this is a valuable edition to the Tolkien collector. Unfortunately the poor production quality of the black and while illustrations, the rather tacky inclusion of LOTR's first chapter, and the disappointment of the publishers' just reprinting a twenty year old introduction to the 50th anniversary publication rather brings the whole affair down. I think I'll pass on this one.
For those looking for the best edition of Tolkien's book, buy THE ANNOTATED HOBBIT, first published in 1988 and republished in a new format in 2003. The second version of THE ANNOTATED HOBBIT is the definitive edition of this phenomenal work as far as I'm concerned.

The Hobbit Overview



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