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Galapagos (Kurt Vonnegut series) Review

You know what my big brain told me to do? It told me to read all the Vonnegut I could get my hands on, and my big brain finally got something right. More social commentary from the master of fiction with a message, Galapagos tells the story of the last band of humans and how they evolve, absent technology.
What's the cause of all human misery? An oversized brain, which brings up the book's tagline - My Big Brain Told Me To . . .
What would humans be like without this oversized brain? What would the earth be like without a species with an oversized brain? These are the questions Vonnegut explores in depth.
As usual, Vonnegut's narrator is a master satirist with a rambling tone who seems to be going in wrong directions, but ties all threads together brilliantly. In this book, the narrator is the son of Kilgore Trout, a frequently recurring character in Vonnegut novels.
I don't think it's the best Vonnegut novel which makes it merely fantastic.
- CV Rick

Galapagos (Kurt Vonnegut series) Overview

Vonnegut was in his early sixties and his career, still successful, drawing toward a kind of bitter summation when GALAPAGOS (1985) was published. His early work with its unequivocal statement of absurdity and hopelessness, was now almost four decades behind when he completed this meditation on Darwinism, fate and the essential irrelevance of the human condition. Here, humanity has in the millions of years after inevitable holocaust transmogrified into a race of not-quite-human seals emerged from human exile on Darwin's Galapagos Islands. Leon Trotsky Trout, the son of Vonnegut's wretched familiar character Kilgore Trout, watches and broods over his no-longer-human descendants who have made natural selection a matter of debased survivalism. Again, and using a device common in his novels after SLAUGHTERHOUSE-FIVE, the material is presented in the form of a transcript or memoir; Trout unhappily witnessing a sad outcome which may nonetheless represent the best of all human possibilities. Trout's father Kilgore, in ghostly form, remains in communication, urging his son to cease observing and exit but Leon will not take the opportunity, feeling linked to the pathetic, morphed shards of humanity who remain on the Islands. Whether the survival of the seals constitutes human survival, whether Kilgore and his son are imaginary fragments of evolutionary decay lurk as questions beneath a sequence of events which show Vonnegut trapped in the Age of Reagan. Vonnegut is trying to see through (rather than to shape) his material; the theme of the novel represents a kind of apotheosis and never has Vonnegut's ambiguous despair been more clearly revealed or more clearly made the engine of his narrative.Kurt Vonnegut (1922-2007) is perhaps the most beloved American writer of the 20th century. His audience has built steadily since his first pieces in the 1950's. Vonnegut's 1968 novel, SLAUGHTERHOUSE-FIVE has become a canonic war novel - with Joseph Heller's CATCH-22 the truest and darkest of all to have come from World War II. Vonnegut began as a science fiction writer and his early novels PLAYER PIANO and THE SIRENS OF TITAN were so categorized even as they appealed to a young audience far beyond science fiction readers. In the 1960's he became the writer most identified with the Baby Boomer generation. Like the novels of Mark Twain, Kurt Vonnegut's large body of work is now understood as unified. There is a consistency to his satirical insight, humor and anger which makes his work synergistic. The more of Kurt Vonnegut's work you read, the more the work resonates and the more you wish to read. Vonnegut's reputation - like Twain's - will grow steadily through the decades to come as his work grows in relevance, truthfulness and searing insight.

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