32% Off Discounts: Lowest Price Paris, Paris: Journey into the City of Light Review

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Paris, Paris: Journey into the City of Light Review

I own a large library of books about France and have probably read almost every major title that features Paris. David Downie's new book Paris, Paris is in a class all its own. It is the most superbly written book on Paris I have read. Downie has a very lively and intelligent style, as well as a deliciously ironic sense of humor. He is also a real journalist in his brave tenacity to "get the story." He takes us to places I would never otherwise have access to because I would be much too timid to make the approach. For instance, to penetrate the inner sancta of fortress-like Ile Saint Louis mansions, he tells how he systematically tested the outer doors and found a few to be always open. He marches right into luxurious courtyards, has a good look around, and describes what he sees in vivid prose. Or when researching the root of the expression "city of light," he heads right to the office of the chief engineer of Paris' municipal lighting department. I found myself very impressed with his approach towards his subject and with his straightforward, unselfconscious way of expressing himself.
Downie is an American who has lived in Paris for over twenty years; however I have to imagine that he has gotten to know the city better than most natives. His curiosity leads him to all Paris' corners, not just the obvious showy places we all know and love. He does take us to some of my favorite neighborhoods and shows us details I've never noticed before, but he also points out the off-beat and even really ugly spots from where we can get a different perspective altogether on this rich, multi-layered city.
The book has three parts: places, people and phenomena. Every chapter is both entertaining and informative. I ate the book up like a plate of many-colored macarons, savoring every flavor. I highly recommend it to arm chair travelers and committed Parisphiles alike. It's full of history, humor and intelligent insight, with never a dull moment.
An evocative black and white image by Alison Harris, Mr. Downie's professional photographer wife and companion in adventure, accompanies each of the 30 chapters to add to the enjoyment.

Paris, Paris: Journey into the City of Light Overview

"Beautifully written and refreshingly original… makes us see [Paris] in a different light." -- San Francisco Chronicle Book Review Swapping his native San Francisco for the City of Light, travel writer David Downie arrived in Paris in 1986 on a one-way ticket, his head full of romantic notions. Curiosity and the legs of a cross-country runner propelled him daily from an unheated, seventh-floor walk-up garret near the Champs-Elysées to the old Montmartre haunts of the doomed painter Modigliani, the tombs of Père-Lachaise cemetery, the luxuriant alleys of the Luxembourg Gardens and the aristocratic Île Saint-Louis midstream in the Seine.Downie wound up living in the chic Marais district, married to the Paris-born American photographer Alison Harris, an equally incurable walker and chronicler. Ten books and a quarter-century later, he still spends several hours every day rambling through Paris, and writing about the city he loves. An irreverent, witty romp featuring thirty-one short prose sketches of people, places and daily life, Paris, Paris: Journey into the City of Light ranges from the glamorous to the least-known corners and characters of the world's favorite city. Photographs by Alison Harris. "I loved his collection of essays and anyone who's visited Paris in the past, or plans to visit in the future, will be equally charmed as well." —David Lebovitz, author of The Sweet Life in Paris "[A] quirky, personal, independent view of the city, its history and its people"—Mavis Gallant "Gives fresh poetic insight into the city… a voyage into 'the bends and recesses, the jagged edges, the secret interiors' [of Paris]."— Departures

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Purchase Cheap Paris Sights 2011: a travel guide to the top 45 attractions in Paris, France (Mobi Sights) Review

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Paris Sights 2011: a travel guide to the top 45 attractions in Paris, France (Mobi Sights) Review

I was surprized how easy it was to navigate this guide on the Kindle. The first page had a legible map and links to attractions indicated on the map. Each attraction article had a backlink to the map. It was really easy to go back and forth between the map and atractions. The color map looked even better on the iPhone and iPhone navigation was greatly facilitated by those backlinks.

Paris Sights 2011: a travel guide to the top 45 attractions in Paris, France (Mobi Sights) Overview

This illustrated Travel Guide is a part of the Mobi Sights series, our concise guides that only feature the most essential information on city attractions. This guide is designed for optimal navigation on eReaders, smartphones, and other mobile electronic devices. Inside you will find a locator map and a list of top attractions linked to individual articles. Addresses, telephones, hours of operation and admissions information are included. This travel guide also features an itinerary with our suggestions for your travel route. Itineraries include links to individual attraction articles.Please search for "Travel Paris," part of the Mobi Travel series, if you are interested in the complete travel guide that includes more maps and attractions with additional articles on history, cultural venues, transportation, districts, dining, accommodations, units conversion, and a phrasebook. NEW FEATURE: The attraction articles now include links to Google Maps. On a dedicated electronic reader with a slow connection and a primitive browser, Google Maps will display the attraction on the map along with metro stations, roads, and nearby attractions. On an internet-enabled device such as the iPhone and the iPad, Google Maps will even show you the route from your current location to the attraction you want to go to.With this travel guide you can turn some eReaders into an audio guides. For example, on the Kindle, just open an article and click Shift+SYM to activate text-to-speech. Put the speaker on the back of the Kindle against your ear and enjoy your virtual travel companion. Press Spacebar to pause/resume text-to-speech. All travel guides in the Mobi Sights series are only $0.99. Search for any title: enter mobi (short for MobileReference) and a keyword; for example: mobi Paris.

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38% Off Discounts: Lowest Price The Most Beautiful Walk in the World: A Pedestrian in Paris Review

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The Most Beautiful Walk in the World: A Pedestrian in Paris Review

I've been to Paris a number of times and I love the city. I also like reading Paris books. This is not a book for first timers nor is it a book that will provide you with much practical tour information, if that is what you are seeking. The walking described is not the "begin at Point A and finish at Point B" type.
This book is primarily (but not exclusively)about the Latin Quarter, where the author lives, and concentrates on the more "colorful" side of the Quarter, particularly as pertains to the American expat literary figures who haunted the area.
This is definitely an entertaining read. The author is a long time resident, married to a French woman and apparently fluent in French. He also works part time as a guide. So it is clear that M. Baxter is very much a part of the city he loves. I learned quite a few tidbits about places I've been to and not been to. If you are a lover of Paris, you will enjoy this book.

The Most Beautiful Walk in the World: A Pedestrian in Paris Overview

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Buy Cheap Streetwise Paris Map - Laminated City Center Street Map of Paris, France Review

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Streetwise Paris Map - Laminated City Center Street Map of Paris, France Review

This map got us everywhere we wanted to go in Paris for our 1 week visit. I began using it right off the plane when our shuttle driver didn't know where our apartment was. We used it to keep the rain off our heads, and put it down on dirty benches to protect our clothes. The metro map meant that we never took a wrong train. We spent most of the week on foot and every street we were on was in the map. Most of the items and guides I brought along were looked at in the room before we left every morning, but this map was always with us.

Streetwise Paris Map - Laminated City Center Street Map of Paris, France Overview

Streetwise Paris Map - Laminated City Center Street Map of Paris, France - Folding pocket size travel map with integrated metro map including lines & stationsThis map covers the following areas:Main Paris Map 1:14,000Paris Metro MapMap of FranceThere are more clichés about Paris than there are tourists at the Louvre, but the fact is that underneath each overused hackneyed cliché is a glistening kernel of truth. The City of Light, the City of Love and the City of Romance, familiar platitudes, but once you experience it for yourself you understand why. There is a je ne sais quoi allure to this city that beguiles, but never completely reveals what makes it so universally appealing. Artists, poets, writers, and composers have tried to define exactly what it is about this place, and yet they succeed only to a point. Perhaps it is as elusive as defining love, for to be in Paris entails experiencing love, about someone, something, some place.There is so much to do - you know the big ones, the Louvre, Musee d'Orsay, Sacre Coeur, St. Germain des Pres, the Left Bank, the Right Bank, the Arc de Triomphe, the Champs Elysées, the Opéra- but don't miss the fun of discovering the small ones, the ones off the beaten path. Nothing like taking your time strolling thru the turn of the century mansion that houses Musée Marmottan then enjoying a café and patisserie in the museums jewel box café.Wandering aimlessly is romantic. Getting lost isn't romantic. In fact there are few things that can drain the romance out of a situation faster than realizing that you're hopelessly lost. So take your travel map and put it away if you want to wander, but have no fear that your wandering will turn into a lost odyssey. You can always pull out the STREETWISE® Paris Map and get yourself pointed back in the right direction.Paris is not without faults. Sometimes people can be rude, but that's the case anywhere in the world - be it a large city or small village. You get what you give. And in the case of Paris, as with any true love, you accept the flaws with the charms, the weaknesses with the strengths. In the end the true beauty of Paris will surpass any blemish. Life from a Parisian perspective is beautiful. But that's another cliché, isn't it?Our pocket size map of Paris is laminated for durability and accordion folding for effortless use. The STREETWISE® Paris map is one of many detailed and easy-to-read city street maps designed and published by STREETWISE®. Buy your STREETWISE® Paris map today and you too can navigate Paris, France like a native. For a larger selection of our detailed travel maps simply type STREETWISE MAPS into the Amazon search bar.

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44% Off Discounts: Special Prices for The Greater Journey: Americans in Paris Review

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The Greater Journey: Americans in Paris Review

Every time David McCullough puts his fingers to the typewriter that he uses to write with, he seems to transform our understanding of the topic he is studying. Whether it was President Harry Truman or for me Mornings on Horseback, I have walked away from his books with an enlightened feel for the topic that I have only been able to achieve with very few authors. James Michener is one who comes to mind immediately.

With this book, The Greater Journey, the author has now thoroughly engaged the reader with a topic seldom written about but very deserving of study. It is only natural that we as Americans feel we live in a self centered world; after all we have 2 vast oceans that have protected our shores from invasion for several centuries, and probably will for several more. It simply does not occur to us that since our beginnings, many Americans have chosen to spend considerable time abroad, and in some cases decades of their lives. During the 1800's and specifically from 1830 until 1900, there was a wave of intellectual migration that headed not west to America, but east to Paris, France from America. Keep in mind that we now sit in a country that is preeminent in the world, financially, intellectually, and probably culturally as well. Back then, we were just forming as a nation. The Indian wars were still in process, and the Civil War would also take place, which became the second re-creation of the United States. McCullough is totally aware of this comparison and makes wise use of it throughout this 456 page book composed of 14 distinct chapters separated into 3 parts, followed by a wonderful epilogue, and a very useful bibliography. The author understands history, and is always mindful of the relative positions of different nations. During this period we were not yet the top dog that we were to become after World War I. Europe still controlled the world's greatest universities and they were already centuries old. If you are going to read this book in a physical format as opposed to the Kindle digital version, you are in for a treat because the paper chosen is exquisite, and the font selection is superb. If you are an older reader as I am, you will appreciate the time that was taken to design the book appropriately for readers that still relish a physically well made book, and that's what we have here. This is the story of a 70 year period in the history of Paris, and the scores of Americans who occupied it, lived there, and helped participate in the transformation of what is called the city of light. It is also the story of scores of for want of a better word can be called expatriate Americans, although many of them did return to their native United States at different times. McCullough is one of the few authors who truly captures the essence of an environment and then proceeds to envelop it with a reality that absorbs and perhaps even demands our attention as readers. His description of the relationship between James Fennimore Cooper and Samuel F.B. Morse and their joy in living in this magnificent city and the effects it had on their work will remain in the reader's soul for many years after the book is put back on the shelf. When Morse painted his masterpiece, it was done in Paris, and perhaps after reading this book, one realizes it could only have been done in Paris.

The city of lights already had vast boulevards, and extraordinary parks decades before the United States designed them. Indeed, New York City's Central Park which would be created later in the century would take much from Paris, and other European cities. The Americans who would go to Paris and spend years there would recall later after returning to the United States the joy of the parks, the energy of the city itself and the sheer unequalled cultural delights that embodied Paris. Visually we can still see much of this in the work of the Impressionist School of painting.I found the author's handling of Mary Cassatt, who was a Philadelphia born daughter of American socialites who went on to be an illustrious painter as a principal part of the Impressionist school, to be particularly well done. Her relationship to Edgar Degas the renowned painter of the ballet and horses, as well as landscaping is thoroughly chronicled in the book. McCullough's ability to weave life into life, with Paris as the focal point constantly holding the book together in such a way that the reader feels compelled to continue to read, not pausing to eat is what in the end keeps the author at the pinnacle of his profession today. It is obvious that this book was a labor of love for the author. It comes shining through with the admiration that McCullough holds for both Oliver Wendell Homes the American medical student in Paris, and Ralph Waldo Emerson, a name we all recognize. He even takes the time to take us through the time that Mark Twain spent in this wonderful city. Not only was Paris transformed by the Americans that occupied it during this century, but Paris itself went through extraordinary changes and development. Kings re-invented the city several times during this century. Vast numbers of poor were displaced and sent to the country. It was invaded during this period as well. Later vast tree lined streets and boulevards would be created that became the envy of Europe. The Louvre would be increased in size enormously in an attempt to make it the most important museum on the entire continent, and France would succeed in this effort. McCullough intertwines the story of Paris, its growth, its impact on the Americans and what the Americans brought back to America as a result, into a book in such an imaginative way that the reader will find himself revisiting this book from time to time. In the end the book is riveting, and this is a phrase I find myself continuing to use every time I pick up a book written by this author. Many lives are captured in this masterpiece. They include George Healy the portrait painter, Nathaniel Hawthorne whose writings still continue to occupy many a college freshman's late nights, and future American Senator Charles Sumner who would have his views on slavery refined while living in Paris. Indeed he became an abolitionist as a result of his Parisian experience. CONCLUSION:Prior to reading The Greater Journey, I believed I had a good understanding of 19th century Paris. Having studied the art of that period, going to the Louvre, and sitting in on lectures dealing with Paris in the 1800's, I looked forward to seeing what this author could add to the story. I did not expect what I got, which was to have him blow away my understanding and replace it with something that came alive and stood on many different legs of understanding, but isn't that what great writing can do. It can simply make things come alive again. You feel as though you are there, and McCullough puts us right there in the thick of the action. Although it is not the whole story, if you have any interest at all in understanding the transformative art period that was the Impressionist movement it is vividly captured here in the lives of Augustus Saint-Gaudens with John Singer Sargent, and Mary Cassatt. David McCullough is already an acclaimed author with two Pulitzers and two national Book Awards, and it looks like with this book, he's got another Pulitzer coming down the pike. Thank you for reading this review. Richard C. Stoyeck

The Greater Journey: Americans in Paris Overview

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20% Off Discounts: Best Price Nightwood (New Edition) Review

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Nightwood (New Edition) Review

First, I should tell you what Nightwood isn't. It's not acelebration of love between women, or of the glamour of Paris, or ofmodernism's traditionally spare aesthetic. It is, however, a wonderful book, which will probably try your patience but will repay your efforts with the pleasure of reading some of the most wonderful writing to have been produced this century. Djuna Barnes, born in the US, spent some twenty years in Europe, during which she wrote innovative journalism, a novel (Ryder), short stories, poetry and plays, and, slowly, the autobiographical fictional narrative that was finally published as Nightwood in 1936. The novel was hard to place, and finally published by no less of a modernist luminary than T.S. Eliot, then working at Faber and Faber.
Barnes' novel chronicles a love affair between two women: Nora Flood, the sometime "puritan," and Robin Vote, a cipher-like "somnambule" -- sleepwalker -- who roams the streets of Paris looking for -- well, it's not quite clear, but it's a fruitless quest she's on. Nora finds herself roaming the streets too, looking for Robin, but, like most of the characters of the novel, she bumps up against Dr Matthew O'Connor instead. O'Connor, an unlicensed doctor from the Barbary Coast, dominates much of the novel with his astounding barrage of anecdote, offering a stream of stories that all point, ultimately, to the sublime misery of romantic obsession. The love story (if it can even be called that) is framed by the history of Felix Volkbein, a self-styled Baron who marries Robin early on, and whose family tree provides the structure on which the rest of this dawdling narrative hangs.
But nothing I say here can give you a sense of Barnes' dense, lyrical prose, and quite amazingly complex and beautiful writing: you simply have to puzzle over the book yourself to experience perhaps the most idiosyncratic novel produced by an American writer between the wars. It's a dark, melancholy story, with much detailed description of the decaying expatriate lifestyle Barnes herself (sometimes) enjoyed. The final chapter of the book has been regarded as controversial, opaque, and/or vaguely pornographic: Eliot wanted to exclude it when the novel was first published. It might certainly surprise you, and perhaps dismay you if you want to see all threads neatly tied together at the end. But I've read this book several times, and have never regretted it for a moment.

Nightwood (New Edition) Overview

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20% Off Discounts: Best Buy for Giovanni's Room Review

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Giovanni's Room Review

Now and then it is healthy and rewarding AND enlightening to revisit some of the books in our libraries that are time-tested, durable pinnacles of literature. Such is the case of opening the cover of James Baldwin's inimitable, cherished novel GIOVANNI'S ROOM. Baldwin died in Paris in 1987 after gifting us with great novels and strong social commmentary. It is only fitting to return to the Paris of this wonderfully rich novel when the need to reflect on how writers of stature had the courage to begin the genre of novels dealing with same sex relationships in a manner of pure literature.
GIOVANNI'S ROOM is a fluid, nonlinear exploration of alienation: the narrator is living in Paris (having escaped the US with the smilingly shallow American image descried by Parisians), heads toward a "comfortably normal courtship/engagement" with a very normal fellow American girl also living in Paris/Spain, and quite by accident encounters his repressed sexual self when he meets Giovanni, an expatriated Italian. The subcultures Baldwin details are palpably present on every page - many characters seem like enemies until their roles in the journey of these two men unfold and clarify. The title of the book is well chosen: Giovanni's room which he shares with David our narrator is claustrophobic, unkempt, dour, and threatening - an apt description of the mental environment this stumbling act of finding a new type of love creates. Baldwin lets us know from the start that we are entering a doomed affair of the heart and it is this atmospheric, eloquently written memoir that adds to the sense of the inevitable isolation that makes this a great novel.
Enough cannot be said about the beauty of Baldwin's prose, the richness of his terse description of the city of Paris, his uncanny ability to paint characters that are wholly three-dimensional. This book merits frequent re-visits. It is a rare vintage wine.

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39% Off Discounts: Buy Cheap The Invention of Hugo Cabret Review

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The Invention of Hugo Cabret Review

No one can really summarize a book any better than the author proper. So what is, "The Invention of Hugo Cabret" anyway? "... this is not exactly a novel, and it's not quite a picture book, and it's not really a graphic novel, or a flip book, or a movie, but a combination of all these things." In short, what you have is a book that can't really be lumped into a single genre. With the rising popularity of the graphic novel, authors have been looking at how to let the visual elements of a given story complement the text. Some will weave graphic novel elements in and out, panels on one page, text on another. Others prefer a kind of "Captain Underpants" melding with cartoonish pictures. And while all these books are fun reads, none of them have ever really had the (for lack of a better word) gravitas you'd find in a classic text-only children's novel. Until now, that is. "Hugo Cabret" is a risk. A 500+ page book that's told just equally by pictures as it is by text. It is also like nothing you've ever seen before. No other children's book has even come close.
Without Hugo Cabret, none of the clocks in the magnificent Paris train station he lives in would work. Though he's only a kid, Hugo tends to the clocks every day. But there's something even more important in the boy's life than gigantic mechanics. Hugo owns a complex automaton, once his father's, that was damaged in a fire and it is his life's goal to make the little machine work again. To do so, he's been stealing small toys from an old shopkeeper in the station. One day the man catches Hugo in the act, and suddenly the two are thrown together. Coincidences, puzzles, lost keys, and a mystery from the past combine in this complex tale of old and new. The story is told with pictures that act out the action and then several pages of text that describe the plot elements. The final effect is like watching a puzzle work itself into clarity.
Selznick is juggling so many different elements and inspirations in this book that you honestly expect the result to be a muddle. Okay. So you have a story involving old-timey movie-maker Georges Melies (he's the old shopkeeper) whose image in this book was modeled on children's book author Remy Charlip (also an influence). You have an automaton, the history of automatons, and the history of movies themselves. There are photographs of old films mixed in with some bizarre sketches. Then you throw all of this together and add in a story about a boy, a girl, a one-eyed man, toys, keys, and a train station. Boom! Instant book. The fact that this title ISN'T a mess is downright bizarre.
They say that the mark of a good musical depends on how well the songs advance the story's plot. You can't just have your characters burst into song and then act like nothing ever happened. The case could be made too for books like "Hugo Cabret". If there is a picture in this story, it has a purpose. Nothing here was included on a whim. When the book breaks from word to image, it has to be done just right. It has to feel natural. At one point in "Hugo Cabret" our hero is nearly trapped by the Station Inspector. The book reads, "The Station Inspector saw the bandages and loosened his grip, at which point, like a wild animal, Hugo escaped." What follows is a thirty-six page chase sequence that comes across like a black and white film. And the real star of this show, in the end, is Selznick's art. The man is doing things with mood and lighting that give the book just the right mysterious feel. Selznick's pictures are done, for the most part in graphite with plenty of shading involved. At the same time, he knows how to get the viewer involved in what they are seeing. There are moments where the "camera" is zooming in on a particular shot and instantly gets your attention. In the book's opening, we begin with a shot of the moon that pulls back and follows young Hugo. Then suddenly, we see Hugo look over his shoulder and the picture hits you hard. We're on the eighteen or nineteenth page and already we're deeply interested in what we're seeing. We want to know more. Hugo does have some magnificent bags under his eyes at times, and he and the old man's granddaughter Isabelle sometimes look rather similar, but on the whole it's hard to find anything wrong with what Selznick has chosen to place in this book.
Admittedly, not everything works as smoothly as it might. Selznick has to keep everything in this story moving constantly. Nobody wants to see picture after picture of people just sitting around and talking, after all. So really, the downside to this kind of book is that some degree of characterization and description is lost in favor of plot and theme. The kids in this book go from liking one another, to hating, to liking again in a manner that feels a tad awkward. Motivations are sometimes murky, even if they're explained later down the line.
But the allure of this book for kids can't be stressed enough. Selznick is most familiar to children, at this point in time, because of his covers of such Andrew Clements books as "Frindle" and "School Story". When kids see a Selznick cover, they know to grab it. Children who like big thick Harry Potter-sized tomes will pluck the multi-colored "Hugo Cabret" from its shelves without hesitation. Ironically, though, this is a perfect title for reluctant readers. Though the page count will scare off some, those who've been shown the insides will appreciate this unfamiliar form of storytelling. Unlike a graphic novel or a picture book, however, you can't understand "Hugo Cabret" through pictures alone. You can try, I guess, but you end up with a very different tale from the one Selznick has written. The nice thing is that in spite of all the complicated details and influences at work here, the story itself is straightforward and interesting.
Extra kudos for the spine of this title, by the way. Publishing houses too often forget that sometimes the spine of a book is all a customer is ever going to see of a title. And if there were a Best Spine of the Year Award, I think I know who the winner might be. The spine and back are of Hugo's face, lit from the side. Just his left eye and part of his cheek are visible on the spine, with the title, author, and publisher information shoved to the bottom. It's haunting. Does haunting sell? You bet your sweet bippy it does.
It's hard to say whether or not this kind of format would work with any other book. Really, it's the fact that so much of "Hugo Cabret"'s plot revolves around black and white movies that allows this book to jump so easily between image and text. If you did something similar with a story about, oh I dunno, a lion in the jungle, it might feel odd. But given Selznick's subject matter and his careful use of both his own illustrations, movie stills, and sketches, the book holds together. The writing is second to the illustrations, but it's still heads and tales better than most of the crummy kidlit you'll stumble across. Sometimes you hold a book in your hands and it feels like a classic from day one. "The Invention of Hugo Cabret" radiates that feeling.

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