Showing posts with label story. Show all posts
Showing posts with label story. Show all posts

46% Off Discounts: Best Buy for Save The Cat The Last Book on Screenwriting You'll Ever Need Review

Save The Cat The Last Book on Screenwriting You'll Ever Need

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Save The Cat The Last Book on Screenwriting You'll Ever Need Review

OK, maybe not the last book you'll ever need, but if you are a screenwriter or play one on TV, this just may be the BEST book you'll ever need, or read, on the subject of how to break into the big screen big time as a writer of tall tales.
Blake Snyder is a working, selling writer himself, so that gives the reader a true inside glimpse into what it's like, what it takes, and what to expect on the long road to screenwriting stardom. Many screenwriting how-to tomes are written by guys and gals who have few or no real studio credits, so with this book you can be sure you are getting the info direct from the source of a successful member of the Hollywood elite.
Snyder starts out with a bang, describing how important a good title, pitch and concept are, and giving tons of useful advise for whipping those log lines into shape, the best shape ever in fact, for as the author points out, many industry powerbrokers won't even look beyond a log line...so it better be good. Damned good. He then discusses how to make your story like everything else out there, only different, and if you can come to understand that paradox, you will be a success indeed.
We also learn about the importance of creating characters that fit certain archetypes, like the hero and the villain, and how the use of Jungian archetypes can help you shape and mold real people that resonate with the audience. Also covered is the importance of knowing your genre and how to best amplify the style of that genre.
Another chapter deals with the author's own system of breaking a script down to 15 beats, and how every successful movie fits this same beat system. We also learn the art of building scenes and the use of those wonderful index cards for moving and changing scene progression, as well as following the basic rules of a great story, rewriting and reshaping the script, and of course, what the heck to do with the darned thing once you've finished. I really appreciated the glossary of screenwriting and industry terminology, something every writer should know (or at least pretend to know in meetings).
Although this book does follow the mold of many other screenwriting books before it, focusing both on writing and marketing the script and including summaries and exercises for the reader to expand their understanding, the difference that makes this book stand out is the honesty and directness of the author in giving the reader every best chance to comprehend and conquer the inner and outer workings of screenwriting. "Save the Cat" (I'll let you find out what the title means on your own!) doesn't hold back on doling out the solid advise, and presents it in a way that will not only inspire screenwriters, but also make them more aware of just how hard it really is to succeed. No sugar-coating here, but plenty of motivation and great info packed into one book.
So, "Save the Cat" may not be the final screenwriting book you will ever need, should for some reason the entire industry change and adopt some bizarro new standard of screenwriting that will require you to learn the metric system and Pig-Latin. But barring a drastic reshaping of the industry standard (I think most execs are too lazy to change much of anything), this is no doubt the one book that will do more to help you achieve success and get your two-brad-bound puppy through the door than any other I've read so far. And believe me, folks, I've read them all.
FADE OUT.

Save The Cat The Last Book on Screenwriting You'll Ever Need Overview

This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!

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45% Off Discounts: Lowest Price On Writing: 10th Anniversary Edition: A Memoir of the Craft Review

On Writing: 10th Anniversary Edition: A Memoir of the Craft

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On Writing: 10th Anniversary Edition: A Memoir of the Craft Review

For the legions of Stephen King fans out there (which is to say a lot), the first third of the book containing his short memoir is truly a gift. One can't help wanting to read about his/her favorite writer after being transported to fantastic worlds countless times in Mr. King's prolific career. Some fans would have paid... gladly for the first 101 pages of the memoir ("C.V." he calls it), which includes heartfelt tidbits about his brother, mother and his long battles with alcohol and drug addiction.
The second part, "On Writing," is where the aspiring novelists will find inspiration. Assuming you're a serious writer (or wanting to be a published one), you'd no doubt would have read the countless manuals on the mechanics of writing. With Mr. King, you do get short lessons in the mechanics of prose here and there. What he mostly offers to the aspiring writer is the inspiration, the cheerleading, and as some have already suggested, after reading it makes you want to sit and write something. He actually allows you into his writing routine, when and where he writes, how many months it takes to write the first draft, and even how he goes about editing the second draft.
Some very original thoughts I found quite interesting:
1. Story is a fossil you find on the ground, and you gradually dig it out slowly.
2. He doesn't plot his stories. He puts "a group of characters in some sort of predicament and then watch them try to work themselves free." In fact he even goes as far as to say, "plot is shift, and best kept under house arrest."
3. Write first draft with the "door" closed, and the second draft with it open.
There are truly gems here for writers, simple, direct, to the point. As always, he doesn't talk down to you. There is even advice on finding agents.
The final section elaborates his near-death experience in summer of 1999, when he was hit by a van driven by Bryan Smith. The book is actually a sandwich: two slices of autobigraphy with the writing advice as the meat of the book.
Though the thin volume was not your edge-of-the-seat thriller or horror, I found myself reading the darn thing in one seating. A pretty good deal for a non-fiction book. This may sound funny, too, but I felt like the book became a good friend of mine. In a word, this is book is intimate. As a fan, and perhaps a writer, that might be worth something.

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45% Off Discounts: Purchase Cheap The Things They Carried Review

The Things They Carried

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The Things They Carried Review

Tim O'Brien's "The Things They Carried" is a book that transcends the genre of war fiction. Actually, it transcends the genre of fiction in general. Although labeled "a work of fiction" on the title page, the book really combines aspects of memoir, novel, and short story collection. I think you could use Audre Lorde's term "biomythography" to describe this book.
The first-person narrator of this book (named, like the author, Tim O'Brien) is a writer and combat veteran of the Vietnam War. The book actually deals with events before and after the war, in addition to depicting the war itself; the time span covers more than 30 years in the lives of O'Brien and his fellow soldiers.
"The Things They Carried" is an intensely "writerly" text. By that I mean that O'Brien and his characters often reflect directly on the activities of storytelling and writing. As a reader, I got the sense that I was being invited into the very process by which the book was created. This is an extraordinary technique, and O'Brien pulls it off brilliantly.
This being a war story, there are some truly disturbing, graphic, and violent scenes. But there are also scenes that are haunting, funny, surreal, or ironic. O'Brien depicts a memorable group of soldiers: the guilt-wracked Lieut. Cross; Kiowa, a Native American and devout, Bible-carrying Baptist; the sadistic but playful Azar; and more.
While this book is a complete and cohesive work of art, many of its component stories could stand alone as independent pieces of literature (in fact, I first encountered the title story in an anthology). But however you classify it, I consider "The Things They Carried" to be a profoundly moving masterpiece.

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