Showing posts with label photography book. Show all posts
Showing posts with label photography book. Show all posts

Purchase Cheap Seizing the Light: A Social History of Photography Review

Seizing the Light: A Social History of Photography

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Seizing the Light: A Social History of Photography Review

Seizing the Light: A History of Photography. is a wonderfully broad, contemporary, eclectic and entertaining book. Robert Hirsch has produced the most useful, readable, and practical successor to Beaumont Newhall's classic, The History of Photography, first published in 1937. Seizing the Light is written in a friendly, accessible way -- dense with information, but more hip and lively than other offerings, especially those aimed at college students. Hirsch includes the "canon" of standard western photographic history (represented by Stieglitz, Weston, Adams, White, et. al.) first set forth by Newhall and other researchers, but updates the information with special emphasis on the last five decades of photographic practice, including digital imaging.
Many teachers and interested readers will greatly appreciate Hirsch's conscious effort throughout the book, to include numerous women and photographers from other cultures. (Chapter Two opens with an image of an American Indian, and includes a portrait of an African-American, affording students the realization that marginalized groups actually did appear as subjects before the camera in addition to working behind them.)
Students will also appreciate Hirsch's habit of opening new chapters with a description of cultural and political events occurring during the period under discussion: Chapter Twelve starts with a harrowing description of life for immigrants in New York City in the late Nineteenth Century during the time of Jacob Riis, and Chapter Seventeen has a helpful summary of the ending of the Vietnam War, connecting it smoothly to such diverse influences as Richard Nixon and the BeeGees! There are also wonderful endnotes following each chapter that are absolutely addictive, giving curious readers further information and surprising tidbits of information.
Hirsch's knowledge gained as a Director of CEPA Gallery in Buffalo (a contemporary non-profit Artist's space) provides him with exceptional insight into contemporary photography. This is especially evident in his last Chapter, Eighteen, "Thinking About Photography," which abounds with infrequently seen and challenging images by Arnulf Rainer, Nam June Paik, John Baldessari, Anselm Keifer, Gilbert and George, William Wegman and the Bechers. There is a clear and helpful section on Postmodernism, including the usual suspects: Cindy Sherman, Richard Prince, Barbara Kruger, Sherrie Levine, and Victor Burgin. There are sections on "Gender Issues" with Judith Golden, as well as one on "Fabrications" with Sandy Skoglund, Olivia Parker, Joel Peter Witkin and others. "Altering Time and Space" includes David Hockney, the Starn Twins, and the delicious hand-colored work of Holly Roberts. Other sections include "Investigating the Body" (Andres Serrrano, Robert Mapplethorpe, Nan Goldin, Sally Mann) and "Multiculturalism" (Clarissa Sligh, Carrie Mae Weems, Lorna Simpson, and the Guerilla Girls). Hirsch closes this bulging chapter with a discussion of digital imaging, including images by Pedro Meyer, Nancy Burson and several rising young artists in new media. He concludes with an extensive bibliography of related books and resources, a helpful list of monographs by the major artists presented throughout the text, and a section on sources for artists' books.
Robert Hirsch has produced a most impressive and useful book that readers will find engaging and relevant. The currency and eclectic nature of Hirsch's thought is fascinating and his book serves as a much-needed supplement to existing texts in the history of photography.
(Submitted by Brian Taylor, Professor of Art and Design at San Jose State University, where he has taught the History of Photography for 25 years. Prior to that, he studied with Beaumont Newhall for three years during graduate school at the University of New Mexico.)

Seizing the Light: A Social History of Photography Overview

Seizing the Light: A Social History of Photography provides a thought-provoking, accurate, and accessible introduction to the photographic arts for all readers. With stunning images and commentary by hundreds of international artists, the text clearly and concisely provides the building blocks necessary to critically explore photographic history from the photographers' eye, an aesthetic point of view.

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35% Off Discounts: Lowest Price The Photographer's Eye: Composition and Design for Better Digital Photos Review

The Photographer's Eye: Composition and Design for Better Digital Photos

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The Photographer's Eye: Composition and Design for Better Digital Photos Review

This is the best single volume on visual design and composition in years. Painters need a book this good. Freeman's earlier book from the 1980s, "Image," had long held the status, IMHO, of being the best single volume. His new book surpasses the older one by a significant margin.
Freeman is one of very few photographers, or artists of any ilk, who can articulate their art-related thoughts in concrete, accurate, analytical ways, and not in the jargon of so much of what is written about art that lacks any actual content. Not only is he an outstandingly gifted photographer, with dozens of books to his credit, but one who has mastered the grammar of images and is one of the few who can describe how and why visual phenomena work.
This is the most complete volume on this subject out there in terms of numbers of topics introduced and discussed at a reasonable length. It is also the most effective melding of the insights of current Gestalt perception theory with traditional design elements/principles in print. The first 60% of the book deals with the more concrete aspects of designing an image.
The last two chapters marry the other part of composing that is harder to articulate well: the message in a image, or the photographer's intent. Only in this book has an author attempted to define major categories of intent in making an image. And then categorizes the physical and mental aspects of how a photographer goes after, constructs, or recognizes an image - the process.
Throughout the discussions he introduces those aspects of digital imaging that a photographer can use to influence a picture's design. Perhaps the most powerful development is that digital in-camera and post processing technologies allow the photographer to apply to color images all those image control aspects formerly available only in the wet chemistry darkroom to monochrome images, as well as many more.
Make no mistake.... This is a book for readers. One cannot get all of this book's benefit from the illustrations alone, in the manner of so many "how-to" art and photography books these days that have pictures, but little text. But this is the book to which thoughtful photographers will return over and over for many years.
The only way it can be significantly better would be to have twice as many pages. It would make a wonderful textbook for any studio art, photography, art history, or art appreciation course in high school or college/university.
5 May 2009, update. The number of reviews, number of responses to reviews, and other sources of information indicate that this book is a certifiable best-seller among photography books. The response to this book indicates that there is a large market for information about the structure of images and for effective writing on that difficult, intangible interplay between design and content, or of structure and expression/message.
My hope is that Freeman and other capable author/photographers will publish books delving further into the composition problem. To date, the in-print situation is grim. This one, Mante's, and Hoffmann's books are about the only ones yet in English that deal with composing photographs at higher than the most elementary levels. Together these three books comprise quite a strong presentation at the intermediate level of image structure and of various approaches to imparting meaning and expression in one's images.
There is more, though, that can be said. To date there is no thorough look at the role of similarity and proportion in causing a viewer's eye to move through an image. That is to say, which characteristics among, shape, size, tone, color, direction, etc., assume priority in one's eye in which combinations, and how does proportionality, or violations thereof, work?
To date, this reviewer cannot find any published research that updates Alfred Yarbis's ground breaking insights into eye movement in images from the 1950s and 1960s. His work is quoted to this day as the definitive study in this field. His results seem to imply that many artists' assertions about the role of "leading lines" may be nothing but bunk.
Do light tones and bright colors really appear to project toward a viewer and darks recede? A Russian scientist has a considerable argument that, in fact, darks are what appears to "project" and lights recede. His work is not available in English.
Is the success or failure of an image still articulable only at the level of intangibles? At this point in the history of the arts and contributions from visual psychology and brain studies, one should be able to make specific assertions about structure and its role in the success or failure of carrying the artist's expression or meaning.
Unfortunately, there are very few artists or photographers who also write who can focus clearly enough on these nitty-gritty issues to make statements that have actual meaning. An inordinate percentage of writing about the arts still reduces to hand waving and ranting: always has, always will, it seems.
It is one of Freeman's gifts that he can write analytically and be a very successful, versatile artist. This book's success indicates that the demand is there for hard-hitting information on images. Three authors does not amount to much of a supply.

The Photographer's Eye: Composition and Design for Better Digital Photos Overview


Design is the single most important factor in creating a successful photograph. The ability to see the potential for a strong picture and then organize the graphic elements into an effective, compelling composition has always been one of the key skills in making photographs.

Digital photography has brought a new, exciting aspect to design - first because the instant feedback from a digital camera allows immediate appraisal and improvement; and second because image-editing tools make it possible to alter and enhance the design after the shutter has been pressed. This has had a profound effect on the way digital photographers take pictures.

Now published in sixteen languages, The Photographer's Eye continues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs. The book explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited, manipulated, or montaged to result in a final image that may be very different from the one seen in the viewfinder.
Features*Covers both traditional in-camera composition and the new opportunities for picture-making made possible by digital imaging editing *Shows how to explore situations and locations in order to find the best possible photographic possibilities *Uses clear examples from real photographic assignments, with schematic illustrations of how and why the pictures work

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41% Off Discounts: Special Prices for Food Photography: From Snapshots to Great Shots Review

Food Photography: From Snapshots to Great Shots

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Food Photography: From Snapshots to Great Shots Review

Food photography is all about presenting an image that allows the viewer to instantly eat with their eyes. It attacks their senses and triggers hunger, lip smacking, and everything else that comes along with a perfectly presented culinary dish.
But it isn't as simple as slapping together some food onto a plate and hitting the shutter button. Nicole Young understands this and shares her knowledge as a photographer and a lover of beautiful (& tasty!) food to give you all of the tools needed to create your own visual masterpieces.
As a photographer myself, I can always go to a cookbook to look up recipes for making a dish. I'm not looking for recipes in my Food Photography books. Rather, what I'm looking for is a resource filled with best practices on how to optimally plate, light and process my dished images. Nicole succeeds in these arenas beautifully. Her images include wonderfully clear lighting diagrams that help visualize how to position your off-camera lights and what the intended outcome should look like. She goes into the benefits of using natural light, along with coupling it using flashes.
She also spends a great deal of time on the post-processing side of the image. It's not just about getting the best result straight out of camera, but rather it's a combination of that and applying effective and clean processing that leads to a winning image. Nicole shares her tips in this arena, as well.
So to sum it up, Nicole succeeds with this book where other so-called Food Photography books fail. Nicole is a photographer herself and it clearly shows with this book. Don't hesitate about purchasing this book - rest assured that you'll come away with some truly valuable tips on how to create your own amazing food photography.

Food Photography: From Snapshots to Great Shots Overview

Are you a "foodie" looking to take eye-catching photos of your culinary concoctions? Do you have a food blog that you'd like to enhance with better visuals? Do you want to create photos that conjure up the flavors of your favorite foods but lack the photographic technique to make it happen? Then this book is for you! In Food Photography: From Snapshots to Great Shots, photographer Nicole Young dishes up the basics on getting the right camera equipment–lights, lenses, reflectors, etc.–and takes you through the key photographic principles of aperture, ISO, and shutter speed. She then discusses lighting and composition and shows how to style food using props, fabrics, and tabletops. Finally, she explains how to improve your photos through sharpening, color enhancement, and other editing techniques. Beautifully illustrated with large, vibrant photos, this book offers the practical advice and expert shooting tips you need to get the food images you want every time you pick up your camera. Follow along with your friendly and knowledgeable guide, photographer and author Nicole S. Young, and you will: • Use your camera's settings to gain full control over the look and feel of your images • Master the photographic basics of composition, focus, depth of field, and much more • Learn to enhance your food photographs using professional food styling techniques • Get tips on different types of lighting, including strobes, flashes, and natural light • Improve the look of your photos using Adobe Photoshop • Go "behind the scenes" and walk through the process of creating great food photographs with an entire chapter of start-to-finish examples And once you've got the shot, show it off! Join the book's Flickr group to share your photos, recipes, and tips at flickr.com/group/foodphotographyfromsnapshotstogreatshots.


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16% Off Discounts: Buy Cheap Photography (10th Edition) Review

Photography (10th Edition)

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Photography (10th Edition) Review

I have used this text for teaching silver based analog photography since the first edition. It's clear, well organized, and has great diagrams and practical tips. However, its price now is an absurdity, even immoral for a book that gets much of its material from 35 years ago. So, if you are learning analog photography, buy an old edition: one can be had for 5$ (yes, five!) dollars. Then buy a cheap book on digital if you need one. At some point, book buyers need to send a message.

Photography (10th Edition) Overview

For introductory and advanced courses in Photography.The London, Upton, Stone series has helped over 1,000,000 photography students capture their potential. And Photography, 10e is the most comprehensive, up-to-date resource for today's photography students. No othertext teaches students the skills they need to use the medium confidently and effectively, while emphasizing both technique, visual awareness, and the latest technologies. This isthe text that students will want to keep for years to come.

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44% Off Discounts: Best Price The Digital Photography Book Review

The Digital Photography Book

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The Digital Photography Book Review

I have enjoyed photography as a hobby for 50+years. I own a Canon 20D and am a Scott Kelby fan. He is a great photoshop expert, yet emphasizes the importance of getting the best possible shot when taking the picture, to make your time in photoshop more enjoyable. You don't have to work as hard if you make the correct exposure to begin with.
Scott approaches each chapter with some humor, and really understands what you really need is a clear bottom line on how to approach the person or subject you want to photograph.
I received my book Sept 4th, read it and used some of his tips shooting 500+ volleyball pictures Sept 5th. I think I can see some improvement in my pictures already.
He has equipment recommendations and shooting tips for the person that has just bought a digital camera to the person that uses it to make a living.
He has worked alongside of professionals learning tips on how to process the digital photographs and how to best print them. Scott believes photography can be more fun if you get results you like by using some of the basic principles used by professional photographers.
I have unhesitatingly recommended this book to several of my friends.
This is one of the least expensive camera related purchases that I have made to bring my excitement of photography to a new level.
I am quite certain you won't be disappointed, especially if you own a Nikon or Canon digital SLR.
I expect my copy to become dog eared from use.

The Digital Photography Book Overview

Scott Kelby, the man who changed the "digital darkroom" forever with his groundbreaking, #1 bestselling, award-winning book The Photoshop Book for Digital Photographers,now tackles the most important side of digital photography--how to takepro-quality shots using the same tricks today's top digital pros use(and it's easier than you'd think). This entire book iswritten with a brilliant premise, and here's how Scott describes it:"If you and I were out on a shoot, and you asked me, 'Hey, how do I getthis flower to be in focus, but I want the background out of focus?' Iwouldn't stand there and give you a lecture about aperture, exposure,and depth of field. In real life, I'd just say, 'Get out your telephotolens, set your f/stop to f/2.8, focus on the flower, and fire away.'You d say, 'OK,' and you'd get the shot. That's what this book is allabout. A book of you and I shooting, and I answer the questions, giveyou advice, and share the secrets I've learned just like I would with afriend, without all the technical explanations and without all thetechno-photo-speak." This isn't a book of theory—it isn't fullof confusing jargon and detailed concepts: this is a book of whichbutton to push, which setting to use, when to use them, and nearly twohundred of the most closely guarded photographic "tricks of the trade"to get you shooting dramatically better-looking, sharper, morecolorful, more professional-looking photos with your digital cameraevery time you press the shutter button. Here's another thingthat makes this book different: each page covers just one trick, justone single concept that makes your photography better. Every time youturn the page, you'll learn another pro setting, another pro tool,another pro trick to transform your work from snapshots into galleryprints. There's never been a book like it, and if you're tired oftaking shots that look "OK," and if you're tired of looking inphotography magazines and thinking, "Why don't my shots look likethat?" then this is the book for you.

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40% Off Discounts: Special Prices for Adobe Photoshop CS5 for Photographers: A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC Review

Adobe Photoshop CS5 for Photographers: A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC

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Adobe Photoshop CS5 for Photographers: A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC Review

This is arguably better than the missing manual to Photoshop CS5. The author has a clear writing style and the illustrations are first rate so that you can actually see the modifications he is discussing. This book also includes a DVD with movies showing some of the new features of CS5 including content aware fill and puppet warp. There is a significant discussion of using raw to preprocess pictures even if they were not captured in RAW format. He even covers color management in considerable detail, well beyond the usual display profiling and calibration.
Of course every book can be improved and even though I gave this book the maximum number of stars I believe that there are short comings that some other authors can and will address. For example, the index seemed a little hard for me to use, at least at first, and I wished that the entire book, rather than selected chapters was on the DVD so I could search for what I wanted. Nevertheless the DVD does include a help guide that complements the book and provides some desktop assistance. Also, even though the book contains numerous specific examples of photographic modifications and repairs and the DVD contains the original photographs when possible for your practice, I think that there are other Photoshop books that provide more fully illustrated examples with the steps more clearly outlined. I also have the Scott Kelby Photoshop CS4 book for digital photographers as well as the CS3 book and these guides teach by example, with the books organized as a series of photographic fixes. As I am writing this review, however, the CS5 book is not yet available and I've been temporarily saved from having to read through Mr Kelby's humor to get to the good parts.
So to sum up. Martin Evening has created a tour deforce explaining the features you need to run Photoshop CS5 that is better illustrated than the Adobe Photoshop CS5 user's guide available on the Adobe web site! (see it's not really missing and you can Google photoshop CS5 user guide to find it like I did) He has also included a DVD and movies illustrating his skills, a nice touch. And he has left room for other authors to provide illustrative examples in guides organized differently.

Adobe Photoshop CS5 for Photographers: A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC Overview



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43% Off Discounts: Special Prices for Understanding Exposure, 3rd Edition: How to Shoot Great Photographs with Any Camera Review

Understanding Exposure, 3rd Edition: How to Shoot Great Photographs with Any Camera

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Understanding Exposure, 3rd Edition: How to Shoot Great Photographs with Any Camera Review

Understanding exposure third edition. Although it could be called understanding your camera
This is a fairly complete overhaul of the second edition. It covers all of the things covered in the second edition and additionally Author Bryan Peterson covers HDR (High Dynamic Range) photography.
One of the sections I enjoyed the most is Peterson's photographic triangle. aperture, shutter speed and iso. All three are of equal importance in the photo tough I sometimes forget about the effects of different iso's so this section brought that to life for me. Some of the other subjects that were interesting to me was his explanation of white balance and how it's over rated "It's my opinion that, next to the histogram, the white balance is one of the most overrated controls on the digital camera". Another section I liked was one entitled "The sky brothers" Here Peterson talks about difficult light and contracts situations that meters have difficulty with. Peterson moves the light meeter to one area or another to get a reading that's not so effected by bad light or contrast including the always difficult photos of snow.
Peterson also covers in detail all of the camera settings and discussed the advantages of one setting over another, aperture priority versus shutter priority etc. One of the things he covers in detail is the usage of automatic settings and how they can hinder photographic creativity. Including Exposure Peterson covers all aspects of photography, lighting, DOF, sports settings, portrait settings, landscape, night and low light photography. Paterson does a great job of describing who each of the settings work together and effect each other.
Peterson really encourages the reader to think outside of the box (or view finder) to understand and use all of the creative features of the camera and your imagination.
The book is a good mix of photos and descriptive writing that gives the reader the camera setting information but the thought process in deciding what settings to use.
Peterson's writing style while describing the subject matter and the settings used on the camera really bring the reader into the idea behind the photo.The appeal of this book is really for the novice to intermediate photographer. I can't think of any one subject about photography that Peterson doesn't present and explanation about.
Beautiful photography, nice writing style, detailed but concise explanations makes this one a keeper. If you like the second edition you'll find the third edition invaluable.

Understanding Exposure, 3rd Edition: How to Shoot Great Photographs with Any Camera Overview



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44% Off Discounts: Lowest Price The Adobe Photoshop Lightroom 3 Book for Digital Photographers (Voices That Matter) Review

The Adobe Photoshop Lightroom 3 Book for Digital Photographers (Voices That Matter)

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The Adobe Photoshop Lightroom 3 Book for Digital Photographers (Voices That Matter) Review

About as complete, smoothly-paced and effortless an introduction to LR3's rather daunting interface as this oldtimer has come across. Continues its predecessor's (LR2) step-wise breezy familiarization with the Lighroom 3 interface to shape a basic - but perfectly sufficient - workflow for busy digital photographers. Easily followed step by step full color screenshots, printed on top quality glossy paper, speed the reader towards a solid grasp of the essentials; helpful tips are provided once you have the basics under your belt. The tutorial is equally helpful to the (nearly identical) Windows and Mac versions of LR3; where the two diverge (as in the file system), unique Windows and Mac screen presentations are treated separately with OS-specific screenshots. Not the least, the focused "Seven Point System" concentrates your time and effort on Lightroom's must-know photo editing strategies, without wandering too far afield.
This book is a Godsend for new users -- less so for intermediate skill level users seeking answers for optimizing speed, when to use 32-bit or 64-bit mode, unraveling buried settings, or troubleshooting performance issues and program malfunctions.In Short: Expertly paced, easy to follow and richly illustrated starter tutorial for Lightroom 3 -- a bumpless ride for newcomers. Upgraders might find it too basic for troubleshooting.

The Adobe Photoshop Lightroom 3 Book for Digital Photographers (Voices That Matter) Overview

Since Lightroom first launched, Scott Kelby's The Lightroom Book for Digital Photographers has been the world's #1 best-selling Lightroom book. In this latest version for Lightroom 3, Scott uses his same step-by-step, plain-English style and layout to make learning Lightroom easy and fun. Scott doesn't just show you which sliders do what. Instead, by using the following three simple, yet brilliant, techniques that make it just an incredible learning tool, this book shows you how to create your own photography workflow using Lightroom:1) Scott shares his own personal settings and studio-tested techniques. He trains thousands of Lightroom users at his "Lightroom Live!" tour and knows first hand what really works and what doesn't.2) The entire book is laid out in a real workflow order with everything step by step, so you can begin using Lightroom like a pro from the start.3) What really sets this book apart are the last two chapters. This is where Scott dramatically answers his #1 most-asked Lightroom question, which is: "Exactly what order am I supposed to do things in, and where does Photoshop fit in?" Plus, this is the first version of the book that includes his famous "7-Point System for Lightroom," which lets you focus on mastering just the seven most important editing techniques.The Adobe Photoshop Lightroom 3 Book for Digital Photographers is the first and only book to bring the whole process together in such a clear, concise, and visual way.

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