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Doodle Stitching: The Motif Collection: 400+ Easy Embroidery Designs Review

Let's be honest, with all the embroidery instructional guides online and in print, the meat of this book is the 400-something motifs. There are some nice projects, but nothing new to what can't already be found for free online.
I have major issues with the motifs. The author and publisher really push that these motifs are meant to be combined together to make your own unique pieces, without any limits. They also make it sound like it's easy to arrange them in an image program and print.
Super de dooper wrong!
The images are all in tiff files at 300 dpi, without any transparency, so you have to use the magic wand to remove the white background to be able to overlay the motifs. Also, the lines are very very thin, if you scale them down at all, be ready to make them thicker because they're basically invisible! My method in photoshop is to select the lines with the magic wand, expand the selection by 4-10 pixels (depending on how it's already scaled by the author) and then filling the selection again with black. Then I would scale the motifs to my piece after removing the white background.
I'm a graphic designer, so I was able to work around the limitations and put together some nice pieces. However, I doubt that the average person will be able to do this without a lot of frustration. Even if you follow the alternative method suggested by the author and print out the motifs and paste everything together - nothing is scaled to the same proportions. For example, the tree design that signifies the seasonal changes is smaller in dimensions than the bird motifs. Of course, this is so that people doing larger pieces of the bird will be able to have it at the highest quality - but it makes it harder to do the intricate pieces the book totes. So, anyone planning on printing and putting their pieces together needs to still scale everything to size on the computer.
Overall, the motifs are nice and worth such a low cost with the amazon discount. I just wish there was more variation... like some embellishments that were rounded for framing with a hoop, instead of ALL straight border embellishments. I can get around that with photoshop, but people without those skills will not be able to. There's also some duplicates with just some small changes... like cakes on different types of stands. So in reality, you aren't getting 400-something unique motifs.

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Patternmaking for Fashion Design (5th Edition) Review

This has consistently been the one book I turn to whenever I'm looking to "tweak" a pattern, change a collar, add a pocket or any design detail. I had an old edition (over 30 years), and while the basics never change, techniques do and this book reflects the most modern of how to's and styles. Just browsing the pages is enough to get me inspired to start another project. I love it, and most of all, I depend upon it. Patternmaking for Fashion Design (5th Edition) should set me up for the next 30 years!!

Patternmaking for Fashion Design (5th Edition) Overview

Renowned for its comprehensive coverage, exceptional illustrations, and clear instructions, Patternmaking for Fashion Design offers detailed yet easy-to-understand explanations of the essence of patternmaking. Hinging on a recurring theme that all designs are based on one or more of the three major patternmaking and design principles–dart manipulation, added fullness, and contouring–it provides students with all the relevant information necessary to create design patterns with accuracy regardless of their complexity. Some innovative, newinformation in this book include:Updated with modern, cutting-edgesketches and designs.

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Design Patterns: Elements of Reusable Object-Oriented Software Review

This book really changed my way of thinking about object-oriented design. The idea is that when designing a new class hierarchy, though implementation details may differ, you often find yourself using the same kinds of solutions over and over again. Rather than approaching each design task out of context as an individual, isolated problem, the strategy is to study the task and identify the underlying design pattern most likely to be applicable, and follow the class structure outlined by that pattern. It's a "cookbook" school of design that works amazingly well.
There are other advantages to this book. It isolates 23 of the most common patterns and presents them in detail. You wouldn't think that 23 patterns would be enough, but once you become adept at recognizing patterns, you'll find that a large fraction of the patterns you use in practice are among these 23. For each pattern, the book carefully presents the intent of the pattern, a motivating example, consequences of using that pattern, implementation considerations and pitfalls, sample code (C++ or Smalltalk), known uses of that pattern in real-world applications, and a list of related patterns.
Upon first reading, you will start to recognize these patterns in the frameworks you see. Upon second reading, you'll begin to see how these patterns can help you in your own designs, and may also start to see new patterns not listed in the book. Once you become familiar with the pattern concept, you will be able to originate your own patterns, which will serve you well in the future. One of the most valuable contributions of this book is that it is designed not merely to help you identify patterns, but to give you a sense of which patterns are appropriate in which contexts.
I think this book is particularly valuable to many C++ and Java programmers, because of the dynamic and flexible design philosophy it follows. (Its two fundamental principles of reusable OO design are: "Program to an interface, not an implementation" and "Favor object composition over class inheritance".) I've found that many C++ books unfortunately tend to emphasize a rather static and inflexible design philosophy. Many C++ programmers do not realize how the language and the books they've studied from have been limiting their thinking until they have been exposed to ideas from other lanugages. The authors of this book have obviously been influenced by other languages as well, especially Smalltalk, and have brought many of its best lessons to C++ design. Most Java books seem to take after the C++ books, even though Java is a more dynamic language. This book may help Java programmers take full advantage of the extra power offered by their language, if they look deeply enough into some of the lesser-known features its runtime system affords.
Last, but not least, this book is valuable because it names the patterns it uses, and so gives programmers a common vocabulary to describe design concepts, rather than particular implementations. You'll find yourself saying things like, "That would be a good use for a Decorator", or "Should we use a Facade or a Mediator in this case?" I encourage readers of this book to use this vocabulary with other programmers.
In summary, this is one of the few books that I think belongs on every programmer's "must-have" list. Not to overuse a cliche, but like object-oriented design itself, the pattern concept is one of those rare paradigm-shifts in computer programming. It is equally valuable to expert professional and novice student alike. The book has a home page at http://st-www.cs.uiuc.edu/users/patterns/DPBook/DPBook.html

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Head First Design Patterns Review

At first I didn't understand how they would apply the Head First formula to design patterns. I'd read two head first before this one and I was impressed with those so I took a look and now, not only is it clear how they approached the topic, it's also clear to me that this is the best way to learn design patterns.
The Gang of Four book laid out the basics. Here is the pattern, here are some examples. The head first book goes a lot further. They show you good and bad examples of the pattern. They give solid reasoning behind the pattern. It's great.
There are times when I would look at a piece of code and have the author explain to me that it was based on one of the GoF patterns. I would come away thinking, if that's the pattern, then that pattern sucks. It's clear that patterns can be misapplied. So understanding the the how design patterns are applied, and how they are commonly applied wrongly, or to an extreme, is just as important as understanding the basic mechanics of the pattern itself.
The example code is in Java, but I think this is an ideal book for anyone passionate about patterns.

Head First Design Patterns Overview

You're not alone. At any given moment, somewhere in the world someone struggles with the same software design problems you have. You know you don't want to reinvent the wheel (or worse, a flat tire), so you look to Design Patterns--the lessons learned by those who've faced the same problems. With Design Patterns, you get to take advantage of the best practices and experience of others, so that you can spend your time on...something else. Something more challenging. Something more complex. Something more fun. You want to learn about the patterns that matter--why to use them, when to use them, how to use them (and when NOT to use them). But you don't just want to see how patterns look in a book, you want to know how they look "in the wild". In their native environment. In other words, in real world applications. You also want to learn how patterns are used in the Java API, and how to exploit Java's built-in pattern support in your own code. You want to learn the real OO design principles and why everything your boss told you about inheritance might be wrong (and what to do instead).You want to learn how those principles will help the next time you're up a creek without a design pattern. Most importantly, you want to learn the "secret language" of Design Patterns so that you can hold your own with your co-worker (and impress cocktail party guests) when he casually mentions his stunningly clever use of Command, Facade, Proxy, and Factory in between sips of a martini. You'll easily counter with your deep understanding of why Singleton isn't as simple as it sounds, how the Factory is so often misunderstood, or on the real relationship between Decorator, Facade and Adapter. With Head First Design Patterns, you'll avoid the embarrassment of thinking Decorator is something from the "Trading Spaces" show. Best of all, in a way that won't put you to sleep!We think your time is too important (and too short) to spend it struggling with academic texts. If you've read a Head First book, you know what to expect--a visually rich format designed for the way your brain works. Using the latest research in neurobiology, cognitive science, and learning theory, Head First Design Patterns will load patterns into your brain in a way that sticks. In a way that lets you put them to work immediately. In a way that makes you better at solving software design problems, and better at speaking the language of patterns with others on your team.


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