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Batman: The Long Halloween Review

This ode to Frank Miller's "Year One", itself a noir take on Batman's early career, provides a note-perfect genre piece that should thrill anyone looking for a Batman whodunit. The story has Batman, early in his career, taking on the mob and a serial killer who strikes on holidays. The story is drum tight through thirteen issues (350+ pages), set from Halloween to Halloween, with a poetic pacing and use of graphic tension found only in top-notch graphic novels. Harvey Dent is heavily featured along with a young Jim Gordon. For Batman scholars, Dent's presence alone provides a backdrop of foreboding.
The usual rogue's gallery weaves through the book, including a jealous Joker, out to outdo the serial killer, a cornered, yet elegantly neurotic Riddler, and a wildly abstracted, sensual Poison Ivy, along with a little more mind-altering mayhem from the Scarecrow and Mad Hatter.
What I appreciated most about Jeph [sic!] Loeb's telling is that the criminals are reduced to their elemental symbols, where a gesture or a glance conveys as much as a panel of narrated text. The clues are perfect red herrings in the grand whodunit fashion. Fans of Batman know bad things are going to happen when a stranger passes a rose to a character who then pricks their finger on its thorns. Similarly, even a hardened Gotham detective shudders upon seeing a murder victim with a smile on his face. My only misgiving about this book is that if a reader wasn't acquainted with Batman and the usual Arkham cast, the subtletly of this telling will almost certainly be missed. On the other hand, this'll be a great place to start an education.
Tim Sale's art is compelling. Noir's a difficult effect to convey in comics, and it comes through beautifully in a shadowy, mostly gray and earth tone palette behind strong inking. This cool, muted ground provides the perfect foil against which to contrast the costumed villains, ratcheting up the tension another notch.

Batman: The Long Halloween Overview

It's refreshing when you find a Batman story that both is epic and successfully explores the core of a resolutely explored character. Taking as its catalyst a sub-plot from the seminal Batman: Year One, the story revolves around murders occurring on national holidays, the victims connected to Mob boss "The Roman." Dubbed "Holiday," the killer uses an untraceable handgun and leaves small trinkets at the scene. Plenty of suspects are available, but the truth is something the Dark Knight never suspected. This series scores two major coups: it brilliantly portrays the transfer of Gotham rule to the supervillains and charts the horrific transformation of Harvey Dent from hardened D.A. to the psychotic Two-Face. Both orbit around the sharply portrayed relationship between Dent, Commissioner Gordon, and Batman: a triumvirate of radically different perceptions of Justice. It is always great to see the formative incarnation of Batman, drenched in noir here.Jeph Loeb's writing is keenly aware that Batman is a detective, and Tim Sale portrays a Gotham that is a fertile breeding ground for corruption and madness. Here, Batman is coming to terms with the potent image he projects and the madness it attracts. There are many fine Batman stories, but the ones that capture the spirit with extreme clarity are few. On this alone, The Long Halloween comes highly recommended. Masterfully executed, this is an excellent chance to revisit the world of Batman as fresh as in the summer of 1939. --Danny Graydon

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