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In a Sunburned Country Review

Thank you, thank you, thank you, Bill. As a proud Australian, it has been a never-ending source of irritation that Australia is forever portrayed as a land of beer-swilling "yobbos" who say "cobber" and "fair dinkum" rather a lot. For instance, 'The Simpsons' - usually such a witty, clever and insightful show - completely missed the point in their Australian episode. Finally, someone has managed to capture a bit of the character of this great country. He releases it from the shackles of the Paul Hogan stereotype.
This is a terrific read. Bryson has, mercifully, gone well and truly off the beaten track to explore many different parts of Australia - the cities, the outback, the tropics, and everything else in between. But as ever with a Bill Bryson book, more than the destination itself, the pleasure is in getting there. Laugh-out-loud moments abound, though perhaps more in the restrained way of "A Walk in the Woods", as opposed to the guffaw-fest that is "Neither Here Nor There".
You don't have to be at all familiar with Australia to appreciate and enjoy this book. I am, sadly, one of those Australians to which Bryson refers that has never seen Ayers Rock / Uluru myself. In fact, I have never been to the majority of places Bryson visits. It was a revelation for me, too.
Bryson once again recounts numerous historical and trivial anecdotes which, together with his unique view of the world, elevate this book well above the mere travel genre. This is insightful, this is informative, this is FUNNY.
Perversely, my only criticism is perhaps that he likes Australia a little too much. God knows, I'm so pleased that he does. However, he is, I believe, at his best when distressed. Dull and drab places, and stupid, mindless people bring out the devil in Bill Bryson, and have always proven to be useful comic fair. There are elements of that here - his body boarding experience, his views on Canberra, and his trials and tribulations with hotel receptionists in Darwin - but at the end of the day, opportunities to vent his sarcastic wit are somewhat limited.
Being an enthusiastic and devoted fan of the great Stephen Katz, I would also have loved to have seen him deal with the hardships of outback Australia. He would have absolutely LOATHED it.
Read this book. It is a treat.

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A Game of Thrones: A Song of Ice and Fire: Book One Review

First off, I'm a heavy duty fan of GRRM. I've read over a 100 different fantasy authors in my time (started at 12; I'm now 32). Took about 5 years off from the genre b/c I felt it was all getting too formulaic and cliched.
So, when I came back to fantasy at the end of 1999, I read the usual: Goodkind, Jordan, etc. and then someone told me about GRRM and man, that was the kicker!
Here are the reasons to choose GRRM. I've also listed the reasons not to choose him to make it fair b/c I know their are certain personalities who won't like this series:
WHY TO READ GRRM
(1) YOU ARE TIRED OF FORMULAIC FANTASY: good lad beats the dark lord against impossible odds; boy is the epitome of good; he and all his friends never die even though they go through great dangers . . . the good and noble king; the beautiful princess who falls in love with the commoner boy even though their stations are drastically different . . . you get the idea. After reading this over and over, it gets old.
(2) YOU ARE TIRED OF ALL THE HEROES STAYING ALIVE EVEN THOUGH THEY ARE UNDER CONSTANT DANGER: this gets even worse where the author kills a main hero off but that person comes back later in the story. Or, a hero does die but magic brings him back.
This sometimes carries to minor characters where even they may not die, but most fantasy authors like to kill them off to show that some risked the adventure and perished.
(3) YOU ARE A MEDIEVAL HISTORY BUFF: this story was influenced by the WARS OF THE ROSES and THE HUNDRED YEARS WAR.
(4) YOU LOVE SERIOUS INTRIGUE WITHOUT STUPID OPPONENTS: lots of layering; lots of intrigue; lots of clever players in the game of thrones. Unlike other fantasy novels, one side, usually the villain, is stupid or not too bright.
(5) YOU ARE INTERESTED IN BIASED OPINIONS AND DIFFERENT TRUTHS: GRRM has set this up where each chapter has the title of one character and the whole chapter is through their viewpoint. Interesting tidbit is that you get their perception of events or truths. But, if you pay attention, someone else will mention a different angle of truth in the story that we rarely see in other novels. Lastly and most importantly, GRRM doesn't try to tell us which person is right in their perception. He purposelly leaves it vague so that we are kept guessing.
(6) LEGENDS: some of the most interesting characters are those who are long gone or dead. We never get the entire story but only bits and pieces; something that other fantasy authors could learn from to heighten suspense. Additionally, b/c the points of views are not congruent, we sometimes get different opinions.
(7) WORDPLAY: if you're big on metaphors and description, GRRM is your guy. Almost flawless flow.
(8) LOTS OF CONFLICT: all types, too; not just fighting but between characters through threats and intrigue.
(9) MULTILAYERED PLOTTING; SUB PLOTS GALORE: each character has their own separate storyline; especially as the story continues and everyone gets scattered. This is one of the reasons why each novel is between 700-900 pages.
(10) SUPERLATIVE VARIED CHARACTERS: not the typical archetypes that we are used to in most fantasy; some are gritty; few are totally evil or good; GRRM does a great job of changing our opinions of characters as the series progress. This is especially true of Jaime in book three.
(11) REALISTIC MEDIEVAL DIALOGUE: not to the point that we can't understand it but well done.
(12) HEAPS OF SYMOBLISM AND PROPHECY: if you're big on that.
(13) EXCELLENT MYSTERIES: very hard to figure out the culprits; GRRM must have read a lot of mystery novels.
(14) RICHLY TEXTURED FEMALE CHARACTERS: best male author on female characters I have read; realistic on how women think, too.
(15) LOW MAGIC WORLD: magic is low key; not over the top so heroes can't get out of jams with it.
REASON TO NOT READ GRRM
(1) YOU LIKE YOUR MAIN CHARACTERS: GRRM does a good job of creating more likeable characters after a few die. But, if that isn't your style, you shouldn't be reading it. He kills off several, not just one, so be warned.
(2) DO NOT CARE FOR GRITTY GRAY CHARACTERS: if you like more white and gray characters, this may unsettle you. I suggest Feist or Goodkind or Dragonlance if you want a more straight forward story with strong archetypes.
(3) MULTIPLE POINTS OF VIEWS TURN YOU OFF: if you prefer that the POVS only go to a few characters, this might be confusing for you.
(4) SWEARING, SEX: there's a lot of it in this book just as there is in real life.
(5) YOU DEMAND CLOSURE AT THE END OF EVERY BOOK: this isn't the case for all stories in the series. Some are still going on; some have been resolved; others have been created and are moving on.
(6) IF YOU WANT A TARGET OR SOMEONE TO BLAME: this can be done to some extent but not as much. This is b/c he doesn't try to make anyone necessarily good or evil.
(7) ARCHETYPES: some readers like archetypal characters because it's comfortable; we like the good young hero (sort of like Pug in Feist's THE RIFTWAR SAGA); it's familiar and we sometimes like to pretend we're this upcoming, great hero. You wont' get much of this in GRRM with the exception of one or two characters.
(8) LENGTH: you don't want to get into a long fantasy epic series. In that case, look for shorters works as this is biiig.
(9) PATRIARCHY: men are most of the main characters with lots of power (one female exception). ....

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Best Buy for 1491 (Second Edition): New Revelations of the Americas Before Columbus Review

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1491 (Second Edition): New Revelations of the Americas Before Columbus Review

Although recent years have yielded significant progress in understanding how "Indians" lived throughout the Americas before 1492 and Columbus, only isolated bits of the story have reached the popular press. Far too many people still hold to one of two myths of the Indians, or have little conception at all of pre-Columbian America.
The first popular myth is that the Indians were a bunch of primitive savages just keeping the land warm until superior Europeans showed up. It's sad to read reviews here that assert that because Indians used stone tools they were therefore "stone age", with the implication that their culture was no further advanced than that early period.
The second myth makes the Indians into proto-flower-children, naively and simply in tune with their environment.
Both myths are based on stereotyping and are condescending to the pre-Colombians. How could people spread over two continents and many millennia be briefly summarized? They can't be! The Americas saw the development of a broad range of cultures, just like every other inhabited area of the world. Some cultures overstressed their environment and soon collapsed. Others created stable conditions under which they could survive for generations. (Which is not the same as saying they didn't impact nature.) But even the latter could be brought down by climate change, political instability, disease (especially European), or contact with outsiders (Indian or European).
Great cities arose in mesoamerica and the Andes, and also in other areas when the right conditions prevailed. And sophisticated cultures existed even where city building wasn't favored.
This book takes the reader through a vibrant overview of centuries of Indian culture both before and shortly after Columbus landed. Much of the narrative is based on work-in-progress by archaeologists and historians, and will certainly become dated with time, but it is an important update to the common, current understanding of the subject.
For those not enthralled by one of the myths I mention above, most Americans recall our history along the lines of Scene 1: The Pilgrims land and encounter Indians who teach them how to grow corn; they then have a big Thanksgiving party together. Scene 2: Americans moving inland encounter savage Indians who need to be exterminated or moved to reservations to make the continent safe for manifest destiny. Scene 3: The few remaining Indians are victims of brutal European suppression, and we need to buy jewelry and pottery from them to make ourselves feel better about the situation.
This book is a welcome update to our thinking about the Americas before Columbus. It's also one of the best books I've read in long time, and I highly recommend it.

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The Hound of Rowan: Book One of The Tapestry Review

This is the start of a series (not unlike Harry Potter - but thankfully different) that follows a group of children who are recruited (by mysterious means) to attend a spooky, wonderful, unique school in New England. The characters are well defined - you really get a feel for each different person - and the non-human characters are inventive and interesting. The author manages to weave in some celtic mythology, fairy tale creatures and beasts totally from his imagination (which are pretty scary). This may be a book published for teens but it's a great read. It keeps you guessing with twists and turns, goodies, baddies and strange mystic happenings. I definitely recommend it to anyone who enjoys a well told tale of adventure and magic. Plus the illustrations are beautiful. I wish the author all luck for this series - I think he's filling J.K. Rowlings shoes admirably.

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The Tipping Point: How Little Things Can Make a Big Difference Review

I read this book in part of one day - it's a good, quick read. Unlike some of the people who didn't care for the book - I never read the New Yorker article. It may be that the book doesn't add enough new info to excite folks who have read that article. But to me the book threw out a good number of new ideas and concepts very quickly and very clearly. I found his ability to draw a nexus between things that, on the surface seem very divergent, was very interesting, and he did it smoothly, without jumping around a lot.
The thrust of the book is that there are three things that can converge to bring about dramatic and perhaps unexpectedly fast changes in our society. These are the context (the situational environment - especially when it's near the balance or 'tipping point'), the idea, and the people involved. His point is that very small changes in any or several of the context, the quality of the idea (which he calls 'stickiness', ie how well the idea sticks), or whether the idea reaches a very small group of key people can trigger a dramatic epidemic of change in society.
"In a given process or system some people matter more than others." (p.19). "The success of any kind of social epidemic is heavily dependent on the involvement of people with a particular and rare set of social gifts." (p.33).
He divides these gifted people into three categories: Connectors, Mavens and Salespeople."Sprinkled among every walk of life ... are a handful of people with a truly extraordinary knack of making friends and acquaintances. They are Connectors." (p. 41). "I always keep up with people." (p. 44 quoting a "Connector"). "in the case of Connectors, their ability to span many different worlds is a function of something intrinsic to their personality, some combination of curiosity, self-confidence, sociability, and energy." (p.49). "The point about Connectors is that by having a foot in so many different worlds they have the effect of bringing them all together." (p.51).
"The word Maven comes from the Yiddish, and it means one who accumulates knowledge." (p. 60). "The fact that Mavens want to help, for no other reason than because they like to help, turns out to be an awfully effective way of getting someone's attention." (p.67)."The one thing that a Maven is not is a persuader. To be a Maven is to be a teacher. But it is also, even more emphatically to be a student." (p.69).
"There is also a select group of people -- Salesmen -- with the skills to persuade us when we are unconvinced of what we are hearing." (p. 70). He goes on to describe an individual named Tom Gau who is a Salesman. "He seems to have some indefinable trait, something powerful and contagious and irresistible that goes beyond what comes out of his mouth, that makes people who meet him want to agree with him. It's energy. It's enthusiasm. It's charm. It's likability. It's all those things and yet something more." (p. 73).
He then goes into the importance of actually gathering empirical data about ideas, and not just relying on theory or assumption to determine quality, or as he calls it, 'stickiness.' He gives examples of where assumptions have been debunked with data. "Kids don't watch when they are stimulated and look away when they are bored. They watch when they understand and look away when they are confused." (p.102). "Children actually don't like commercials as much as we thought they did." (p. 118) "The driving force for a preschooler is not a search for novelty, like it is with older kids, it's a search for understanding and predictability." (p. 126) Hence why your three year old can watch those Barney videos over and over until the tape breaks - it becomes predictable after the third or fourth viewing. This is probably also why Barney suddenly falls out of favor when predictability is less important than novelty.
Finally, there's a point he makes he calls the rule of 150. He starts with some British anthropologists idea that brain size, neocortex size actually, is related to the ability to handle the complexities of social groups. The larger the neocortex, the larger the social group that can be managed. She then charts primate neocortex size against known average social group sizes for various primates, other than humans. Then she plugs human neocortex size into the equation, and out pops 147.8, or about 150. Now that would be not so interesting, except that he goes on to talk about this religious group, the Hutterites. They are clannish like the Amish or Mennonites, and they have a rule that when a colony approaches 150, they split into two and start a new one. He follows that by noting that Military organizations generally split companies at 150-200. And then he talks about Gore - the company that makes Goretex, among other things. They have a ~150 employee per plant rule.
"At a bigger size you have to impose complicated hierarchies and rules and regulations and formal measures to try to command loyalty and cohesion. But below 150...it is possible to achieve the same goals infomally." (p.180)
"When things get larger than that, people become strangers to one another." (p.181)
"Crossing the 150 line is a small change that can make a big difference." (p. 183)
On the whole, I thought the book sparked thought and converstaion, and will make me look at life and business a little differently. To me that's a good book.

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Outliers: The Story of Success Review

The main tenet of Outliers is that there is a logic behind why some people become successful, and it has more to do with legacy and opportunity than high IQ. In his latest book, New Yorker contributor Gladwell casts his inquisitive eye on those who have risen meteorically to the top of their fields, analyzing developmental patterns and searching for a common thread. The author asserts that there is no such thing as a self-made man, that "the true origins of high achievement" lie instead in the circumstances and influences of one's upbringing, combined with excellent timing. The Beatles had Hamburg in 1960-62; Bill Gates had access to an ASR-33 Teletype in 1968. Both put in thousands of hours-Gladwell posits that 10,000 is the magic number-on their craft at a young age, resulting in an above-average head start.
Gladwell makes sure to note that to begin with, these individuals possessed once-in-a-generation talent in their fields. He simply makes the point that both encountered the kind of "right place at the right time" opportunity that allowed them to capitalize on their talent, a delineation that often separates moderate from extraordinary success. This is also why Asians excel at mathematics-their culture demands it. If other countries schooled their children as rigorously, the author argues, scores would even out.
Gladwell also looks at "demographic luck," the effect of one's birth date. He demonstrates how being born in the decades of the 1830s or 1930s proved an enormous advantage for any future entrepreneur, as both saw economic booms and demographic troughs, meaning that class sizes were small, teachers were overqualified, universities were looking to enroll and companies were looking for employees.
In short, possibility comes "from the particular opportunities that our particular place in history presents us with." This theme appears throughout the varied anecdotes, but is it groundbreaking information? At times it seems an exercise in repackaged carpe diem, especially from a mind as attuned as Gladwell's. Nonetheless, the author's lively storytelling and infectious enthusiasm make it an engaging, perhaps even inspiring, read.
Emotional Intelligence 2.0 is another of my favorites in this genre. I recommend it strongly because, unlike Gladwell's book, Emotional Intelligence 2.0 shows you how to become an outlier...

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