Showing posts with label ancient philosophy. Show all posts
Showing posts with label ancient philosophy. Show all posts

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Symposium

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Symposium Review

It is rather difficult to review Plato's Symposium from a modern viewpoint. The attempts by Agathon's guests, including Socrates, to define love are largely based on the love of boys rather than women. While that is a difficult concept for me to ponder, I recognize that such a social custom prevailed to some degree in ancient Athens and will attempt to offer an unbiased view of the text. Basically, partygoers celebrating Agathon's first victory in a drama contest decide to do something besides drink themselves into a stupor because they are still paying for such activity the night before. Socrates joins the group on this second night, and it is decided that each man in turn will offer his praises to love. Each of six men offer their interesting, diverse thoughts on the matter, ranging from the conventional to the Socratic ideal. Phaedrus says that the greatest good a boy can have is a gentle lover and that the greatest good a lover can have is a boy to love. He stresses self-sacrifice and virtue as the kind of love the gods love most. Pausanias describes two kinds of love: vulgar love is best explained as love for a woman in the interest of sexual satisfaction; noble love is that concerned with bettering the soul of the object of love (necessarily a young boy). The doctor Eryximachus explains love in terms of harmony, and he goes so far as to credit the vague notion of love with accomplishing all kinds of things in a diverse set of subjects. Aristophanes begins by relating a myth about man's origins. When man was created, individuals were actually attached back to back; the gods later split each human entity in half, and love consists of each person's search for his "missing half" who can be of either sex; even when two mates find one another, their love is imperfect because they cannot become literally attached as they were originally. Agathon says that Love is the youngest of the gods, that he offers the means by which all disputes between the gods and between men are settled, and emphasizes the beauty of love (represented quite well by himself, he seems to say).
Socrates, as can be expected, shifts the discussion of love to a higher plane. Claiming to know the art of love if nothing else, Socrates tells how he gained his knowledge from a fictional character called Diotima. He says that love represents the desire to give "birth in beauty," that love is neither a god or a mortal but is instead the messenger between god and man. To love is to want to acquire and possess the good forever and thus attain immortality. Socrates goes on to give a very important speech about one of Plato's perfect Forms--namely, the Form of Beauty. The advanced lover will learn to seek Beauty in its abstract form and will take no more notice of physical beauty; the perfect lover is a philosopher who can create virtue in its true form rather than produce mere images of virtue. This short summary in no way does justice to Socrates' speech, but it gives the general idea. After Socrates speaks, a drunken Alcibiades (Socrates' own beloved) crashes the party and commences to give a speech about Socrates, the effect of which is to identify Socrates as a lover who deceives others into loving him. As both lover and beloved, Socrates is seemingly held up by Plato as the true embodiment of love. To truly love is to be a philosopher.
I myself don't hold this text in as high regard as many intellectuals, but there can be no doubt of this dialogue's influence on Western thought over the centuries. The book succeeds in the presentation of advanced philosophical ideas and as literature. The discussion of the Form of Beauty is particularly useful in terms of understanding Platonic thought. It would seem that this dinner party and the speeches we read are very likely fictitious and represent Plato's thoughts much more closely than Socrates' own views, but it is impossible to tell to what extent this is true. The Symposium is inarguably one of Plato's most influential, most important texts and is required reading for anyone seriously interested in philosophy as it has existed and continues to exist in Western society.

Symposium Overview

'A model of the kind of text one needs for lecture courses: the translation is extremely readable and made even more accessible by intelligent printing decisions (on dividing the text, spacing for clarification, etc.); the notes are kept to a minimum but appear when they are really needed for comprehension and are truly informative. And the introduction admirably presents both basic information and a sense of current scholarly opinion' - S G Nugent, Princeton University.

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Five Dialogues

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Five Dialogues Review

Many are the college students who have read the Platonic discourses collected in this volume. Along with The Republic, these dialogues form the most basic core of Platonic philosophy and are required reading for anyone interested in the art of philosophy.
In the Euthyphro dialogue, Socrates is on his way to court to answer the charges of Meletus that he creates his own gods and does not believe in the gods of society. On his way, he meets Euthyphro, a lawyer-priest of some sort who tells Socrates that he is prosecuting his own father for the murder of a slave (a slave who had himself committed murder). Socrates compels the learned Euthyphro to explain to him the truth about what is pious and what impious; if he can tell the court what he has learned from the knowledgeable Euthyphro, he will have no trouble countering Meletus' charges. Euthyphro tries to define what is pious as that which is pleasing to the gods, but Socrates shows him that his definition is really just an effect of piety, and Euthyphro bows out of the circular conversation without ever giving Socrates a satisfactory definition of true piety.
In The Apology, Socrates defends himself from both the recent charges of Meletus for impiety as well as the host of charges long leveled at him as being a corrupter of the youth. He cites a pronouncement of the Delphic oracle that he is the wisest of all men and explains how he has spent his life trying to vindicate the god's pronouncement by seeking out the wisest men in society and testing them. The wisest men, he says, turn out to be not wise at all. He himself knows he is not wise, while the supposedly wise think they are wise when they are not, and he has concluded that the gods believe that the wisest man is the man who knows how much he does not know. The fact that he shows men that they are not in fact wise has admittedly made Socrates unpopular and turned the minds of many citizens against him. He bravely says he will continue philosophizing if he is acquitted because the god himself compels him to do so. In fact, he says society benefits from what he is doing (namely, trying to make men more virtuous), and he defends himself by saying that society itself will be harmed by his execution. Of course, claiming that he is actually a gift of the god for Athens is a hard way to win over a jury already biased against him. Upon his conviction, he willingly accepts the death sentence imposed upon him, but he, somewhat oddly, warns his fellow citizens that there are younger men ready to come out and question individuals in the same manner as he has done.
In the Crito, Socrates convinces his friend Crito that it is just and right for him to accede to the punishment of death returned by the Athenian jury. He feels that he has been wronged by men but not the laws or society, and to escape from prison and run away would make of him the very type of man the jury wrongly concluded him to be. It is an exceedingly elegant and brave discourse.
Meno is one of Plato's early and, to my mind, least successful, Socratic dialogues. The conversation centers, naturally enough, on virtue and whether or not it is teachable. Meno's definitions of virtue are woefully inadequate, by and large, and deserving of Socrates' typical arrogance. At one point, Meno says that one cannot learn about what one does not know. To counter this argument, Socrates, arguing that the soul is eternal and that learning is in fact recollection, sets about showing how a slave "remembers" the answers to geometrical questions Socrates puts to him. Later, when Meno agrees with the notion that virtue is knowledge and can be taught, Socrates counters the point by saying he has yet to find anyone who truly practices virtue and is thus qualified to teach it. In the end, Socrates concludes that virtue cannot be taught and is in fact a gift of the gods.
The Phaedo is a third-person account of the philosophical discussion between Socrates and his friends on the day of his death. Socrates accepts his fate most amicably, arguing that death is the means by which to achieve the aims of true philosophy, for only by escaping the evil of the body can the soul truly acquire wisdom. Socrates renews his argument that learning is in fact recollection, supposedly proving that the soul exists before birth. He also argues that everything comes from its opposite; if death comes from life, then life must come from death. The proofs he offers for his belief that the soul is eternal do not strike me as very convincing. In many ways, the Phaedo is a precursor to much of the philosophy of The Republic, in which the concepts of the eternal soul and the invisible Forms mentioned here are threshed out much more satisfactorily.

Five Dialogues Overview

The second edition of Five Dialogues presents G. M. A. Grube's distinguished translations, as revised by John Cooper for Plato, Complete Works. A number of new or expanded footnotes are also included along with an updated bibliography.

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