Showing posts with label film making. Show all posts
Showing posts with label film making. Show all posts

18% Off Discounts: Best Price Short Guide to Writing about Film, A (7th Edition) Review

Short Guide to Writing about Film, A (7th Edition)

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Short Guide to Writing about Film, A (7th Edition) Review

This book is an invaluable guide to writing about film. If you've never taken a film class, you need a book like this to get you used to the vocabulary, style and format of film criticism and theory. Numerous examples and lucid prose make this book easy to use and to read.

Short Guide to Writing about Film, A (7th Edition) Overview



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40% Off Discounts: Purchase Cheap Writing Movies for Fun and Profit: How We Made a Billion Dollars at the Box Office and You Can, Too Review

Writing Movies for Fun and Profit: How We Made a Billion Dollars at the Box Office and You Can, Too

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Writing Movies for Fun and Profit: How We Made a Billion Dollars at the Box Office and You Can, Too Review

This book is full of practical, professional advice on how to swim with the sharks in the very weird world of Hollywood screenwriting. In many ways it's more about the business of writing and selling movies, than it is about how to write. But I've got lots of books on writing; this is the first one that's quite like this.
Not surprisingly, since Lennon and Garant are comedy guys, it's a very funny book. It's easy to read, in a self-mocking conversational tone, and it seems like they're telling real, often embarrassing stories that actually happened to them. There are details that I've never seen in other screenwriting books, like how to tell if you've "made it," based on your studio parking spot; how to take notes from executives and movie stars; what script arbitration is, and how to win at it; and how to get fired with a gracious smile, and then get hired again.
They're also obsessed with In n Out Burger, and dedicate many pages to printing its secret menu and all the locations in Los Angeles. At first I didn't get what that had to do with movies. But whatever. It's part of their guide to living in Los Angeles, so I guess it makes sense?
"Writing Movies..." is unapologetically NOT about "art" or anything at all high-minded, so if that's what you're looking for, the writers are happy to send you elsewhere. I believe they suggest "gazing longingly out the window at the moor." They also say that if you follow their system, you'll soon think of "Oscar Season" as "Ski Season," because the kind of movies they're talking about will never win any Academy Awards anyway. Probably not a book for Documentarians, or Art House types. But if you like your popcorn movies, and if you're looking for tons of practical advice for going into the business of making them, it seems like a genuinely great book.
Also, I can't wait to try to sell some the "free movie ideas" in the back of the book. Somebody's got to do it...

Writing Movies for Fun and Profit: How We Made a Billion Dollars at the Box Office and You Can, Too Overview

Finally, a guide to screenwriting by two guys who have actually done it (instead of some schmuck who just gives lectures about screenwriting at the airport Marriott). Robert Ben Garant and Thomas Lennon's movies have made over a billion dollars at the box office—and now they show you how to do it yourself! This book is full of secret insider information about how to conquer the Hollywood studio system: how to write, pitch, structure, and get drunk with the best of them. Well . . . maybe not the best of them, but certainly the most successful of them. (If you're aiming to win an Oscar, this is not the book for you!) But if you can type a little, and can read and speak English—then you too can start turning your words into $TACK$ OF MONEY! This is the only screenwriting book you will ever need because all the other ones pretty much suck. In these pages, Garant and Lennon provide the kind of priceless tips you won't find anywhere else, including: • THE ART OF PITCHING • GETTING YOUR FOOT IN THE DOOR • TAKING NOTES FROM MOVIE STARS • HOW TO GET FIRED AND REHIRED • HOW TO GET CREDIT AND ROYALTIES! AND MOST IMPORTANT: • WHAT TO BUY WITH THE HUGE PILES OF MONEY YOU'RE GOING TO MAKE! Writing Movies for Fun and Profit will take you through the highs and lows of life as a professional screenwriter. From the highs of hugging Gisele Bundchen, and getting kung fu punched by Jackie Chan, to the soul-crushing lows of Herbie: Fully Loaded. READ THIS BOOK—and you'll have everything you need to make your first billion the old-fashioned way—by "selling out" in show business! A portion of the authors' proceeds from this book are being contributed to the USO of Metropolitan Washington, a private, nonprofit organization dedicated to serving active duty military members and their families in greater Washington, D.C., region.

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46% Off Discounts: Best Buy for Save The Cat The Last Book on Screenwriting You'll Ever Need Review

Save The Cat The Last Book on Screenwriting You'll Ever Need

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Save The Cat The Last Book on Screenwriting You'll Ever Need Review

OK, maybe not the last book you'll ever need, but if you are a screenwriter or play one on TV, this just may be the BEST book you'll ever need, or read, on the subject of how to break into the big screen big time as a writer of tall tales.
Blake Snyder is a working, selling writer himself, so that gives the reader a true inside glimpse into what it's like, what it takes, and what to expect on the long road to screenwriting stardom. Many screenwriting how-to tomes are written by guys and gals who have few or no real studio credits, so with this book you can be sure you are getting the info direct from the source of a successful member of the Hollywood elite.
Snyder starts out with a bang, describing how important a good title, pitch and concept are, and giving tons of useful advise for whipping those log lines into shape, the best shape ever in fact, for as the author points out, many industry powerbrokers won't even look beyond a log line...so it better be good. Damned good. He then discusses how to make your story like everything else out there, only different, and if you can come to understand that paradox, you will be a success indeed.
We also learn about the importance of creating characters that fit certain archetypes, like the hero and the villain, and how the use of Jungian archetypes can help you shape and mold real people that resonate with the audience. Also covered is the importance of knowing your genre and how to best amplify the style of that genre.
Another chapter deals with the author's own system of breaking a script down to 15 beats, and how every successful movie fits this same beat system. We also learn the art of building scenes and the use of those wonderful index cards for moving and changing scene progression, as well as following the basic rules of a great story, rewriting and reshaping the script, and of course, what the heck to do with the darned thing once you've finished. I really appreciated the glossary of screenwriting and industry terminology, something every writer should know (or at least pretend to know in meetings).
Although this book does follow the mold of many other screenwriting books before it, focusing both on writing and marketing the script and including summaries and exercises for the reader to expand their understanding, the difference that makes this book stand out is the honesty and directness of the author in giving the reader every best chance to comprehend and conquer the inner and outer workings of screenwriting. "Save the Cat" (I'll let you find out what the title means on your own!) doesn't hold back on doling out the solid advise, and presents it in a way that will not only inspire screenwriters, but also make them more aware of just how hard it really is to succeed. No sugar-coating here, but plenty of motivation and great info packed into one book.
So, "Save the Cat" may not be the final screenwriting book you will ever need, should for some reason the entire industry change and adopt some bizarro new standard of screenwriting that will require you to learn the metric system and Pig-Latin. But barring a drastic reshaping of the industry standard (I think most execs are too lazy to change much of anything), this is no doubt the one book that will do more to help you achieve success and get your two-brad-bound puppy through the door than any other I've read so far. And believe me, folks, I've read them all.
FADE OUT.

Save The Cat The Last Book on Screenwriting You'll Ever Need Overview

This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!

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Best Price Film Art: An Introduction Review

Film Art: An Introduction

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Film Art: An Introduction Review

had they edited it before printing and made a soft-cover book that actually didn't fall apart (the ninth edition, at least). There has to be over 10 typos on every spread and pages fall out every time I read it. It's a very interesting and insightful text that I wish I could enjoy. Instead, I find myself fixing typos and worrying about losing countless loose pages.

Film Art: An Introduction Overview



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20% Off Discounts: Special Prices for In the Blink of an Eye Revised 2nd Edition Review

In the Blink of an Eye Revised 2nd Edition

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In the Blink of an Eye Revised 2nd Edition Review

OK I can't believe the guy who was looking for tips on how to put a scene together. I have been a film and commercial editor for 25 years and Mr. Murch's work is what all who have ever wanted to be an editor look up to. The joy of this book is that it doesn't delve into the nuts and bolts of editing-which is the worst part of my craft-but it focuses on the zen of editing, which is the true joy. I have had the opportunity to cut nine feature films in my life and before I started each one, I read "In the Blink of an Eye" to get me back in that feature film mindframe. God Bless Mr. Murch for his insights. As a fellow editor-and I struggle to live up to the bar you have raised for us-I can only bow down and thank Mr. Murch for passing on his knowledge to us.

In the Blink of an Eye Revised 2nd Edition Overview

In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.

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15% Off Discounts: Best Price Backwards & Forwards: A Technical Manual for Reading Plays Review

Backwards and Forwards: A Technical Manual for Reading Plays

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Backwards & Forwards: A Technical Manual for Reading Plays Review

David Ball's book on script analysis should be read and understood by anyone who directs plays. He explains how to read a play through the very simple technique of reading it from start to finish--and then backwards, from finish to start. By doing so, he points out, the reader learns how one scene leads logically and progressively to the next. While the concept is simple and straightforward, you have to read Ball's book to see how this process can be used to ferret out every important detail of plot and character development.

Backwards & Forwards: A Technical Manual for Reading Plays Overview

This guide to playreading for students and practitioners of both theater and literature complements, rather then contradicts or repeats, traditional methods of literary analysis of scripts.Ball developed his method during his work as Literary Director at the Guthrie Theater, building his guide on the crafts playwrights of every period and style use to make their plays stageworthy. The text is full of tools for students and practitioners to use as they investigate plot, character, theme, exposition, imagery, motivation/obstacle/conflict, theatricality, and the other crucial parts of the superstructure of a play. He includes guides for discovering what the playwright considers the play's most important elements, thus permitting interpretation based on the foundation of the play rather than its details.Using Hamlet as illustration, Ball assures a familiar base for illustrating script-reading techniques as well as examples of the kinds of misinterpretation readers can fall prey to by ignoring the craft of the playwright. Of immense utility to those who want to put plays on the stage (actors, directors, designers, production specialists) Backwards and Forwards is also a fine playwriting manual because the structures it describes are the primary tools of the playwright.


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18% Off Discounts: Best Buy for Understanding Movies, 11th Edition Review

Understanding Movies, 11th Edition

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Understanding Movies, 11th Edition Review

This is an essential book for students of cinema. It does one thing and it does it quite well: it introduces you to the language of film analysis, the categories that critics use to analyze a film. It doesn't try to cover film technology or history.
I totally agree with the other reviewer that the new editions are completely unnecessary, and serve only to destroy the market for used copies. Buy one of the older editions unless it's for a college class and you need the same edition as the class.

Understanding Movies, 11th Edition Overview

Helps readers understand how the many languages of film work together to create meaning. Louis Giannetti organizes Understanding Movies around the key elements of filmmaking, including cintematography, Mise en Scène, movement, editing, sound, acting, drama, casting, story, screenwriting, ideology, and theory. He synthesizes every element through a complete case study: Citizen Kane. This book's ideas are illuminated with hundreds of high-quality still photos, more than 70 in full color, taken from movies such as The Matrix, Almost Famous, jackass the movie, Chicago, Lord of the Rings, Mystic River, and Traffic. New in this edition: a full section on contemporary special effects and computer generated imagery (CGI); up-to-the-minute information on new developments in film technology; more coverage of recent films and filmmakers; more ethnic diversity (including new material on the Islamic cinema); and more lavish use of color and high-quality paper. An updated Companion Website contains animations, video clips from interviews with movie professionals, and Research Navigator access to New York Times film reviews. For everyone who wants to understand the artistry and meaning of the movies.

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Purchase Cheap The Backstage Handbook: An Illustrated Almanac of Technical Information Review

The Backstage Handbook: An Illustrated Almanac of Technical Information

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The Backstage Handbook: An Illustrated Almanac of Technical Information Review

The Backstage Handbook covers and illustrates much extremely useful information pertaining to the theatre and releated industry. This book should be required reading by ALL college theatre majors - both design/technical and performance. The illustrated references make for easier learning when used in conjunction with hands-on instruction. If you do not own this book and are involved in the entertainment industry, you should purchase a copy right away! -Joshua C. Allen Lighting Design, New York, NY

The Backstage Handbook: An Illustrated Almanac of Technical Information Overview

First published in 1988, Backstage Handbook is one of the most widely used stagecraft textbooks in the United States, with about 10,000 copies sold every year.This handy reference book brings together under one cover an incredible variety of information useful to designers, technicians and students who work behind the scenes in theatre, film and television. Its sturdy leatherette binding will stand up to years of constant use.The third edition updates this popular reference book with new terminology and materials, and adds dozens of new illustrations of grip hardware, film lighting equipment and painting tools. Backstage Handbook includes chapters on Tools, Hardware, Materials, Electrics, Shop Math, Architecture and Theatre. There are hundreds of illustrations, tables and charts which cover everything from the stock sizes and specs of wood screws, to safe working loads for several kinds of rope, to illustrations of twenty-two types of standard lamp bases.

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34% Off Discounts: Lowest Price The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age Review

The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age

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The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age Review

I have an entire library of filmmaking books - this one book (esp. the 2008 update) is fantastic - covering every aspect of filmmaking - and not just the technical stuff - even working with actors, directing and some basics of film theory. Of course it is best at the technical side - including HD production and post production editing. Very few of my collection come close to this one for breadth and depth.

The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age Overview

2008 Edition The authoritative guide to funding, preparing, shooting, lighting, editing, finishing and distributing your film or video Widely acknowledged as the "bible" of film and video production and used in courses around the world, this indispensable guide to making movies is now updated with the latest advances in high- definition formats. For students and teachers, the professional and the novice filmmaker, this clear and comprehensive handbook remains the reliable reference to all aspects of moviemaking. • Techniques for making narrative, documentary, corporate, experimental and feature films. • Working with high-definition and standard-definition digital video formats, including DV, HD, and HDV. • Extensive coverage of video editing with the latest nonlinear editing systems. • Thorough grounding in lenses, lighting, sound recording, and sound editing. • The business aspects of financing and producing movies. Written by filmmakers for filmmakers, this book will give you the skills you need to take your dreams from script to screen.

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21% Off Discounts: Best Buy for Understanding Movies (12th Edition) Review

Understanding Movies (12th Edition)

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Understanding Movies (12th Edition) Review

I bought and read the original version of this book way back in the 1970s, when I was a student of Lou Giannetti. It was then, and is now, THE standard text on which all others must be evaluated. It covers all aspects of film. Be aware, however, the book is intended for students of cinema, rather than someone with simply a casual interest in movies. On the other hand, this book (as well as the many courses I took from Lou as a graduate student in the early 1970s) gave me some a broad knowledge of film, that I can appreciate movies on an aesthetic level as well as simply enjoying them on TV on a Saturday afternoon. That is the gift that this book gives one. My one disappointment is that the book is so expensive that most people interested in film probably will not buy it -- unless being forced to as a student. By the way, I have my original first edition, which probably less than $10, and is still quite useful today.

Understanding Movies (12th Edition) Overview



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