Buy Cheap Footsteps in Time: A Time Travel Fantasy (The After Cilmeri Series Book One) Review

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Footsteps in Time: A Time Travel Fantasy (The After Cilmeri Series Book One) Review

All of Woodbury's books seem to me characterized by a broad appeal to youth and adults, men as well as women, lovers of historical fiction as well as time-travel -- and often romance though not so much this one. Her books are founded, like all historical novels, in as much real history as the author can put together. Woodbury has become an expert on Welsh medieval history. With this, she uses time travel to reveal with humor and seriousness the distinctive places of women in both times. Assuming she is a woman not a man using a pseudonym, at the same time, her male characters also seem very real -- to me as a man. She also tells such a well-crafted story, I was forced to shed some tears here and there.

Footsteps in Time: A Time Travel Fantasy (The After Cilmeri Series Book One) Overview

In December of 1282, English soldiers ambushed and murdered Llywelyn ap Gruffydd, the Prince of Wales. His death marked the end of Wales as an independent nation and the beginning of over seven hundred years of English oppression.Footsteps in Time is the story of what might have happened had Llywelyn lived. And what happens to the two teenagers who save him.Footsteps in Time is the first book in the After Cilmeri Series. Other books in the series include Book Two, Prince of Time, and Daughter of Time, a stand-alone novel within the world of the After Cilmeri Series.

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Daughter of Time: A Time Travel Romance (The After Cilmeri Series) Review

I love medieval history, and I loved the blend of history, romance, and time-travel fantasy in this book. Meg is a young single mother of a two and a half year old girl. She's endured an abusive relationship with her now-dead husband, the father of her daughter, and has little reason to trust men or believe in romance--until she's hurled back through time to the court of Llywelyn ap Gruffydd, the last Prince of Wales. Coming from the future, Meg is able to warn Llywelyn of the dangers in store for him and help him navigate the complex politics of the time. I loved how historically based this book was and what a vivid picture it gave of the time period, but I think my favorite part was watching Meg grow as a character. Medieval Wales wasn't a place where women had great power--and yet it's in exactly this setting that Meg truly overcomes her past and grows into the strong, capable women she was meant to be. I can't wait to read the rest of the series!

Daughter of Time: A Time Travel Romance (The After Cilmeri Series) Overview

Daughter of Time tells the story of a young widow, Meg, healing from the pain of a brief, unhappy marriage, who falls through time into the Middle Ages--and into the arms of Llywelyn ap Gruffydd, the last Prince of Wales. He saves her, and she in turn saves him, thanks to her knowledge of future events. Although powerful forces seek to divide them, by working together, Meg and Llywelyn have a chance to navigate the dangerous and shifting alliances that constantly undermine his rule and threaten the very existence of Wales--and to create a future in which Llywelyn's death does not come too soon.Daughter of Time is a stand-alone novel within the world of the After Cilmeri Series. Other books in the series include Footsteps in Time and Prince of Time.

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Buy Cheap Indignation (Random House Large Print) Review

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Indignation (Random House Large Print) Review

Butchery and blood are recurring images in Philip Roth's scalding new novel which is probably his darkest comedy since Sabbath's Theater. The images are shocking yet appropriate since this little novel deals with a big subject: what someone once called "the meat-grinder of history." Many of Roth's familiar elements are here. The naive young Jewish hero meets up with an unstable gentile girl in the 1950's and farce ensues. But this is 1951 and the Korean War hovers over the story like a thundercloud. I wasn't very enthusiastic about Roth's last couple of novels which seemed rather flaccid to me. But this one has suspense, narrative drive and storytelling fury that recall his great "American" novels of 10 years ago, only in concentrated form. "Indignation" left me wrung out, like you hope a novel will do for you.
Marcus Messner announces on page 54 that he is dead (this is no great spoiler, believe me.) The dead narrator is a time-honored narrative strategy in film noir (see Sunset Boulevard (Special Collector's Edition) and the novels of Jim Thompson, especially Savage Night) and it's interesting to see how Roth uses it. Although there may be an alternative explanation for Marcus' state; check the chapter titles. As he tells his story we learn how he came to die. Practically driven out of his home by his loving but suddenly paranoid kosher butcher father, he flees to go to college in the same town as Sherwood Anderson's Winesburg, Ohio (Signet Classics). The smart but inexperienced boy finds himself way over his head. He is flummoxed by a beautiful girl he dates and is unable to tolerate either a flamboyant gay roommate or the strictly conservative college administration with its Christian affiliation. Instead of laughing it off and making the best of it, as apparently Roth in real life was able to at Bucknell, Marcus goes to war with his surroundings. His private mantra becomes the Chinese national anthem he learned in grade school with its refrain "indignation, arise!" And in a hideous irony it is the Chinese army that butchers Marcus on a hill in Korea some months later.
This is a remarkable book: a terrible tragedy with farce, a funny book where the laughs catch in your throat. It once again displays Roth's famous psychological toughness; no one is let off the hook here. And Roth plays fair; although he displays what is coming to be his obvious disdain for religion of all kinds, he shows Marcus playing a role in his own destruction through the kid's own intolerance and pride. Although the president of the college is a Republican political hack (as Roth sees it), the author lets him deliver the theme of the novel in a thunderous speech near the end of the book: you may try to hide from history: but like Jonah inside the whale, it will find you.

Indignation (Random House Large Print) Overview

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Best Price The League of Extraordinary Gentlemen Volume III: Century #2 1969 Review

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The League of Extraordinary Gentlemen Volume III: Century #2 1969 Review

You'd be hard pressed to find a bigger fan of Alan Moore than myself. My first introduction to his talent was in 1984 when he started writing Swamp Thing and I now own a good portion of his works from all different publishers. My reaction has generally ranged from enjoyment to complete and utter awe at his abilities. That was until I read The Black Dossier which I kinda didn't dig. I was a huge fan of The League of Extraordinary Gentlemen but The Black Dossier sailed right over my head and I theorized that it was written as revenge on DC comics; the Dossier being his last published work for the company with which he had no great love. Century #1: 1910 was better than The Black Dossier but it became clear that The Black Dossier was not any kind of revenge but was written as intended and Century 1901 was a continuation of mostly the same.
Century 1969 features Mina Harkin, Allen Quartermain and Orlando continuing their search for the body shifting cultist Oliver Haddo, this time in London in the summer `69. The three may be based on literary characters but I'm just not feeling it. There is some mention of Mina's ever present neck scarf and some talk of how old they are (despite looking younger than ever) but mostly it feels like three people in their twenties enjoying life (sex and drugs) while trying to uncover a plot to bring on the anti-Christ. There is a really cool drug freakout scene in Hyde Park and Andrew Norton makes another great appearance. Moore always nails those moments as when Haddo (named Haddock) does his body transference but overall this isn't a story that made a tremendous impact on me.
I gave Century 1901 four stars mostly based on the respect Alan Moore had engendered in me throughout the years. If I hadn't known it was Alan Moore who had written it I probably would have given it three. Alan Moore has talked about how liberating it is to be freed of any of the major publishers and I would say that what we're witnessing is a departure from any commercialism with Moore creating an experimental labor of love. The thing is when a writer is concerned with commercialism they try and satisfy the reader and I just don't get the feeling that's Alan Moore's primary concern here. Moore is expressing his passion and knowledge of literature and attempting to tie together stories from different writers that occupy the same time periods. I just don't get the impressions that creating a moving storyline is a priority. Alan Quartermain and Mina Harkin are well and good but for me the interesting characters in the original League were Nemo, Hyde and Hawley Griffen all of whom are long since gone. The literary references are now so obscure that they're all just passing me by.
I wrote a less than glowing review of Century 1901 and got scolded by a Moore fan which I find very ironic since I consistently proclaim Moore the greatest comic book writer of all time bar none. I just can't in all honesty say I've been drawn in by anything League related since volume II. If I was a British Literature professor I might find it all fascinating but I'm a comic fan in Ohio who loved Watchmen, From Hell, Promethea, Top 10 and on and on but this one? Not as much love. Sorry. That won't stop me from pre-ordering Century 2009 and hoping for a big ending.

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42% Off Discounts: Best Buy for Watchmen Review

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Watchmen Review

I first read Watchmen issue by issue when it came out back in the mid 80s. In the past 20 years, I have read it more times than I can count and have purchased the trade paperback numerous times. I have lent it out, given it as a gift, and just plain worn it out.
So why buy the Absolute Edition?
Because it is the most gorgeous presentation of the story to date. First off, it's BIG. This edition reminds me of the sheer pleasure I once had as a kid reading oversized editions. Remember the giant-sized reprints of first editions or that humongous "Superman vs. Spider-Man?" It isn't quite that big and unwieldy, but it's big and Dave Gibbons' beautiful artwork and genious panel to panel drama is so much more enjoyable in this format. The panel backgrounds, as any fan knows, are filled with clues and details that are richer than has ever been done before or since in the medium. The backgrounds are so much more enjoyable at this size.
But the real star of this new edition is the amazing John Higgins. John Higgins is the colorist. The comic book medium has always placed the most limitations on the colorist who has had to deal with the realities of the printing process, sacrificing in every panel, trying to make dramatic and reproducible choices.
With this edition, Higgins has been able to do what was not possible when the original series was presented. The colors here are absolutely beautiful to behold. The original color schemes and the drama they invoked are here, but far smoother and more intense.
One of the most popular aspects of the story is the internal comic drama "Tales of the Black Freighter," a pirate comic that comments on the larger story. John Higgins colors these panels in the old school process of the golden age, using those old printing limitations to his advantage and making the Black Freighter panels a nostalgic delight while advancing the story in a new way. Bravo, Mr. Higgins! You have proven your worth and demonstrated why Watchmen is a graphic novel by Alan Moore, Dave Gibbons, and John Higgins. It was a delight to see your name on the spine where it has belonged all along.
This Absolute Edition of Watchmen is the most glorious version of this brilliant work. This is the ultimate proof that sequential art stories can be legitimate literature.
The book also offers wonderful material illustrating the fleshing out of the story all those years ago and how the storytellers began with the old Charleton characters only to evolve them into new characters with more depth and dimension than their inspirations.
There are also several pages of script. Anyone who has ever seen a comic book script will be amazed by the density of Alan Moore describing a single panel. One feels like quite the insider to read these pages. Each panel description reads as if an impossibly picky art collector were writing a detailed letter to Dave Gibbons to commission a painting and told him everything he wanted in a great empassioned gush. And Mr. Gibbons delivered time after time, giving far more than even Moore had asked. Wow! This is how it's done, ladies and gentlemen.
This is the greatest version of the greatest story ever told in the history of this beautiful, yet underrated medium. A must for any collector. A must for any lover of great art. A must for any lover of great storytelling.

Watchmen Overview

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