35% Off Discounts: Best Price Pretty Little Liars #9: Twisted Review

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Pretty Little Liars #9: Twisted Review

First and foremost, I have to be completely honest with you guys; when I heard that she was writing another book, I was happy, but I was also thinking that she was just doing it to earn more money and the book would be crap. I was COMPLETELY wrong. I finished the book a few hours ago, and I love the huge twist that she came up with in Jamaica. It was very creepy and while you kind of get an "end" to it, I don't think we're given the whole story concerning the incident. Let's just say I have my own little theory about what really went down, and having read the rest of the series, I wouldn't be surprised if I was right in some way. Sara loves surprises.
The girls don't really have anyone to trust in this book. Hanna gets sucked into a con artists lies, Emily's friend has a creepy dad (and her summer break secret will make. your. jaw. DROP.), Aria's boyfriend has a new foreign roomie who is not as sweet as she pretends to be, and Spencer continues to stick her nose where it doesn't belong.
I promise that you will NOT be disappointed with this book. It did come off as a little slow at the beginning, but the story quickly gets better. If you thought book 8 was amazing, just wait until you read 9. 'Twisted' most definitely blows 'Wanted' right out of the water.

Pretty Little Liars #9: Twisted Overview

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Purchase Cheap City of Fallen Angels Review

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City of Fallen Angels Review

if you are anything like me then about a year ago or so you closed the cover of city of glass and placed it on your shelf with a satisfied sigh. It was a good ending to a great trilogy. For the next few months you would touch the books fondly as you passed by your bookshelf, reminiscing about the world clare had created. Then one day you heard the impossible, maybe from a friend, bookseller, or book review...there would be a fourth mortal instruments book "But i thought...!", you exclaim. Well, you thought wrong! Cassandra was indeed adding a fourth, fifth, and sixth installment to the beloved series. Your heart raced and your fingers twitched just thinking about it. So when that fateful day came you ran to the bookstore and grabbed the book. You went home, opened it and began devouring the pages. Except..you couldn't. Two days passed And you were only fifty pages in. Hmm how peculiar, usually you would have finished the entire book in one sitting. But this story was different. It didn't captivate you like the others had. Sure Simon was just as endearing as always. But the others. Well you just had the overwhelming desire to strangle them. Much like Jace did with Clary, in fact. Which you might add was rather annoying. Couldn't they just be together without any problems?! Jace had a completely different voice in this book. Gone were his witty banter and endearing arrogant nature. Sure, he had his moments. But most of the time he was in the corner brooding. Last time you checked twilight was still sitting on your shelf.... OH and the ending, Dear God. Way to take a hard earned twenty dollars and flush it down the toilet cassandra Clare! Why can't dead characters stay dead! move on! we are tired of living in the past! overall, this was not what i expected from one of the best book series i've ever read. Sure, ill read the next one. But i won't be expecting much...

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Life of Pi Review

With over 1250 reviews already registered for LIFE OF PI, I first thought there could be nothing more to say about this marvelous novel. But after scanning the most recent 100 reviews, I began to wonder what book many of those reviewers had read. Had I relied on 98 of those reviews, I would have expected a far different book than the one I actually read.
Let's begin with what LIFE OF PI isn't. It's not a Man against Nature survival story. It's not a story about zoos or wild animals or animal husbandry. It's not ROBINSON CRUSOE or SWISS FAMILY ROBINSON. It's not a literary version of CASTAWAY or OPEN WATER, and it's not a "triumph against all odds, happily ever after" rescue story. To classify it as such would be like classifying THE OLD MAN AND THE SEA as a story about a poor fisherman or MOBY DICK as a sea story. Or THE TRIAL as a courtroom drama, THE PLAGUE as a story of an epidemic, HEART OF DARKNESS as a story about slavery, or ANIMAL FARM as an animal adventure.
Martel's story line is already well-known: a fifteen-year-old boy, the son of a zookeeper in Pondicherry, India survives a shipwreck several days out of Manila. He is the lone human survivor, but his lifeboat is occupied by a Bengal tiger named Richard Parker, an injured zebra, a hyena, and an orangutan. In relatively short order and true Darwinian fashion, their numbers are reduced to just two: the boy Piscene Molitor Patel, and the tiger, Richard Parker. By dint of his zoo exposure and a fortuitously positioned tarpaulin, Pi (as he is called) manages to establish his own territory on the lifeboat and even gains alpha dominance over Richard Parker. At various points in their 227-day ordeal, Pi and the tiger miss being rescued by an oil tanker, meet up with another shipwreck survivor, and discover an extraordinary algae island before finally reaching safety.
When Pi retells the entire story to two representatives of the Japanese Ministry of Transport searching for the cause of the sinking, they express deep disbelief, so he offers them a second, far more mundane but believable story that parallels the first one. They can choose to believe the more fantastical first one despite its seeming irrationality (Pi is, after all, an irrational number) and its necessary leap of faith, or they can accept the second, far more rational version, more heavily grounded in our everyday experiences.
LIFE OF PI is an allegory, the symbolic expression of a deeper meaning through a tale acted out by humans, animals, and in this case, even plant life. Yann Martel has crafted a magnificently unlikely tale involving zoology and botany, religious experience, and ocean survival skills to explore the meaning of stories in our lives, whether they are inspired by religion to explain the purpose of life or generated by our own psyches as a way to understand and interpret the world around us.
Martel employs a number of religious themes and devices to introduce religion as one of mankind's primary filters for interpreting reality. Pi's active adoption and participation in Hinduism, Islam, and Christianity establish him as a character able to relate his story through the lens of the world's three major religions. Prayer and religious references abound, and his adventures bring to mind such Old Testament scenes as the Garden of Eden, Daniel and the lion's den, the trials of Job, and even Jonah and the whale. Accepting Pi's survival story as true, without supporting evidence, is little different than accepting New Testament stories about Jesus. They are matters of faith, not empiricism.
In the end, however, LIFE OF PI takes a broader view. All people are storytellers, casting their experiences and even their own life events in story form. Martel's message is that all humans use stories to process the reality around them, from the stories that comprise history to those that explain the actions and behaviors of our families and friends. We could never process the chaotic stream of events from everyday life without stories to help us categorize and compartmentalize them. Yet we all choose our own stories to accomplish this - some based on faith and religion, some based on empiricism and science. The approach we choose dictates our interpretation of the world around us.
LIFE OF PI bears a faint resemblance to the movie BIG FISH, also a story about storytelling and how we understand and rationalize our own lives through tales both mundane and tall. Martel's book is structured as a story within a story within a story, planned and executed in precisely 100 chapters as a mathematical counterpoint to the endlessly irrational and nonrepeating value of pi. The book is alternately harrowing and amusing, deeply rational and scientific but wildly mystical and improbable. It is also hugely entertaining and highly readable, as fluid as the water in which Pi floats. Anyone who enjoys literature as a vehicle for contemplating the human condition should find in LIFE OF PI a delicious treat.

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Purchase Cheap Pretty Little Liars #2: Flawless Review

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Pretty Little Liars #2: Flawless Review

Alison "Ali" DiLaurentis had the four B's of popularity: beauty, brains, body, and boys. She also had four amazing best friends - Spencer Hastings, Aria Montgomery, Hanna Marin, and Emily Fields. As if their friendship weren't enough, she also knew secrets about all of them. Secrets that no one else even suspected, from bulimia to unfaithful parents, and everywhere in between. Then, one day, just as the summer was beginning, Ali disappeared, leaving four friends weeping in her wake. While their sorrow was strong, Ali's sudden disappearance was also a bit of a relief. After all, now their secrets would never be revealed. But the fact that Ali's body had never been uncovered always left a slight hesitation in their mind. That is, until she was found under a pile of cement, proving that their secrets would stay dead and buried. But maybe they spoke too soon. After four long years, Hanna, Aria, Spencer, and Emily are brought back together to mourn at the funeral of their long lost best friend. But things hit a sour note when the mysterious "A" contacts all of them once more, threatening to reveal their secrets and pin the blame on them for "The Jenna Thing." As if the eerie note isn't horrifying enough, each girl is shocked to see that the police have re-opened Alison's case. Only this time it's being treated as a murder, leaving the four former friends open for police questioning at any time. To make matters worse, Toby Cavanaugh - Jenna's reform school brother - has returned to the quiet town of Rosewood, attending nearby Tate Academy. And, while the former geek turned hottie seems harmless enough this time around, there's a mischievous glimmer in his eye that's leaving everyone on edge. It doesn't help that, since Toby's sudden arrival, "A" has been sending more and more notes. Making threats, demanding them to perform certain acts, and even spying on their every move. While the girls know that they should confide in one another regarding "A's" sudden attacks, they can't bring themselves to reveal such intimate, and oft-times embarrassing, details to one another. It doesn't help that a sense of mistrust has grown between all of them over the years, pushing them more into the acquaintance category, as opposed to the friend category; or that they're all facing certain dramas in their lives right now. Dramas that could tear them apart, and ruin their lives in a heartbeat. From the arrival of a deadbeat dad, to the rekindling of a forbidden romance, and even moving into trusting a former enemy territory. Spencer, Hanna, Emily, and Aria think that they'll be able to handle the newest drama on their own. But, as "A" moves closer in their direction, they begin to realize that if they're not careful, they may just be buried alive by their many scandalous secrets.
While Sara Shepard's debut, PRETTY LITTLE LIARS, gave readers a character sketch, a surface look, if you will, at Hanna, Spencer, Emily, Aria, and even the missing Ali; FLAWLESS brings us back to where the first installment left off, the day of Ali's funeral, and instantly moves in to dissecting each of the aforementioned characters, giving readers the chance to get to know them better. Shepard has a talent for making the reader sympathize with, yet, at the same time, dislike certain people introduced. Her ability to make secondary characters memorable is amazing, and truly makes for a delightful read. While I find Aria and Hanna to be the most enchanting characters, simply because I can relate to both of them in various ways, I must admit that both Emily and Spencer are captivating in their own ways. The vulnerability that Hanna shows as she comes to terms with, and attempts to defeat bulimia, while giving into the pressures of anorexia nervosa, are addicting; while Spencer's inability to resist her older sister, Melissa's, boyfriends is jaw-dropping. Emily, like Hanna, is attempting to come to terms with the "real" her, which many readers will relate to quite well; while Aria is wacky and wonderful, and just working to keep her family together. Combined, each girls story presents a wonderful topping to the underlying truth: Ali's mysterious disappearance. With "A" moving in closer on every page, it's obvious that Shepard is working on revealing his or her identity sometime soon - or so we can hope. Riddled with suspense, and a captivating cast of characters - a 'flawless' sequel.
Erika Sorocco
Freelance Reviewer

Pretty Little Liars #2: Flawless Overview

Spencer stole her sister's boyfriend. Aria is brokenhearted over her English teacher. Emily likes her new friend Maya . . . as much more than a friend. Hanna's obsession with looking flawless is making her sick. And their most horrible secret yet is so scandalous that the truth would ruin them forever.

And why shouldn't I tell? They deserve to lose it all. With every crumpled note, wicked IM, and vindictive text message I send, I'll be taking these pretty little liars down. Trust me, I've got enough dirt to bury them alive.


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Lowest Price Eclipse (The Twilight Saga, Book 3) Review

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Eclipse (The Twilight Saga, Book 3) Review

I adored both Twilight and New Moon (gave them both 5 star ratings) and was happily anticipating loving Eclipse as much as I did the first 2 in this series. Unfortunately, the bad things really overshadowed the good for me in this installment.
I think Stephenie Meyer has an amazingly readable writing style; she's definitely one of 3 writers that I budget time to read their latest books in one sitting (Rowling, Charlaine Harris and Meyer). Eclipse was no exception in terms of being a page-turner. This novel really showcases Meyer's great sense of humor as well. Obviously from the amount of time and emotional energy I've invested into the series over the last couple of years, I care very intensely for her characters, and I think having your readers care so much for the characters should be a real tribute to any writer.
I was very pleased that Edward and Bella finally confronted the issue of their sexual relationship. It was tastefully depicted in my judgment, and it was long overdue. I also think it makes perfect sense for Bella to realize that having human sexual experience before sacrificing her humanity is worth exploring.
While I agree with so many other reviewers that the action plot in this book was only ho-hum at best, I did cheer that Bella (and we readers) at long last got to see Edward the Vampire in action. Now she has a better idea what she'll become, and he understands that she doesn't think him a monster for having witnessed him being a full-fledged vampire.
I didn't like the concept of imprinting (which is limited to the werewolves). It eliminates free will entirely, which I found very unsettling. I also found the similarities between imprinting and Bella's relationship with Edward to be more than a bit disturbing (more on that below).
The Cullens and the Wolves are no closer to understanding the core of humanity that resides in each of them. Jacob acknowledges that Edward loves Bella, but he still doesn't understand their love at all and hasn't made any attempt to understand the Cullens generally. Same, of course, holds true for the Cullens not being keen on the wolves at all. I really thought this would have to be the central theme, but I would have expected more progress in Eclipse.
Now for the Ugly .....
I'm shocked and appalled that Ms. Meyer could believe that many of us who disliked or were on the fence about Jacob in previous books would suddenly convert to pro-Jacob fans after reading Eclipse. I'm truly shocked.
After her book-signing tour for Eclipse, Meyer updated her website with some FAQs about Eclipse, and she has this to say about Jacob: "Those who are upset by some of his tactics should consider his youth and the fact that he is, after all, right. Bella is in love with him."
I thought Jacob was absolutely horrid as a person for the entirety of the novel, and it went beyond simple immaturity. Bella defends Edward (and her love of Edward) to Jacob at one point, emphasizing that Edward is decent. And Edward is decent. And good to the core.
Jacob, however, is not. He is so not decent. I truly despised him by the end of Eclipse and quite honestly, I wish he would just never return from his sojourn in the forest.
I've read enough reviews and talked to enough other readers to know that I'm not alone in being extremely upset and bothered by the Forced Kiss. No decent man would force himself on a woman, no matter what. His inexperience and immaturity don't excuse it. His goal of forcing Bella to acknowledge the connection between them is not sufficient reason for him to have done that. His apology might have ameliorated the wrong, if he had followed through and stopped trying to force or trick Bella into intimacy with him. I think the Forced Kiss sends a horrible message to Meyer's younger fans too. There are no repercussions from his forcing himself on her. Even Bella's father good-naturedly congratulates Jacob for having kissed Bella against her will! Yes, really.
The second later kiss (the one where he threatens to commit suicide since Bella doesn't care about him, provoking her to ask him to kiss her, henceforth the "Trickery Kiss") also proves unequivocally that Jacob is neither decent, nor a man. He's just a bitter, conniving, dishonorable and immature little boy who will apparently stop at nothing to try and get what he wants. I don't believe for one moment that Jacob is motivated solely by the lofty aspiration to save Bella from a fate worse than death (being turned into a vampire). Jacob wants what will make Jacob happy, and he makes absolutely no attempt to genuinely understand Bella's perspective.
Meyer clearly wants readers to feel Jacob's "pain," but honestly, he's 16 years old (which, remember, apparently gives him license to be a total jerk). But, if he's just an average immature 16 year old kid, then he'll just get over Bella and move on, right? I don't fundamentally understand why Jacob's broken heart is supposed to tug at my heart-strings. At the end of Eclipse, it is late June or perhaps mid-July. Jacob and Bella became best friends in January of the same year. He's really known her well for all of 6 months and he's 16 years old. It's a big shrug, isn't it? And if it isn't, why not? Hmmmm......might it be because Bella is turning into the biggest Mary Sue in all YA literature?
Bella frankly comes off worse than Jacob in this book. I've been a big Bella fan and defender in the prior books, but she left me cold in this one. I think she is selfish, whiny, indecisive, subservient to every male in her universe and generally a terrible role model for younger readers of these novels.
I think that Bella was portrayed in Twilight as an "old soul," and the love that she and Edward have (had?) was meant to transcend the normal love relationship that average teenagers might experience (or even that most adults might have). Their love was painted as something that was a cut above all other romance. Most average love affairs get tested by threats such as what Jacob poses. But, the Bella/Edward love story was, I thought, something different. If you take away the supernatural trappings of the two males, then you're left with a rather humdrum average love story, are you not? Again, what was the point of the New Moon epiphany if Bella just throws it all out the window in the next book and remains convinced that she's not good enough for Edward and starts to have romantic interest in another guy?
Bella did at last agree to marry Edward in this book. She made that promise to him, was engaged and then cheated on him. Just because she is only going through the formality of the wedding and an actual marriage because it's important to Edward is no excuse to treat it as though it isn't a promise. And it just kills me, absolutely breaks my heart, for her to be thinking "How soon can I give him back this ring without hurting his feelings?" when he's so suffused with joy and happiness at seeing it on her finger, at knowing that she's agreed to compromise and make him happy with a marriage that is clearly very important to him. That is heart-breaking. Edward deserves so much better.
Further, her objections to marriage are weak. Since we knew in New Moon that Bella had undefined "issues" with marriage, I expected Eclipse to reveal something more along the clichéd line of "child of divorced parents" than the reality. The "I don't want to be that girl" reasoning is really, really lame when you consider what Bella's ultimate plans are. Why the hell would she care what the kids she graduated with are saying about her, when she's never going to see any of them ever again? Since when did Bella Swan care about gossip or what other kids her own age thought about her? Charlie and Renee might be disappointed and encouraging her to wait until after college, but if Bella said the right things, her parents would accept her decision. I can understand the whole "that girl" argument, really I can -- but it makes no sense for Bella to be making that argument. It's weak and completely out-of-character. As one reviewer noted, it's a manufactured conflict designed to stretch out the storyline by another book.
I'm also growing very weary of Bella's self-esteem problems. I can't help wondering what happened to that great epiphany she had at the end of New Moon? The one where Bella and Edward both realized that they love each other completely and would always belong to each other --- what happened to that? In Eclipse, Bella is right back to viewing her relationship with Edward as "out of balance." As Edward noted once, "the way you regard me is ludicrous." I thought we were past all that, and yet Eclipse drags us right back down into the abyss of Bella's self-esteem issues. It's really growing tiresome and overdone (much like the continued repetitive emphasis on Edward's beauty). Grow up and grow a spine, will you, Bella? Please do us all a favor and get a backbone.
In literature (or movies), the author has an obligation to lay some clues that a love triangle is in the offing. Otherwise, it's just cheating. And I feel cheated, completely and utterly cheated. If Bella is resolute about anything, it's that she loves Edward and has only friendship feelings for Jacob. In her Eclipse FAQ again, Meyer insists that Bella fell in love with Jacob in New Moon and states: "Bella has only fallen in love one time, and it was a very sudden, dramatic, sweep-you-off-your-feet, change-your-world, magical, passionate, all-consuming thing (see: Twilight). Can you blame her for not recognizing a much more subtle kind of falling-in-love?" Well, Bella may not recognize it for what it is, but the readers darn sure should be able to see it. I know I'm not alone in finding no evidence of Bella...Read more›

Eclipse (The Twilight Saga, Book 3) Overview

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Purchase Cheap New Moon (The Twilight Saga, Book 2) Review

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New Moon (The Twilight Saga, Book 2) Review

Anyone who enjoyed the first book but found the phrasing repetitive and the character of Bella to be mildly annoying, be warned.
Pgs 1-70 are actually interesting, aside from Bella being a brat about turning 18
Pgs 70-400 are basically the plot of the first book, recycled, with Jacob as the new love interest. As with Edward, she shuns the other kids at school, wants to spend all her time with him, and, when she finds out what he really is, she embraces it, meets the family...etc etc.
pgs 400-the end are essentially the only novelty to the book. Even so, it's ruined by the fact that Bella is so helpless and insecure. I don't understand why Edward loves you either, Bella, but he does. And I don't want to have to read 500 pages of him convincing you of that.
This book is basically ACT II of the first book, but with a few less obnoxious descriptions of Edward's bronze hair/marble body/topaz eyes, and a few more obnoxious descriptions of the aching hole/depression in Bella's soul when Edward leaves her.
Bella morphs from being slightly annoying and whiny, to being completely pathetic. Her world revolves around Edward, so when he leaves, she is left in a catatonic state...until eventually she decides to rebel and do crazy things, in the hopes that she might hear his voice (oh yes, that velvet voice of his is in this book too, and velvet must be on Meyer's 'favorite adjectives list").
But then Bella finds reason for living again, in the arms of another man, Jacob. Her basic attraction to him is based on...wait for it..."she's less miserable with him". Hmmm....the co-dependent latches on again. She completely leads him on, because the whole time she is with him, she is still thinking about Edward and how she can reunite her crazy messed up head with a precious delusion of him.
In the end, Edward and Jacob are mortal enemies (oh no!) and Bella is left choosing between the man who is the world to her, and the man who is the world to her when the man who really is the world to her is unavailable. Gee, I wonder who she'll choose in the end. Apparently Meyer wants us to think it's a toss up and plans to make another book of it. Yeah right.
I can only hope that the third book doesn't contain the following phrases and/or words, because I HATE THEM BY NOW:
grimaced
smirked
topaz
velvet voice
touseled bronze hair
marble slab
perfect face
singing laughter
aching hole
russett skin
angelic anything
it felt like I was dreaming
I wasn't sure if it was a dream
it had to be a dream

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Purchase Cheap Jumping Off Swings Review

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Jumping Off Swings Review

I am typically a slow reader because it takes a LOT to capture my attention. I read this book in one sitting!
Jo Knowles is absolutely brilliant! By alternating this story from four characters' perspectives, this book moved at a quick pace. Often, we only see how one or two characters' actions affect themselves. In Jumping Off Swings, we see how the decision made by two characters affects the lives of many people.
In this novel, the characters are truly brought to life. I was very emotionally involved while reading Swings. I could sympathize with each of the characters and their personal battles. It was almost as though I was placed in their shoes. As one would assume, the character I felt most connected with was Ellie, the teenager who becomes pregnant. She faces many interpersonal conflicts, and while I was reading I actually cried (with real tears) for her.
In Swings, Jo Knowles tackles not only teen pregnancy, but she brings to surface issues of peer pressure, family issues, friendship, romantic relationships, and the importance of confidence in one's self. She has articulately written a book that should be discussed. Not only is it captivating, but it causes you to think at a deeper level.
In my opinion, Jumping Off Swings is one of the best books of 2009, and I highly recommend it to anyone.

Jumping Off Swings Overview

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