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Heart of the Matter Review

I like Emily Giffin's newest book HEART OF THE MATTER because it explores something fundamental, basic and easy to understand about human nature, that we rarely if ever see ourselves as the villain when we tell the story of our lives. For every mistake we make, we can justify it by telling ourselves the reasons we did it. For every choice that we decide that affects other people, we know what led us to them. And when every small choice we make suddenly puts us square in the middle of some disaster and we're the "bad guy" in the situation, it's not like we didn't have good intentions at the start. And it's that sort of disaster that leads HEART OF THE MATTER's two narrators, Tessa and Valerie, to find themselves at odds with one another. And because each of them gets to tell their version of events to us, there's not really a villain in this story of injured children, gossipy private school moms, broken families and, more than anything, infidelity. Tessa and Val are just two women who've made mistakes and bad choices for very good reasons. And, under different circumstances, they'd probably be really close friends.
Tessa and Val's story begins with an accident. Valerie Anderson is a strong, determined, stubborn single mom to Charlie, a very sweet, sensitive little boy who's a student at a private school in Boston. She reluctantly allows Charlie to go to a friend's birthday party, even though she finds the parents involved to be rich and snotty. At the party, Charlie is seriously injured in a campfire and rushed to the hospital. Val beats herself up over these choices, not trusting her instincts, massively upset over her hurt little boy. Her twin brother Jason tries to comfort her. But no one is able to reassure her until her son's excellent, attractive pediatric plastic surgeon, Dr. Nick Russo, arrives and tells her that Charlie is a beautiful child and would continue to be. It's just what she needs to hear at a very tough time.
Nick, though, had to rush to the hospital from his seventh wedding anniversary dinner with Tessa, his loving, fun wife who's struggling to redefine her identity after she's given up her job as a professor to be a stay-at-home mom to her two little kids, Ruby and Frank. Tessa's mom advised her not to quit her job because she was afraid that Tessa might lose herself or become resentful of her frequently busy, often absent genius husband. Tessa feels inferior to all of the other private school moms around her, even her friend April, a cold perfectionist, and Romy, a rich woman who's panicked because the campfire accident that burned Charlie happened at her house.
So Tessa and Val are connected by community, by mutual acquaintances and now through Nick, whom they both come to care for and have issues with.
Giffin's writing style and the alternating points-of-view allow us to care about both women, building suspense as we wonder just how far their lives will become entwined and just how far the love triangle that eventually becomes central to the novel will go.
HEART OF THE MATTER is arguably Giffin's best book. Like her other novels, it's occasionally laugh-out-loud funny. But, in her fifth book, Giffin allows herself to explore the deeper, darker mistakes and the minutae that can harm well-meaning people trying to find themselves while coping with marriage.
HEART OF THE MATTER is deep and serious, occasionally incredibly sad and moving. She lets us get to know Tessa and Val and care for them in the way that her readers came to love her SOMETHING BORROWED/SOMETHING BLUE heroines Rachel and Darcy. And she mines new territory by criticizing the privileged, gossipy culture of moms that the two women live in.
HEART OF THE MATTER is occasionally as funny, tangled and bitterly insightful as Tom Perrotta's LITTLE CHILDREN, another great book that I found myself thinking of often as I read this. But the voice of HEART OF THE MATTER is distinctly Giffin's, and fans - in particular fans of SOMETHING BORROWED - will not be disappointed by HEART OF THE MATTER.
There is much to love in this new book.

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