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The Associated Press Stylebook 2009 (Associated Press Stylebook & Briefing on Media Law) Review

I am a copy editor and writer who uses the AP Stylebook all of the time, and while I usually think on-line books are better than paper, the AP on-line was making me nuts. The on-line version is very difficult to use - doesn't bring up entries for the most basic searches - and not very user-friendly. The updated paper version is way better. It has extensive information on the use of numbers, IT language, a must-have section on punctuation, independent and dependent clauses, serial commas, etc. It is quick and easy to use to find answers for such usages as continuously or continually, effect or affect. The punctuation section alone is worth the price, and the Stylebook has improved my copy editing immensely. I recommend using for editors who must use several different style guides. Create a spreadsheet with your most common style guides and uses (serial commas, punctuation questions, IT word spellings, capitalization rules, etc.) and pull the information from your AP Stylebook for quick reference. This spreadsheet will improve your copy editing time and keep you from confusing styles.

The Associated Press Stylebook 2009 (Associated Press Stylebook & Briefing on Media Law) Overview

The style of the Associated Press is the gold standard of news writing. With The AP Stylebook in hand, you can learn to write with the clarity and professionalism for which the Associated Press is famous. Fully revised and updated, this new edition contains more than 3,000 A to Z entries—including more than 200 new ones—detailing the AP's rules on grammar, spelling, punctuation, capitalization, abbreviation and word and numeral usage. New entries include anti-spyware, high-definition, iPhone, outsourcing, podcast, text messaging, social networking, snail mail, WMD and Wikipedia.

You'll also find answers to such widespread questions as:

• How should bankruptcy and mergers and acquisitions be covered? • When should the names of government bodies or businesses be spelled out and when should they be abbreviated? • What are the general definitions of the major religious movements? • Which companies do the big media conglomerates own? • Who are all the members of the British Commonwealth? • What constitutes "fair use"? • How should box scores for baseball games be filed, and how should sports terms like minicamp and wild card be used • What exactly does the Freedom of Information Act cover?

With invaluable additional sections on the unique guidelines for business and sports reporting and on how you can guard against libel and copyright infringement, The AP Stylebook is the one reference that all writers, editors and students cannot afford to be without.


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Mile 81 (Kindle Single) Review

You'll probably hear this a lot in the coming days and throughout what's bound to be a long list of reviews, but I'm going to say it anyway because it's the truest thing I can think to say: MILE 81 is classic Stephen King.
With only a few exceptions, most of King's more recent work (everything since NEEDFUL THINGS really) has been more mysterious, paranormal, or suspenseful than horrific. There's nothing wrong with that, of course, and I've enjoyed most of what King's written from CARRIE all the way through FULL DARK, NO STARS, but MILE 81 is a welcome return to a purer kind of horror for those readers who fell in love with King back in the CUJO, CHRISTINE, and IT days. I'll save the plot rehashing for other reviewers, but I will say that I think this novella is what King might have written if he'd gotten the idea for FROM A BUICK 8 25 years earlier.
It's a fantastic story. One of my favorite King stories of all time. And maybe that's all I really needed to say. If you're debating whether or not to buy this, stop. Go click that 1-Click button as fast as your fingers can move.
**Note: Although the novella earns a solid 5 stars from me (I'd give it ten if I could), the formatting could have used some more attention. There are missing section breaks, and the dedication--which should have been on a page of its own--comes immediately after the last line of the story. Somebody needs a slap on the wrist for that one. Or a kick in the teeth.
Also, MILE 81 ends at the 80% mark. What you get after that is a long excerpt from 11/22/63. That's just a heads-up for readers who like to know how close they are to the end of a story.
I'm not taking anything off my rating for those things, but I thought some of you might like to know.

Mile 81 (Kindle Single) Overview

With the heart of Stand By Me and the genius horror of Christine, Mile 81 is Stephen King unleashing his imagination as he drives past one of those road signs... At Mile 81 on the Maine Turnpike is a boarded up rest stop on a highway in Maine. It's a place where high school kids drink and get into the kind of trouble high school kids have always gotten into. It's the place where Pete Simmons goes when his older brother, who's supposed to be looking out for him, heads off to the gravel pit to play "paratroopers over the side." Pete, armed only with the magnifying glass he got for his tenth birthday, finds a discarded bottle of vodka in the boarded up burger shack and drinks enough to pass out. Not much later, a mud-covered station wagon (which is strange because there hadn't been any rain in New England for over a week) veers into the Mile 81 rest area, ignoring the sign that says "closed, no services." The driver's door opens but nobody gets out. Doug Clayton, an insurance man from Bangor, is driving his Prius to a conference in Portland. On the backseat are his briefcase and suitcase and in the passenger bucket is a King James Bible, what Doug calls "the ultimate insurance manual," but it isn't going to save Doug when he decides to be the Good Samaritan and help the guy in the broken down wagon. He pulls up behind it, puts on his four-ways, and then notices that the wagon has no plates. Ten minutes later, Julianne Vernon, pulling a horse trailer, spots the Prius and the wagon, and pulls over. Julianne finds Doug Clayton's cracked cell phone near the wagon door - and gets too close herself. By the time Pete Simmons wakes up from his vodka nap, there are a half a dozen cars at the Mile 81 rest stop. Two kids - Rachel and Blake Lussier - and one horse named Deedee are the only living left. Unless you maybe count the wagon.

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