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Giovanni's Room Review

Now and then it is healthy and rewarding AND enlightening to revisit some of the books in our libraries that are time-tested, durable pinnacles of literature. Such is the case of opening the cover of James Baldwin's inimitable, cherished novel GIOVANNI'S ROOM. Baldwin died in Paris in 1987 after gifting us with great novels and strong social commmentary. It is only fitting to return to the Paris of this wonderfully rich novel when the need to reflect on how writers of stature had the courage to begin the genre of novels dealing with same sex relationships in a manner of pure literature.
GIOVANNI'S ROOM is a fluid, nonlinear exploration of alienation: the narrator is living in Paris (having escaped the US with the smilingly shallow American image descried by Parisians), heads toward a "comfortably normal courtship/engagement" with a very normal fellow American girl also living in Paris/Spain, and quite by accident encounters his repressed sexual self when he meets Giovanni, an expatriated Italian. The subcultures Baldwin details are palpably present on every page - many characters seem like enemies until their roles in the journey of these two men unfold and clarify. The title of the book is well chosen: Giovanni's room which he shares with David our narrator is claustrophobic, unkempt, dour, and threatening - an apt description of the mental environment this stumbling act of finding a new type of love creates. Baldwin lets us know from the start that we are entering a doomed affair of the heart and it is this atmospheric, eloquently written memoir that adds to the sense of the inevitable isolation that makes this a great novel.
Enough cannot be said about the beauty of Baldwin's prose, the richness of his terse description of the city of Paris, his uncanny ability to paint characters that are wholly three-dimensional. This book merits frequent re-visits. It is a rare vintage wine.

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Roll of Thunder, Hear My Cry (Puffin Modern Classics) Review

Teaching in a primarily white school district(which is just a fact, not a problem), I enjoy teaching novels that bring knowledge of various groups' struggles, beliefs, and similarities that lead to the fact that "we are not as different as some choose to think." In teaching Harper Lee's To Kill A Mockingbird, I felt that my students felt sorry for Tom Robinson, but we needed to have a better understanding of where Tom was coming from. The two novels are very similar in settings, themes, point of view being that of a young girl, conflicts, and overall emotional impact they have on their readers. Kids love Little Man's strength that stretches beyond his size. They admire Stacey's confidence and loyalty to his family, friends, and people. Readers view T.J. with hatred, then confusion, and finally sympathy to this lost child...who can be compared with Harper Lee's Tom Robinson. Many of my students can relate to Jeremy Simms, who respects & enjoys the Logan family more than his own. And then there's Cassie, the narrator. Kids find Cassie to be the most complex of the Logans. Taylor presents Cassie as someone who is naive to discrimination(for lack of a better term). Often my students would write that they wished they could jump into the pages of the text and explain to Cassie what was going on so they could save her from further problems, as we see Big Ma do. My kids also wanted to just "give her a big hug." This book is a great read aloud & the sequels to follow are good as well. Let the Circle be Unbroken is #2 and also goes well with Harper's Tom Robinson's fate. The Road to Memphis is #3 and good as well, although I found the first two the best!

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A Raisin in the Sun Review

Recently, in my eighth grade English class, we read To Kill a Mockingbird, by Harper Lee. During our study of the 1930's in Alabama we were assigned to read another book by an African American author. I chose A Raisin the Sun because my mom recommended it. Lorraine Hansberry's A Raisin in the Sun written in 1959 is an intriguing, must read play. This play shows the strength of an African-American family's values and ability to stick together. They face many hard things that shock the reader and the audience including an accidental pregnancy. They battle against harsh prejudice and a system that attempts to keep them from having good opportunities to improve their life. Hansberry does a good job of intertwining family hardships with the individuality of each character. She develops each character personally and carries on his or her traits through out the entire book. The attitude she takes towards the great struggles of a Chicago family, Walter, Ruth, Mama, Beneatha and Travis Younger is convincing because of her tone and description. She shows that life for an African American person at this time is difficult and full of obstacles more challenging than the ones that white people faced. Although A Raisin in the Sun takes place 29 years after To Kill a Mockingbird, African American people are still treated with no respect and are limited in their rights. Both stories constantly demolish African-American families' dreams. Hansberry illustrates through her tone that the family life is rough and the Youngers' are eager for a big change. This action in the plot causes excitement and suspense. As a reader I constantly want the Younger family to over come their challenges and do well in the future. In the same way, In To Kill A Mockingbird I was always hoping that Tom Robinson would be freed. Although there are similarities in the way black people are treated in both books, Lorraine Hansberry as a black author develops her black characters more thoroughly than Harper Lee. Lorraine Hansberry leaves her white characters to roles that are minor. I like this play because it is realistic and shows how strong a family bond is no matter what comes between them. She really showed how the Youngers' were struggling financially but still managed to succeeded all of the obstacles in their way.

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This groundbreaking play starred Sidney Poitier, Claudia McNeill, RubyDee and Diana Sands in the Broadway production which opened in 1959. Seton Chicago's South Side, the plot revolves around the divergent dreamsand conflicts within three generations of the Younger family: son WalterLee, his wife Ruth, his sister Beneatha, his son Travis and matriarchLena, called Mama. When her deceased husband's insurance money comesthrough, Mama dreams of moving to a new home and a better neighborhoodin Chicago. Walter Lee, a chauffeur, has other plans, however: buying aliquor store and being his own man. Beneatha dreams of medical school.The tensions and prejudice they face form this seminal American drama.Sacrifice, trust and love among the Younger family and their heroicstruggle to retain dignity in a harsh and changing world is a searingand timeless document of hope and inspiration. Winner of the NY Drama Critic'sAward as Best Play of the Year, it has been hailed as a"pivotal play in the history of theAmerican Black theatre." by Newsweek and "a milestone in the AmericanTheatre." by Ebony.

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