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Travels with Charley in Search of America: (Centennial Edition) Review

In 1960 John Steinbeck decided to reacquaint himself with America after being away because, in his own words, "I've lost the flavor and taste and sound of it. I'm going to learn about my own country." So he set out on a 3+ month journey with his dog to do just that. Along the way, he met people and made conversation, observed the state of the country, and let his mind wander as he made his journey. Then he returned to his mobile cabin at night and recorded the day's events. These journal entries became "Travels with Charley."
Overall, Steinbeck seems to paint a pretty picture. While driving through New England in the fall, he is taken with the brilliant foliage on display. He is much impressed with Wisconsin, and says about Montana, "I am in love. For other states I have admiration, respect, recognition, even some affection, but with Montana it is love." Later, Steinbeck also speaks glowingly of the California Redwoods.
Steinbeck also has nice things to say about the American people - sometimes. He notes that midwesterners are openly friendly, and again praises Montana, for its inhabitants "had time...to undertake the passing art of neighborliness." However, interspersed throughout his journey, Steinbeck encounters many things which are not so delightful. In fact, some were quite upsetting. He talks of waste - "American cities are like badger holes, ringed with trash" - and of miserable people - "(some people) can drain off energy and joy, can suck pleasure dry and get no sustenance from it. (They) spread a grayness in the air about them." (This was his opinion of a waitress Steinbeck had just met in Maine.) And the waitress wasn't the only one.
Along his journey, he met many close-minded, opinionated, bigoted and rascist Americans, and it made for depressing reading. I don't think Steinbeck was quite prepared for it. I believe he had an idealized vision of a great trip, but in reality, it wasn't, and it took a lot out of him. By the end Steinbeck was burned out and wanted nothing more than to get back home. After California he went straight through to Texas, and then to New Orleans, where he encountered rascism at its worst. That seemed to be the last straw for him. After that, he blew off the rest of the southeast US and went back to New York. He had had enough.
Jay Parini, who wrote the introduction, notes this ominous feeling. He states that the book is filled with "whimsical vignettes, charm, etc., but beneath its surface there is a sense of disenchantment that turns to anger." He goes on to say that Steinbeck "is never quite able to bring himself to say that he was often disgusted by what he saw." But there's no question that he was.
Still, this was a very good book. And it's not demoralizing from start to finish. There are many humors adventures as well - his discussions with border guards near Canada being the most memorable. But one can't help but feel that Steinbeck was sorry he'd gone. He had a pre-conceived notion of what America was, and when it didn't meet his expectations, he was crushed. "Travels with Charley" brilliantly captures what Steinbeck reluctantly learned - that you can't go home again.
Four stars.

Travels with Charley in Search of America: (Centennial Edition) Overview

With his dog Charley, John Steinbeck set out in his truck to explore and experience America in the 1960s. As he talked with all kinds of people, he sadly noted the passing of region speech, fell in love with Montana, and was appalled by racism in New Orleans.--This text refers to an alternate Paperback edition.

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25% Off Discounts: Lowest Price Gramatica Esencial (Spanish Edition) Review

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Gramatica Esencial (Spanish Edition) Review

The book came to me in what looked to be brand new condition. I was very pleased at the quality I received for the price I paid.

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20% Off Discounts: Lowest Price La Casa en Mango Street Review

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La Casa en Mango Street Review

I have read this book aloud, in English and Spanish, to students grade 3-5 and they were all MESMERIZED by it. The reason is that they had never heard a book written in a child's voice, about everyday experiences similar to their own. The part about one of the girls being tempted to kiss the bum for a dollar got a great discussion going, with many students giving their opinion about what the girl should or should not do. Also, Elena Poniatowska did an amazing job of translating from English to Spanish. Nothing was lost, not even the voice. Poniatowska is an author in her own right, and therefore was able to achieve a perfect translation.

La Casa en Mango Street Overview

La novela mejor vendida, trata de una niÃa que crece en una de las comunidades latinas de Chicago-algunas veces le romperá el corazÃn y otras veces le dará gran alegría-describe un nuevo paisaje americano a través de sus múltiples personajes. -"Una novela profundamente conmovedora . . . Como lo mejor de la poesía, abre las ventanas del corazÃn sin desperdiciar las palabras." -Miami Herald.

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Buy Cheap Indignation (Random House Large Print) Review

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Indignation (Random House Large Print) Review

Butchery and blood are recurring images in Philip Roth's scalding new novel which is probably his darkest comedy since Sabbath's Theater. The images are shocking yet appropriate since this little novel deals with a big subject: what someone once called "the meat-grinder of history." Many of Roth's familiar elements are here. The naive young Jewish hero meets up with an unstable gentile girl in the 1950's and farce ensues. But this is 1951 and the Korean War hovers over the story like a thundercloud. I wasn't very enthusiastic about Roth's last couple of novels which seemed rather flaccid to me. But this one has suspense, narrative drive and storytelling fury that recall his great "American" novels of 10 years ago, only in concentrated form. "Indignation" left me wrung out, like you hope a novel will do for you.
Marcus Messner announces on page 54 that he is dead (this is no great spoiler, believe me.) The dead narrator is a time-honored narrative strategy in film noir (see Sunset Boulevard (Special Collector's Edition) and the novels of Jim Thompson, especially Savage Night) and it's interesting to see how Roth uses it. Although there may be an alternative explanation for Marcus' state; check the chapter titles. As he tells his story we learn how he came to die. Practically driven out of his home by his loving but suddenly paranoid kosher butcher father, he flees to go to college in the same town as Sherwood Anderson's Winesburg, Ohio (Signet Classics). The smart but inexperienced boy finds himself way over his head. He is flummoxed by a beautiful girl he dates and is unable to tolerate either a flamboyant gay roommate or the strictly conservative college administration with its Christian affiliation. Instead of laughing it off and making the best of it, as apparently Roth in real life was able to at Bucknell, Marcus goes to war with his surroundings. His private mantra becomes the Chinese national anthem he learned in grade school with its refrain "indignation, arise!" And in a hideous irony it is the Chinese army that butchers Marcus on a hill in Korea some months later.
This is a remarkable book: a terrible tragedy with farce, a funny book where the laughs catch in your throat. It once again displays Roth's famous psychological toughness; no one is let off the hook here. And Roth plays fair; although he displays what is coming to be his obvious disdain for religion of all kinds, he shows Marcus playing a role in his own destruction through the kid's own intolerance and pride. Although the president of the college is a Republican political hack (as Roth sees it), the author lets him deliver the theme of the novel in a thunderous speech near the end of the book: you may try to hide from history: but like Jonah inside the whale, it will find you.

Indignation (Random House Large Print) Overview

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29% Off Discounts: Lowest Price The Glass Menagerie Review

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The Glass Menagerie Review

Amanda Wingfield, the matriarch of "The Glass Menagerie," always tells her daughter, Laura, that she should look nice and pretty for gentleman callers, even though Laura has never had any callers at their St. Louis apartment. Laura, who limps because of a slight physical deformity, would rather spend her time playing with the animals in her glass menagerie and listening to old phonograph records instead of learning shorthand and typing so she can be employable. When she learns Laura has only been pretending to go to secretarial school, Amanda decides Laura must have a real gentleman caller and insists her son Tom, who works at a shoe factory, find one immediately. After a few days, Tom tells Amanda he has invited a young man named Jim O'Connor home for dinner and at long last Laura will have her first gentleman caller.
The night of the dinner Amanda does every thing she can to make sure Laura looks more attractive. However, when Laura realizes that the Jim O'Connor who is visiting is possibly the same Jim on whom she had a crush in high school, she does not want to go through with the dinner. Although she has to be excused from the dinner because she has made herself physically ill, Laura is able to impress Jim with her quiet charm when the two of them keep company in the living room and she finally loses some of her shyness. When Jim gives Laura her first kiss, it looks as if Amanda's plans for Laura's happiness might actually come true. But no one has ever accused Tennessee Williams of being a romantic.
"The Glass Menagerie" was the first big success in the long and storied career of playwright Tennessee Williams. Written in 1944, the drama consists of reworked material from one of Williams' short stories, "Portrait of a Girl in Glass," and his screenplay, "The Gentleman Caller." In many ways it is an atypical drama from Williams, with the character of Tom (a role I will confess to playing on stage) serving as a narrator who breaks the "fourth wall" and addresses the audience, which evinces Williams' affinity for Eugene O'Neill (e.g., "The Emperor Jones") at this point in his career. Tom tells the audience that this play offers truth dressed up as illusion, and in his stage directions (which are usually not taken full advantage of in the various performances I have seen because what was cutting edge in 1944 is overly quaint today) he uses not only monologues but also music and projections to enhance the memories on display. Williams also explicitly tells his audience that the gentleman call is the symbol of "the expects something that we live for."
This "memory play" tells of a family trapped in destructive patterns. After being abandoned by her husband, Amanda Wingfield, a woman of the Great Depression, has become trapped between worlds of illusion and reality. She says she wants what is best for her children, but seems incapable of acknowledging what that would be or actually providing it for them. Tom, tired of only watching adventure at the movies, is determined to break away from his dominating mother, but stays only for the sake of his sister. Laura may not be the glamorous belle of the ball her mothers wants, but she has her own inner charm and when confronted with Jim, a visitor from the normal world, there is the chance that she will finally claim her life as her own. This is a poignant drama on the importance of love and it represents a memory of not only family but also of loss.

The Glass Menagerie Overview

No play in the modern theatre has so captured the imagination and heart of the American public as Tennessee Williams's The Glass Menagerie.
Menagerie was Williams's first popular success and launched the brilliant, if somewhat controversial, career of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, the play has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. A new introduction by prominent Williams scholar Robert Bray, editor of The Tennessee Williams Annual Review, reappraises the play more than half a century after it won the New York Drama Critics Circle Award: "More than fifty years after telling his story of a family whose lives form a triangle of quiet desperation, Williams's mellifluous voice still resonates deeply and universally." This edition of The Glass Menagerie also includes Williams's essay on the impact of sudden fame on a struggling writer, "The Catastrophe of Success," as well as a short section of Williams's own "Production Notes." The cover features the classic line drawing by Alvin Lustig, originally done for the 1949 New Directions edition.

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34% Off Discounts: Purchase Cheap To Kill a Mockingbird CD Review

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To Kill a Mockingbird CD Review

I just finished this book a few moments ago, and I am completely awed by this story. Harper Lee has done an excellent job bringing this 1930s Alabama childhood to life. I can see why To Kill a Mockingbird has won the Pulitzer Prize, garnered an Academy Award for the movie version, and ultimately become a timely classic enjoyed by many generations.
To Kill a Mockingbird tells the story of two children, sister Scout and brother Jem, and their childhood during three years in the midst of the Great Depression. Scout and Jem spend most of their summers with their summer-neighbor, Dill, making up plays and spying on the town recluse, Boo Radley. During the school year (minus Dill, who goes back home to Mississippi), Scout finds herself in trouble one too many times and struggles with the concept of being a lady, especially when all she wants to do is wear overalls and beat up her classmates.
Then everything changes one fall.... Scout and Jem's father, Atticus Finch, a lawyer in their town of Maycomb, Alabama, is appointed to the defense of Tom Robinson, a black man accused of raping a white woman (although not of the highest caliber), Mayella Ewell. The fact of this case rocks the town of Maycomb, and with Scout and Jem feeling the brunt of their classmates ridicule when they realize Atticus is on Tom's side.
I was simply floored while reading this novel. I wasn't expecting a "classic" to be so readable. Now I know what I've been missing! To Kill a Mockingbird is a piece of our American history that depicts racism and prejudice, childhood innocence, and the perseverence of a man who risked it all to stand up for what he believed in. Wonderful portrayal and one I will read again.

To Kill a Mockingbird CD Overview

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The Corrections: A Novel (Recent Picador Highlights) Review

"The Corrections" has been delivered with a blizzard of media hype than can be off-putting to the very readers the publishers want to reach (people starved for serious, readable, intelligent fiction.) But you really should get ahold of this excellent novel. I devoured it in one night's frenzied reading. Yes indeed, Franzen has taken the somewhat inaccessible avant-garde concerns of writers like Don DeLillo or the David Foster Wallace of "Infinite Jest" and placed them in the context of a mainstream novel about *family* and how it prepares you to function (or not) in the larger world. Franzen manages to create a little universe that mirrors our own crazy world, yet makes the madness more comprehensible. He is devilishly funny, in a laugh-out-loud sort of way, yet his message is ultimately one of forgiveness and reconciliation. The Lamberts, the screwed-up family at the heart of the story, have the feeling of real people you know. That are unique, unforgettable individuals, but you may squirm when the self-destructive ways of Gary, Chip or Denise remind you of the stupid mistakes you have made in your own life. Alfred and Enid, the mom and dad, will make you shake your head; when did Franzen meet *my* parents? The book becomes genuinely suspenseful as Enid struggles to get her wayward children home for "one last Christmas" before Alfred's decline becomes irrevocable. And don't let Franzen's bad-mouthing of Oprah deter you from reading this. Ironically, his comments are just the sort of thing one of the Lambert kids would say in order to sabotage themselves. It just proves Franzen really does know what he's talking about.

The Corrections: A Novel (Recent Picador Highlights) Overview

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