Showing posts with label essays. Show all posts
Showing posts with label essays. Show all posts

45% Off Discounts: Lowest Price Bird by Bird: Some Instructions on Writing and Life Review

Bird by Bird: Some Instructions on Writing and Life

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Bird by Bird: Some Instructions on Writing and Life Review

This is not a how-to book. This is not a New Age manual for freeing your creativity in ethereal ways. This is Anne Lamott, for heaven's sake...and that means it's funny! As in, laugh- till-you-can't-read-the-words-through-the-tears-in-your-eyes funny. (Some call this therapy, and I'm inclined to agree.)
Though aimed at writers, this book is full of sage advice and razor-edged honesty for the average joe. If you're a writer--and I claim to be one--it's more than a few anecdotes and good advice; it's a lifeline in the thrashing seas of rough-draftdom, a foothold on the sands of jealousy and vain ambition. Anne makes it clear that writing must be pursued for something other than mere publication. (Though, to be honest, I know she's just trying to let the majority of us down easy.) Writing is about letting go, growing, facing truths, and holding on.
I'm hooked on Lamott. She slaps me in the face with her startling revelations, nudges me in the ribs with her unpredictable humor, and prods my frozen little writer's hands back into action with warm compassion. This book won't solve the mechanical aspects of my writing, or lead me on the path of structural excellence, but it will spark my creativity, free my characters to be true to themselves, and, ultimately, shake me from my doldrums back into the writing mode.
In a society addicted to mindless facts and information, "Bird by Bird" reminds us--writers or otherwise--that it's all about heart. Heart and mind and soul dancing together, even if they step all over each other's feet.

Bird by Bird: Some Instructions on Writing and Life Overview



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38% Off Discounts: Best Price Me Talk Pretty One Day Review

Me Talk Pretty One Day

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Me Talk Pretty One Day Review

I have to admit I was a bit hesitant to read this book. My feeling was that this was just a cheap attempt to capitalize on the success of "Naked", and to write a book that was essentially exactly the same. I'm happy to report that my fears were unfounded.
Sedaris again proves he is perhaps the funniest writer in America. The best pieces in here are funny to the point that I almost needed an oxygen tank to restore normal breathing after laughing so hard for so long. In fact, the funniest pieces are so good that when you get to a story that merely makes you chuckle softly to yourself, it seems like a let-down.
The most consistently hilarious stories in "Me Talk Pretty One Day" are the ones dealing with the odd idiosyncrosies of Sedaris' father. However, by far the funniest story of the bunch had to be "You Can't Kill the Rooster", about Sedaris' foul-mouthed, white trash younger brother.
Admittedly, I started to get somewhat disappointed about halfway through the book, as that is where a few stories that can be best described as "filler" seemed to seep in. But I am happy to report that at that point the book quickly moves to the stories detailing Sedaris' experience of living in France, and the hilarity starts all over again. Recommending this is simple...if you like to laugh, read it, if you hate laughing, don't read it.

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45% Off Discounts: Purchase Cheap Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation Review

Eats, Shoots and Leaves: The Zero Tolerance Approach to Punctuation

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Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation Review

Readers, check your reaction to the following sentence:
Lynne Truss, an English grammarian is bloody fed up with sloppy punctuation.
Does that sentence leave you feeling confused, irritated, or angry? Do you feel you have to second-guess the author of the sentence, forced to ascertain whether s/he was writing to Lynne Truss or about Ms. Truss?
But that sort of thing is almost the norm these days, on both sides of the Atlantic. Of course, we Americans have been struggling for years with FRESH DONUT'S DAILY and Your Server: "MILLY" -- not to mention the archy-and-mehitabel school of e-mail that neither capitalizes nor punctuates and reading through this kind of sentence really gets confusing i think it does at least do you too?
Turns out that even the British--including the elite "Oxbridge" inteligentsia--are wildly ignorant of punctuation's rules and standards. Lynne Truss, an English grammarian and author of EATS, SHOOTS & LEAVES, is bloody fed up with it! So she wrote this handy little book that is ever-so-correct but not condescending, sometimes savage but not silly, full of mission and totally without mush.
Think of Truss as punctuation's own Miss Manners, a combination of leather and lace, with maybe a bit more emphasis on the leather. (She advocates forming possees to paint out incorrect apostrophes in movie placards.) But her examples of bad punctuation serve a purpose: bad punctuation distorts meaning. EATS, SHOOTS & LEAVES includes numerous hilarious backfires of punctuation -- statements and missives that use the exact same words but convey totally opposite messages due to inappropriate punctuation.
Do commas go where they go for breathing, as the do-it-naturally school of non-grammar so many of us were exposed to would have it? Or were they for Medieval chanting or, more analytically, for grammar? Truss explains that it's a mish-mosh of all three, and proceeds to make useful sense of it all. Along the way she confesses she would have gladly borne the children of the 15th-Century Italian typographer who invented Italics and the forward-slash.
With its blend of high dudgeon and helpfulness, Truss steers the reader through the shoals of possession and apostrophes, quotations (British use is a bit differerent from North American, but only a bit, and she notes the difference), the useful if forlorn semicolon, the mighty colon, the bold and (mea culpa) overused dash and other interrupters like parenthesees and commas.
It's important to note that Truss, while something of a true believer, is a believer who lives in the 21st Century. She does not advocate turning back the clock to the 1906 version of Fowler's MODERN ENGLISH USAGE; she is not a snob; she does not overwhelm us with technical terms of grammar and punctuation for their own sake. Just good, common-sense English prescriptive lessons in grammar. People who know they don't know their stuff will learn the right stuff there. People who felt that "the rules" have somehow become archaic in the last thirty years will be happy to see that there are still rules, and while they have become more fluid and pragmatic, they haven't changed inordinately. "It's" still means "It is" and "Its" is still a possessive: "It's a wise publisher that knows its public," say.
Best of all, the teaching is conveyed with wit, bite, and in a snappy tome easy to carry and inexpensive. I'm a former English teacher and I couldn't help but learn and laugh. Highly recommended.
Oh, John Updike? He uses comma faults all that time, that's a sentence like this that splices main clauses together with a comma, maybe using semicolons or starting a new sentence would be better. For us mere mortals, though, standard punctuation fits the norm: once we become world-famous, then we can punctuate at will.

Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation Overview

A bona fide publishing phenomenon, Lynne Truss's now classic #1 New York Times bestseller Eats, Shoots & Leaves makes its paperback debut after selling over 3 million copies worldwide in hardcover. We all know the basics of punctuation. Or do we? A look at most neighborhood signage tells a different story. Through sloppy usage and low standards on the Internet, in e-mail, and now text messages, we have made proper punctuation an endangered species. In Eats, Shoots & Leaves, former editor Truss dares to say, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. This is a book for people who love punctuation and get upset when it is mishandled. From the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, this lively history makes a powerful case for the preservation of a system of printing conventions that is much too subtle to be mucked about with. BACKCOVER: Praise for Lynne Truss and Eats, Shoots & Leaves: Eats, Shoots & Leaves "makes correct usage so cool that you have to admire Ms. Truss." —Janet Maslin, The New York Times "Witty, smart, passionate." —Los Angeles Times Book Review, Best Books Of 2004: Nonfiction "Who knew grammar could be so much fun?" —Newsweek "Witty and instructive. . . . Truss is an entertaining, well-read scold in a culture that could use more scolding." —USA Today "Truss is William Safire crossed with John Cleese's Basil Fawlty." —Entertainment Weekly "Lynne Truss has done the English-speaking world a huge service." —The Christian Science Monitor "This book changed my life in small, perfect ways like learning how to make better coffee or fold an omelet. It's the perfect gift for anyone who cares about grammar and a gentle introduction for those who don't care enough." —The Boston Sunday Globe "Lynne Truss makes [punctuation] a joy to contemplate." —Elle "If Lynne Truss were Roman Catholic I'd nominate her for sainthood." —Frank McCourt, author of Angela's Ashes "Truss's scholarship is impressive and never dry." —Edmund Morris, The New York Times Book Review

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36% Off Discounts: Best Buy for On Photography Review

On Photography

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On Photography Review

I am not a big fan of artistic criticism: I often find it pretentious and prolix. Sontag's essays can be described by these adjectives, at least on first reading. I suspected that critics are inherently like this (until I read Nancy Newhall), but I reread "On Photography" recently and have changed my opinion slightly: critics can be pretentious, but that is the nature of the task.
Sontag's essays are complex and thought provoking, eliciting a flow of ideas that one needs to think about deeply: what is a photograph and how does it convey its message? How much truth does a photograph contain, if any? The answer to that last question is much more difficult with the advent of digital photography and the wonderous (or evil, depending on your viewpoint) manipulations that can be done in the digital darkroom.
An issue that isn't discussed in great depth is the relationship between candid snapshots on one end of the spectrum, and fine art photography on the other; Photography as a medium for artistic expression vs. a medium for recording reality (or unreality or surreality).
The book is not trivially understood: references to philosophy and art history abound, and a dictionary of philosophy and art is almost a requisite. You should also expect to read this a couple of times to get the full impact: do not make your judgement based on a first reading.

On Photography Overview



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