Showing posts with label song of ice and fire. Show all posts
Showing posts with label song of ice and fire. Show all posts

32% Off Discounts: Best Price A Feast for Crows (A Song of Ice and Fire, Book 4) Review

A Feast for Crows (A Song of Ice and Fire, Book 4)

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A Feast for Crows (A Song of Ice and Fire, Book 4) Review

OK, I did something a little different in this review. Soon there will be literally hundreds of reviews for this book, all giving similar reasons why people like or dislike A Feast For Crows. Instead of adding, and probably losing, my voice in amongst the clamour, I've done a bit of mathematics for you. I actually went through the book and noted which characters had chapters of their own and how many pages each of those chapters had, then I figured the numbers out as percentages (yes, I know, I need to get out more). So now, for your literary edification and illumination, I present to you a list of what actually happens in the book, according to my calculations (all rounded off).
CERCEI: 22.5%. That's right, folks, the Lannister Queen has more than one page in five, and nearly one page in four, devoted entirely to her point of view. If you've always wanted to know what goes on in her scheming little mind, then boy, do we have a show for you! Considering that there are thirteen people altogether who get chapter viewpoints of their own, Cercei's 22.5% share means that, on average, everyone else only gets 6.5% each. You could say that Cercei has the lion's share (terrible pun, I know).
BRIENNE: 17.5%. Next on our little list comes the Maid of Tarth. Most of the time we spend with her is on character development, rather than juicy action. Not that there's anything wrong with that at all, but you've been warned. If you were expecting her to become Lara Croft: Tomb Raider reborn, think again. Also, of some small statistical note, more than 60% of the pages in this book are devoted to the female character's points of view. Just so you know.
JAIME: 15.5%. The ever-more-interesting brother, and erstwhile lover, of Cercei continues in his evolution from out-and-out bad guy to, well, kind of a good guy. We're going to have to read the next book to see which way he jumps for sure, but so far he's certainly more inclined towards honesty and honour than he seemed to be in the first couple of books.
SAMWELL: 9%. The first character with less than ten percent of the ink investment is Sam. One of the more down-to-earth minor characters from the previous book, he gets fleshed out a little more here (excuse the pun).
SANSA: 8%. One of the few remaining Starks, and one of only two who get chapters of their own in this book, Sansa is also evolving as a character. In this book she is very slowly starting to show signs of an independence that she heretofore lacked. Of course, with only three chapters of her own, she doesn't show much. Not that she was ever on the front lines of either political intrigue or physical combat.
ARYA: 6% The only other person from House Stark with chapters from her own viewpoint. Arya has always been an interesting character to me. Her moral ambiguity, like Jaime's, is stretched further in this book. I'm a little nervous as to how she'll shape up in the end. At this point, it's a little difficult for me to tell, though I have optimistic expectations.
WHO? WHAT? HUH?: 21.5%. Seven people, some of whom are hardly mentioned, or not mentioned at all, in previous books, have their own chapter or two each in this book. So more than one page in five is from the viewpoint of someone you probably can't remember reading about before. And half the time the same viewpoint doesn't come up again in this book at all.
TYRION, JON, DAENERYS, STANNIS, DAVOS, ETC.: 0%. These characters don't appear at all. We have to tune in to the next episode for updates on their adventures. I wondered about this when I bought the book and saw that the maps at the front only showed Westeros.
So there you have it. If you're here reading reviews because you've gotten halfway through the book, don't like it, and want to see what everyone else thought, then I'd recommend that you keep reading. Slog through a few more pages; it does pick up at around the halfway mark. Although, in my mind, the endings for the various characters are fairly anticlimactic. Nothing is really resolved, unlike the previous books. And it's going to be the same for the next book, apparently, since Martin says that it will only focus on the characters who were expected to appear in this book but didn't.
I've given A Feast For Crows three stars, where the previous books in the series would have each earned at least four stars from me.

A Feast for Crows (A Song of Ice and Fire, Book 4) Overview



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46% Off Discounts: Lowest Price A Clash of Kings (A Song of Ice and Fire, Book 2) Review

A Clash of Kings (A Song of Ice and Fire, Book 2)

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A Clash of Kings (A Song of Ice and Fire, Book 2) Review

During one of those endless nights when I just couldn't put Clash of Kings down, I wondered: "Why aren't there more books like this?" George Martin has created one of those most deeply involving and satisfying series out there. In only two books, he has crafted real characters involved in the horrors of war. Many of the reviews below accurately describe the way that Martin creates characters of grey, rather than comic book black and whites. Many of the scenes in the book fit well with dark and somber lighting. This is not your daddy's fantasy novel.
Martin's characters bring a more realistic spin on knighthood and war. Cersei describes it best to young Sansa when she destroys the young girl's romantic view of knights by remarking that knights are for killing, nothing more or less. And kill they do. The battle scenes are raw and unglamorous, like the opening scene from Saving Private Ryan. Its all very realistic and gritty and heck, it makes sense: what do you really think happens when a not-so-sharp sword is swung haphazardly at another person: I've never seen it firsthand, but I'm sure its not pretty. It may be an oxymoron to claim that a fantasy book can be realistic, but this series is: after seeing the battle scenes in Braveheart or Gladiator, I have a deeper understanding of the horrors of sword fighting in, say, the medieval times in English history. Martin's story is realistic in the sense that it doesn't gloss over the horror and pain and terror of battles and the rage of the people who fight them.
Martin's series is a hardcore fantasy adventure for adults. While other authors cater predominately to a younger fantasy audience, Martin seems to write for the "college and beyond" crowd (at 31, I'm well beyond). Sex scenes, like the battles, are not glamorous in the least. Whereas characters in Robert Jordan's Wheel of Time series constantly blush and stumble at the very thought of even kissing a girl, Martin's characters think lewd thoughts, perform graphic sex scenes, etc. Yes, its not for all ages, or for every taste, but for those of us who are tired of the same old antiseptic stuff, Martin is a mature breathe of fresh air.
Meanwhile, he continues to awe me with his story telling. The different kings are now in open conflict with each other. Whereas Game of Thrones focused on the Starks v. the Lannisters, in this installment, it seems as if the entire land is in termoil, with no less than six kings fighting each other and attacking each other. The battles are terrific, including the climactic battle. (no spoilers here)
One other note I feel compelled to make is that Martin has created strong and independant female characters in his series. People might assume, based on the reviews, that this is a male-dominated story. Nothing could be further from the truth. Martin spends as much time writing about the female characters (Sansa, Arya, Catelyn Stark) as the male characters, and the female characters rule (i.e. Cersei) and fight battles (I won't reveal any specifics on this point except to say that Martin introduces two female warriors.)
Martin has created a real world, with all the vices of our own, and given all his characters life. Here's hoping that other writers take note.

A Clash of Kings (A Song of Ice and Fire, Book 2) Overview



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Best Buy for A Storm of Swords: A Song of Ice and Fire: Book Three Review

A Storm of Swords: A Song of Ice and Fire: Book Three

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A Storm of Swords: A Song of Ice and Fire: Book Three Review

Wow, does Martin play for keeps! By the third book in a six book series, you would think that you had the basic plotlines of the story mapped out, and that you could predict most of the major events. Not with A Storm of Swords. Amazing plot twists, fantastic character development, superb dialogue, and a story that moves. This is no unending saga where the story barely progresses from volume to volume. Major characters die, and others act in ways that are completely unexpected but always make sense. So much action is crammed into 900+ pages that I was emotionally drained upon finally finishing -- and reaching the shattering epilogue.
This series is not for the feint of heart. The good guys don't always win, and the bad guys don't always lose. One particular scene involves a series of horrific murders that are so well-written that the action seems to move in slow motion. I had to put down the book for a few minutes just to absorb what I had just read, and I know that I am not the only one to have had that reaction. Those are the moments you hope for when reading -- when the story grabs hold and sucks you in. Fortunately, its not all grim. Seeds of hope and hints of better things to come are there, and there are rousing moments when I couldn't stop the smile from spreading over my face. I've been reading fantasy for 22 years and this is unsurpassed. Get it, read it.

A Storm of Swords: A Song of Ice and Fire: Book Three Overview



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32% Off Discounts: Buy Cheap A Song of Ice and Fire 2012 Calendar Review

A Song of Ice and Fire 2012 Calendar

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A Song of Ice and Fire 2012 Calendar Review

John Picacio is a big name when it comes to artists working in the field of fantasy and science fiction, having done many covers and illustrations. When it was announced that he would the calendar after the already excellent work from Ted Nasmith last year, mich rejoicing could be seen.
I received the calendar and I must say I am well pleased with it. Beautiful work all around. My particular favorites were a very striking Tyrion ( probably the best Tyrion I have seen yet), Melisandre, The Mountain vs Red Viper, Ned at the Godswood ( also the cover you see), and Bran reaching out to the 3-eyed crow. I guess the only one that feels a bit off to me is the one that shows The Others. It's still much better than the strange depiction of The Others in the tv series, but it's also still different from described, they should still be more angular and a bit less humanoid, with ice skin that serves as armour.
So yes, very good, and highly recommended.

A Song of Ice and Fire 2012 Calendar Overview

Featuring stunning, all-original artwork, award-winning artist John Picacio captures in striking detail twelve of the legendary characters from George R. R. Martin's acclaimed series A Song of Ice and Fire. With a cast from the Lannisters to the Starks—and a host of heroes and villains in between—these images evoke the magic, mystery, romance, and adventure that have established Martin as a virtuoso of modern fantasy.

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