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Mockingjay (The Final Book of The Hunger Games) Review

This was a brilliant conclusion to the trilogy. I can only compare it to "Ender's Game" - and that is extremely high praise, indeed.
When I first closed the book last night, I felt shattered, empty, and drained.
And that was the point, I think. I'm glad I waited to review the book because I'm not sure what my review would have been.
For the first two books, I think most of us readers have all been laboring under the assumption that Katniss Everdeen would eventually choose one of the two terrific men in her life: Gale, her childhood companion or Peeta, the one who accompanied her to the Hunger Games twice. She'd pick one of them and live happily ever after with him, surrounded by friends and family. Somehow, along the way, Katniss would get rid of the awful President Snow and stop the evil Hunger Games. How one teenage girl would do all that, we weren't too sure, but we all had faith and hope that she would.
"Mockingjay" relentlessly strips aside those feelings of faith and hope - much as District 13 must have done to Katniss. Katniss realizes that she is just as much a pawn for District 13 as she ever was for the Colony and that evil can exist in places outside of the Colony.
And that's when the reader realizes that this will be a very different journey. And that maybe the first two books were a setup for a very different ride. That, at its heart, this wasn't a story about Katniss making her romantic decisions set against a backdrop of war.
This is a story of war. And what it means to be a volunteer and yet still be a pawn. We have an entirely volunteer military now that is spread entirely too thin for the tasks we ask of it. The burden we place upon it is great. And at the end of the day, when the personal war is over for each of them, each is left alone to pick up the pieces as best he/she can.
For some, like Peeta, it means hanging onto the back of a chair until the voices in his head stop and he's safe to be around again. Each copes in the best way he can. We ask - no, demand - incredible things of our men and women in arms, and then relegate them to the sidelines afterwards because we don't want to be reminded of the things they did in battle. What do you do with people who are trained to kill when they come back home? And what if there's no real home to come back to - if, heaven forbid, the war is fought in your own home? We need our soldiers when we need them, but they make us uncomfortable when the fighting stops.
All of that is bigger than a love story - than Peeta or Gale. And yet, Katniss' war does come to an end. And she does have to pick up the pieces of her life and figure out where to go at the end. So she does make a choice. But compared to the tragedy of everything that comes before it, it doesn't seem "enough". And I think that's the point. That once you've been to hell and lost so much, your life will never be the same. Katniss will never be the same. For a large part of this book, we see Katniss acting in a way that we can only see as being combat-stress or PTSD-related - running and hiding in closets. This isn't our Katniss, this isn't our warrior girl.
But this is what makes it so much more realistic, I think. Some may see this as a failing in plot - that Katniss is suddenly acting out of character. But as someone who has been around very strong soldiers returning home from deployments, this story, more than the other two, made Katniss come alive for me in a much more believable way.
I realize many out there will hate the epilogue and find it trite. At first, I did too. But in retrospect, it really was perfect. Katniss gave her life already - back when she volunteered for Prim in "The Hunger Games". It's just that she actually physically kept living.
The HBO miniseries, "Band of Brothers", has a quote that sums this up perfectly. When Captain Spiers says, "The only hope you have is to accept the fact that you're already dead. The sooner you accept that, the sooner you'll be able to function as a soldier is supposed to function: without mercy, without compassion, without remorse. All war depends upon it."
But how do you go from that, to living again in society? You really don't. So I'm not sure Katniss ever really did - live again. She just ... kept going. And there's not really much to celebrate in that. Seeing someone keep going, despite being asked - no, demanded - to do unconscionably horrifying things, and then being relegated to the fringes of society, and then to keep going - to pick up the pieces and keep on going, there is something fine and admirable and infinitely sad and pure and noble about that. But the fact is, it should never happen in the first place.
And that was the point, I think.

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Catching Fire (The Second Book of the Hunger Games) Review

If you thought the Capitol couldn't get any more twisted... you were wrong.
The highly-anticipated sequel to The Hunger Games is the kind of novel that has you pulling back to take a breath and go, "How did the author think of this?" (if you can stop turning the pages long enough to breathe)
Catching Fire picks up right where Hunger Games left off. Unrest in the Districts is growing at an alarming pace and Katniss unwittingly finds herself the figurehead for the movement against the Capitol. The characters you loved return for the sequel and the reader must endure each indignity the Capitol inflicts upon them. It is painful, tortuous, imaginative and motivating. It is everything The Hunger Games was and more. It both answers your lingering questions and creates so many new ones. It challenges you to think and creates such feelings of empathy for the characters that whenever I had to put the book down, I was genuinely worried for leaving the characters hanging and couldn't wait to pick it back up just so they could continue fighting for their lives and freedoms.
Everything I loved about The Hunger Games is present in Catching Fire: the unique and engrossing storyline; characters so thoroughly and beautifully described they start to feel like friends; a fantastical setting that is both real and sad; and language that is easy to read and yet conveys such a profound meaning. It has action, romance, horror, hope, despair and, most of all, humanity. It has sci-fi and politics yet, unlike a lot of books on the market, they are not "in your face" and are completely approachable.
Due to elements of violence and some light romantic scenes, I would recommend it for 13+. That being said, I would recommend it for ANYONE 13+ of any reading taste or background: as a bookseller and a recent library school graduate, these are the books I find easiest to recommend to anyone I meet.
I am on the edge of my seat waiting for the third and final book to come out. After reading Catching Fire, I know you will be too.

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When a Crocodile Eats the Sun: A Memoir of Africa Review

If anyone wants insight into the plight of white Africans, I would unhesitatingly point them to Peter Godwin's two books (this one and "Mukiwa"). As someone who was raised in Kenya, then spent time in Rhodesia, South Africa and Zimbabwe, but nearly 30 years ago bade farewell to Africa and have watched with sadness but without surprise as the continent has sunk deeper into crisis, his books ring many familiar bells. I long ago cut my last psychological links with Africa, because the Kenya and Rhodesia I knew no longer exists; Godwin's book is a sad reminder.
It is easy for armchair critics to point accusing fingers at colonialism, and to say that whites created many of their own problems, and bequeathed to Africa many of the problems it faces today, but it's not as simple as that. Whatever white Rhodesians did, they did not deserve to be treated the way Mugabe has treated them in the last decade. Black Zimbabweans are by far the biggest losers, though, have suffered on a far greater level, and must regret the manner in which their country - once the great hope of Africa - has been driven into the ground by the venal and short-sighted thuggery of Mugabe and his acolytes.
But it isn't just Africa or Zimbabwe - this is also a story about how bad leadership can lead to widespread social collapse, and bring out the very worst in human nature. Godwin's story about the way his family's maid Mavis was encouraged to turn against them is symbolic of how easy it is for even the best human souls to be turned by fear and intimidation. The case of Zimbabwe shows that the line between stability and anarchy, between security and insecurity, is often very fine.
The story of Godwin's family has been repeated far too many times among white Africans, and there is an additional level of sadness in the way in which his father escaped Nazism and invested most of his life in Rhodesia, only to end his life surrounded by the horrors that now afflict Zimbabwe. Worst of all is the way in which Africa's leaders have failed to turn against Mugabe, or to criticize him.
I still have friends and relatives in Zimbabwe (the doctor who gave Godwin's mother a new hip also operated on my brother, who ultimately died of peritonitis), and I hear that many of them think "When a Crocodile Eats the Sun" is an enjoyable read. Many are clearly in a state of denial - I read it in two sittings, and while it may have been a deeply compelling read, the story it tells is tragic. It mystifies me that those whites who have the option of leaving stay on in a society where death and misery are almost literally over the other side of the garden hedge. Godwin has a knack of letting the story speak for itself, and of avoiding making judgements or of bathing in self-pity. This and "Mukiwa" together will stand as testament to the plight of white Africans. I've read "Mukiwa" several times since it was published, and will certainly do the same with "When a Crocodile Eats the Sun". No-one who wants to understand the experience of white Africans will want to miss either of these books.

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The Hunger Games Trilogy Boxed Set Review

The Hunger Games (Trilogy) is one of the most "unputdownable" books to enter the teen market in a long time. The cliffhangers at the end of each volume are so intense, you can't help but continue on. Knowing this in advance, I decided against reading the series last summer despite the fact that everyone was talking about it. I waited the extra year, and I'm glad I did--even a week was torture when it came to getting my grubby mitts on a copy of Mockingjay.
For the record, this isn't a series for everyone. You will be drained emotionally by its end. The Hunger Games is one of the grimmest dystopian worlds I've encountered in literature. A lot of characters die, and their deaths aren't pleasant. This series may not be for you. Then again, those who know me well would say it's not for me, either. I'm one of the most squeamish people you'll meet, and The Hunger Games more closesly resembles the movie Battle Royale than I thought it would when I started reading. I really enjoyed the series, though. There are scenes so poignant, they'll stick with me. Between this and Stieg Larsson's Millennium Trilogy, I've found that even squeamish ole me can still enjoy a disturbing book if it's thought-provoking and well-written.
Now that I've warned you about the contents, let's move on to the meat of this review. It's hard to go in-depth without giving a lot away, so I decided to focus on the trilogy as a whole instead of singling out Mockingjay and reviewing it on its own (though I do have a paragraph dedicated to it further down). A brief synopsis for the uninitiated:
The trilogy takes place in the future. The USA has been destroyed; in its place is Panem, which consists of thirteen districts and a Capitol city. Before the series begins, the districts revolt against the Capitol and are defeated; the thirteenth is completely obliterated. As retribution for their crimes, each district is now required to send a boy and girl, called tributes, to participate in the annual Hunger Games. The games are centered around survival; there can only be one winner (Luckily, most of the deaths occur off-page, so it makes it easier for the squeamish to read). The characters are very rich and detailed; some of their deaths hit incredibly hard and are forever memorable. In the second book, Catching Fire, there is a lot of unease in the districts, and a lot of anger when the year's Hunger Games take a twisted turn and past winners are forced to battle it out for survival. The final book, Mockingjay, consists of a full out rebellion; the districts are at war with the Capitol and it's do or die in a showdown so explosive, readers never see it coming.
Mockingjay has already received flack for not going in the direction fans anticipated. Most were caught up in a romantic triangle and hoped the final book would have a heavy emphasis on this theme with war as a backdrop and a happily-ever-after on the horizon. At the same time, Suzanne Collins has been setting up the revolution since Day One; the grim nature of the first two books should lead readers to believe that the finale will continue in a similar vein. Yes, people will die and it won't always be fair. That's life. I think the direction of Mockingjay was natural, especially in war-like situations. Characters will not be the same as they were earlier in life; war changes you. I would have been disappointed if Collins sidestepped harsh realities in order to soften the story. The tale she weaves is extreme, but it's also genuine. To me, by sticking to her guns and not copping out for something friendlier, she has created a memorable, haunting series that will stick with you long after you've finished reading it.
I'd also like to bring attention to the amazing book jacket art put together by designer Elizabeth B. Parisi and artist Tim O'Brien. At first glance, they don't mean much, but once you've read the serious, you notice just how ingenious they truly are. Before I read the series, I looked at the preview of the Mockingjay jacket and thought, "Wow, that's bright compared to the first two." Now I know better. Each book features a mockingjay, which is a hybrid mix of mockingbird and jabberjay (a Capitol creation used for spying on enemies during the first rebellion). The first book features the bird as the pin the main character, Katsa's, friend gives to her. The book is black and grim, giving it a desolate air. Every character in the Games feels hopeless, as though he/she won't survive. The second book's mockingbird is trapped inside a clock-like environment, which is the setting of the Hunger Games in this volume. The book is red for fire (both for its title, Catching Fire, and the literal associations with the element in the book), for anger (the fact that previous survivors of the Hunger Games must participate once more), and for bloodshed. Both books feature these circular objects that link to one another representing the way the districts and Capitol are linked. The final book features a mockingjay with its wings spread out. The linked circles are in broken pieces around it. The book is a vivid sky blue, the color of peace and hope. These covers have become favorites of mine; I adore the symbolism.All in all, I'm personally glad I've read this series and wouldn't change a thing. I'm glad I didn't sidestep it due to its violent nature and extreme situations. This trilogy is one I'll read again to delve into the intricate layers I know Collins has laid out for us. Collins is a master at capturing a society at war and showing the horrors that come when a corrupt government is in control.

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