20% Off Discounts: Best Price Understanding and Using English Grammar (with Answer Key and Audio CDs) (4th Edition) Review

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Understanding and Using English Grammar (with Answer Key and Audio CDs) (4th Edition) Review

It provides really nice explanation so that readers can understand easily.
If you want answer key, you should make sure your book is 'with answer key'.

Understanding and Using English Grammar (with Answer Key and Audio CDs) (4th Edition) Overview

A classic developmental skills text for intermediate to advanced students of English, Understanding and Using English Grammar is a comprehensive reference grammar as well as a stimulating and teachable classroom text. While keeping the same basic approach and material as in earlier editions, theFourth Edition more fully develops communicative and interactive language-learning activities. Some of the new features are: Innovative warm-up exercises that precede the grammar charts and introduce points to be taught Structure-based listening exercises ranging from casual speech to academic content Academic readings that highlight the targeted grammar structures Greatly expanded speaking practice with extensive pair, group and class work Corpus-informed syllabus that reflects the discourse patterns of spoken and written English Audio CDs and listening script in the back of the Student BookThe program components include the Student Book (Full Edition and Volume A and Volume B), Workbook (Full Edition and Volume A and Volume B), Chartbook, Teacher's Guide, and Test Bank.Click on "Course-Specific Resources" on the left for more details.For an online workbook, see Understanding and Using English Grammar Interactive.

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38% Off Discounts: Purchase Cheap How to Write a Sentence: And How to Read One Review

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How to Write a Sentence: And How to Read One Review

Author Annie Dillard ("The Writing Life," 1989) was asked by a student, "Do you think I could be a writer?" Dillard's response: "Do you like sentences?" According to Stanley Fish, author of "How to Write a Sentence," it's as important for writers to genuinely like sentences as it is for great painters to like paint. For those who enjoy an effective sentence and all that it involves, this short (160 page) book is insightful, interesting and entertaining. For those who consider reading or writing a chore, perhaps this book can help one's interest level and motivation regarding sentences, though the author's intended audience is clearly those with a genuine interest in writing.
Fish would seem to be well qualified to write, having taught at the University of California at Berkeley, Johns Hopkins University, Duke University, and the University of Illinois at Chicago. However, as any student who has suffered with a highly qualified--yet thoroughly boring--professor knows, a significant part of the education/communication process involves instilling motivation. That's where Fish shines. If it might seem that a whole book on sentences has to be boring, Stanley Fish quickly overcomes this perception. His book is divided into 10 chapters: (1) Why Sentences?; (2) Why You Won't Find the Answer in Strunk and White [Strunk and White authored the classic, "The Elements of Style"]; (3) It's Not the Thought That Counts [nothing like a little provocation to get us interested]; (4) What Is a Good Sentence?; (5) The Subordinating Style; (6) The Additive Style; (7) The Satiric Style: The Return of Content; (8) First Sentences; (9) Last Sentences; and (10) Sentences That Are About Themselves (Aren't They All?).
Author Fish includes many examples of powerful sentences from a very wide range of writers, such as Herman Melville, Edgar Allan Poe, Cicero, Lewis Carroll, Michel de Montaigne, Agatha Christie, Charles Dickens and others. Here's one illustrative example from John Updike: Describing the home run Ted Williams hit at his last at-bat in Boston's Fenway Park on September 28, 1960, Updike wrote, "It was in the books while it was still in the sky." Think about that for a minute.
In conclusion, Stanley Fish is an enthusiastic writer, and he manages to convey and transmit his enthusiasm for writing clear, effective sentences in this highly readable book. If you are interested in writing (and reading), this book is worth your careful consideration.
UPDATE on January 29, 2011: I wrote the above from the viewpoint of the reader contemplating buying this book for his or her own use. As I think more about the book, however, there's another possibility worth exploring. Specifically, this book could make a fine graduation (or other) gift to a niece, nephew or friend's child. First, it's short and easy to read, which means it might actually get read. Second, good writing is important in any profession. Third, the book helps reinforce the point that if you want to get good at something, it pays to study experts in the field. Fourth, and perhaps most important, the book supports the point that success in writing--as in virtually all endeavors--comes from practice, practice, practice. That's a pretty useful message to send any student.

How to Write a Sentence: And How to Read One Overview

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45% Off Discounts: Best Buy for The Elements of Style: 50th Anniversary Edition Review

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The Elements of Style: 50th Anniversary Edition Review

First of all, I want to make it clear that I love this book. I borrowed it from a friend a few years ago, which is why I thought it was high time I got my own copy. Unfortunately, once I did, I found that the actual quality of the printing of this edition is horrible. The paper feels cheap and the text looks as if it were poorly photocopied. You would definitely not expect this from an edition billed as "more durable and elegantly bound edition". The only good thing I could say about this edition is that the cover is indeed beautiful, which is a good thing if all you want is something that looks nice on a bookshelf.
I recommend the 4th edition instead.

The Elements of Style: 50th Anniversary Edition Overview

You know the authors' names. You recognize the title. You've probably used this book yourself. And now The Elements of Style–the most widely read and employed English style manual–is available in a specially bound 50th Anniversary Edition that offers the title's vast audience an opportunity to own a more durable and elegantly bound edition of this time-tested classic.Offering the same content as the Fourth Edition, revised in 1999, the new casebound 50th Anniversary Edition includes a brief overview of the book's illustrious history. Used extensively by individual writers as well as high school and college students of writing, it has conveyed the principles of English style to millions of readers. This new deluxe edition makes the perfect gift for writers of any age and ability level.

Fifty Years of Acclaim for The Elements of Style:

"I first read Elements of Style during the summer before I went off to Exeter, and I still direct my students at Harvard to their definition about the difference between 'that' and 'which.' It is the Bible for good, clear writing." -- Henry Louis Gates Jr.

"For writers of all kinds and sizes the world begins and ends with Strunk and White's Elements of Style. Only something to actually write abouttrumps the list of what is required to put words together in some kind of coherent way. I treasure its presence in my life and salute its fifty years of glory and accomplishment." -- Jim Lehrer

"The Elements of Style remains an unwavering beacon of light in these grammatically troubled times. I would be lost without it."-- Ann Patchett

"To the extent I know how to write clearly at all, I probably taught myself while I was teaching others -- seventh graders, in Flint, Michigan, in 1967. I taughtthem witha copy of Strunk & White lying in full view on my desk, sort of in the way the Gideons leave Bibles in cheap hotel rooms, as a way of saying to the hapless inhabitant: 'In case your reckless ways should strand you here, there's help.' S&W doesn't really teach you how to write, it just tantalizingly reminds you that there's an orderly wayto go about it, that clarity's ever your ideal, but -- really -- it's all going to be up to you."-- RichardFord


"The Elements of Style never seems to go out of date. Its counsel is sound and funny, wise and unpretentious. And while its precepts are a foundation of direct communication, Strunk and White do not insist on a way of writing beyond clear expression. The rest is up to the imagination, the intelligence within."-- David Remnick, editor of The New Yorker

"It's the toughness–the irreverence and implicit laughter–that attracted me to the little book when I was seventeen. I fell in love with Strunk & White's loathing for cant and bloviation, the ruthless cutting of crap, jargon, and extra words. For me, that skeptical directness included a tacit permission by The Elements of Style to break its rules on occasion: an alloy of generosity in the blade, a grace I still admire and still learn from."-- Robert Pinsky

"In the quest for clarity, one can have no better guides than Strunk and White. For me, their book has been invaluable and remains essential."-- Dan Rather

"Eschew surplusage! A perfect book."--Jonathan Lethem

"Not until I started teaching writing and I reread The Elements of Style did I realize that most everything I would be teaching young writers, and everything I would be learning myself as a writer, was contained between the covers of this slim, elegant, wise little book."-- Julia Alvarez

"Strunk and White seared their way into my brain long ago, and I benefit from them daily."-- Steven J. Dubner, co-author of Freakonomics

"Since high school, I have kept a copy of this book handy. That should be unnecessary. I should, by now, have fully internalized The Elements of Style. But sometimes I get entangled in a paragraph that refuses to be 'clear, brief, bold.' I dip back into The Elements of Style and am refreshed. After Scott Simon interviewed me on NPR about whether the word 'e-mail' needs a hyphen (yes, it does), some listeners, including friends of mine, wondered why I had answered in the affirmative when asked, in passing, 'Are you a drunken white man?' Those listeners misheard. 'Strunk and White man' was what Scott said."-- Roy Blount Jr.

"Strunk & White--writing's good-natured law firm--still contains enough sparkling good sense to clean up the whole bloviating blogosphere."-- Thomas Mallon

"I used Strunk -- that's what we called it, Strunk -- as a student at Berkeley fifty years ago. I didn't know that it was new, and that we were the first generation to be educated in The Elements of Style. I got a firm foundation in the English language, learned to write basically, and could depict the realistic world.Then I was able to become an impressionist and expressionist." -- Maxine Hong Kingston

"Strunk and White's gigantic little book must be the most readable advice on writing ever written. Side by side with Roget, Shakespeare, the Bible, and adictionary, it's an essential forevery writer's shelf."-- X.J. Kennedy...


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Best Price College Writing Skills with Readings Review

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College Writing Skills with Readings Review

I use this text for my remedial college freshman English course to help them brush up on grammar, punctuation, and writing forms before moving on to freshman English. My students have always liked it, and so have I.
The readings within it are short, simple, and easy for anyone of any skill to read. They all evoke some sort of response out of my class and have even converted some "non-readers" into new devotees.
This text might also be useful for high school English courses. The only reason I don't give it 5 stars is because some of the grammar/punctuation sections don't have quite enough exercises in them to help some lower-level students get a firm grasp on the ideas. However, any teacher well-armed with worksheets can remedy that problem immediately!

College Writing Skills with Readings Overview

College Writing Skills with Readings offers students a practical guide to becoming better writers.From mastering the traditional five-paragraph essay and its variations to learning about the finer points of grammar and punctuation, College Writing Skills with Readings empowers students to take control of their writing and put it to work for them.Now, with the new online writing program Connect Writing and the soon-to-come Connect Langan, an online interactive version of College Writing Skills with Readings, this new eighth edition brings writing closer to students and helps to take them where they need to go. Whether online or in class, College Writing Skills with Readings offers students the tools to succeed.

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45% Off Discounts: Purchase Cheap The Chicago Manual of Style, 16th Edition Review

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The Chicago Manual of Style, 16th Edition Review

The new version is certainly worth the purchase price! They've added an entire new section on electronic publishing, updated capitalization rules (web [lowercase] is now acceptable), made things more consistent, and speaking of consistency, added a new section on parallel structure. :)
The updated rules for numbers now allow me to toss the ancient GPO Style Manual kept handy for that (I work in science and technology), not to mention the new usage section covering most of the troublesome words means I'll be reaching for my American Heritage dictionary less frequently.
Well done Chicago! Thank you!

The Chicago Manual of Style, 16th Edition Overview

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45% Off Discounts: Purchase Cheap On Writing Well, 30th Anniversary Edition: The Classic Guide to Writing Nonfiction Review

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On Writing Well, 30th Anniversary Edition: The Classic Guide to Writing Nonfiction Review

I usually only write reviews for books I can praise. I actively avoid giving criticism about books that have, as this one does, a large and enthusiastic following. I feel compelled to write now because I think that many will not be as well served as they imagine after reading these reviews.
I think this book is popular for many understandable and, in themselves, good reasons. The writer is up-beat and optimistic. He supplies simple formulas for complex problems. He has both wit and charm. He supplies many funny stories. He makes fun of pompous academics and pedagogues. He is empathetic and warm. His instructions are personal, not distant or abstract. He requires little of the reader and avoids pesky formalities. For all these reasons, one should be attracted to a non-fictional book of reminiscence about writing. However, all these virtues are not those of a book teaching writing.
Indeed, many dislike books that try to teach writing because the majority are rigorous, boring, and impersonal. So, it is no wonder that against those demanding and dry texts this humane presentation appears as an oasis. However, it is a mistake to think that those emotional values make this a good writing text.
This book's relation with writing is much like a movie's relation with its topic: a narrative about a thing more than an instruction. For instance, "Field of Dreams" may make us happy, but it hardly is likely to make us better baseball players. Here most of Zinsser's time is expended in context, quotation of others, and folksy tale. These are topped off with a brief commands - "Go to it" - that have a cheerleader's enthusiasm and lack of content. He celebrates one style, his own, which is short and informal to the exclusion of the hundreds of others that have graced our language. He gives little help with formal discourse. He feels free to judge -- for instance scientists -- outside his field and beside the point. He makes numerous grammatical errors and seems to recognize the dash as the only punctuation. He generalizes egregiously about topics that are enormous and yet undefined, for instance "the human element."
In short, he is less an instructor and more a coach.
As I said, his many strengths have understandably broad appeal, but this book would be inadequate for the college classes I teach. You may not need such formal help and that is fine as long as you do not think it appears here.

On Writing Well, 30th Anniversary Edition: The Classic Guide to Writing Nonfiction Overview

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20% Off Discounts: Special Prices for Little, Brown Handbook (11th Edition) Review

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Little, Brown Handbook (11th Edition) Review

This handbook is all an aspiring writer needs to grasp the technical aspects of the English language. Virtually every nuance of English grammar is discussed at length, including the subjunctive mood (yes, English has one), and the Passive voice (yes, the one your English teacher always asked you not to use!). The book has 883 pages. I will value this even more when I go to graduate school next year.
Why is this book useful? Have you ever wanted to know how to correctly use question marks, commas, and quotation marks? Well, virtually every punctuation mark in existence is explained in the book. Typically rules of usage are given first, and then the explanation is followed by an example sentence. This format makes learning the concepts very easy.
There are also extremely helpful chapters on the use reasoning skills, reading and thinking critically, revising, editing, finding sources, and many, many more helpful topics. The book has sections on MLA, APA, CBE, and Chicago Styles of citing works. So whether you need to write a paper for a Psychology class or an English class, you can find help here. There are also tips included on how to do work in various fields, such as the humanities and social sciences. Another informative section is Glossary of Usage chapter. Included here are commonly misused words, and an explanation of their correct usage (and examples of such usage). For instance, did you know that "lay" is transitive and "lie" intransitive? Or did you know that the past participle form of "lie" is "I have lain?"
I could go on and on about what is included, but there is just so much, it would take more than a few pages! You will have to trust me that this book offers grammar tips, writing hints, citation methods, and other helpful tools. Here is a listing of the contents for all interested:
Preface for Instructors
Preface for Students: Using This BookIntroduction: Critical Thinking, Reading, and Writing
Pt. I The Whole Paper and Paragraphs
Pt. II Grammatical Sentences
Pt. III Clear Sentences
Pt. IV Effective Sentences
Pt. V Punctuation
Pt. VI Mechanics
Pt. VII Effective Words
Pt. VIII Research Writing
Pt. IX Special Writing Situations
App. A Document Format
App. B Writing with a Computer
App. C Oral Presentations, Glossary of Usage, Glossary of Terms

Little, Brown Handbook (11th Edition) Overview

The most trusted and authoritative name in handbooks, The Little, Brown Handbook,11/e is an easy-to-use reference that will answer any question you may have in grammar, writing, or research. It also includes exercises so you can practice skills. This edition offers the latest information on writing with computers, writing online, analyzing visuals, and researching effectively on the Internet. With clear explanations, a wealth of examples, and quick reference checklists and boxes, The Little, Brown Handbook will makes it easy to find what you need and use the information you find.

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24% Off Discounts: Lowest Price Gramatica Para la Composicion (Spanish Edition) Review

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Gramatica Para la Composicion (Spanish Edition) Review

I'm an advanced Spanish instructor and intermediate language coordinator. This is by far the best textbook of Spanish I've ever seen. Yes, you don't find great pictures, appealing format, that's true. However, the grammatical explanations are just incredible. This book is a link between theoretical linguistics and the classroom. The explanations are based on concept-based systemic-functional grammar of Spanish, instead of the rules of thumb that you will find in most commercial textbooks, which have as many exceptions as rules. If you found yourself thinking "... um, but I can also use the imperfect or the subjunctive here, so how do I explain this when the textbook says the opposite?", then this is the textbook for you. You'll find well-grounded, essential, concise, conceptual explanations rather than list of rules that are not true anyways. And you have EVERYTHING in this book, all the grammar you can possibly think of, including meaningful word-order in Spanish, phonetics, questions of discourse, a task-based approach to composition and academic writing, editing and typical error analysis and the metalinguistic knowledge necessary to be literate and articulate in Spanish. Students can realize how changes in form translate into changes in meaning and how meanings are constructed in Spanish (for example, changes of focus or information prominence with rheme and theme structures). There are lots of exercises based on these explanations. Explanations are in Spanish and most examples are translated into English. This is ideal for an intermediate and advanced level. If you want to read more on this line, get also Spanish/ English Contrasts by Stanley too, and read Dwight Bolinger's articles.

Gramatica Para la Composicion (Spanish Edition) Overview

Integrating grammar and composition, this comprehensive new edition guides the advanced student through progressively more complex types of writing by organizing the grammar lessons on a functionalist basis around the needs of composition. This innovative approach to teaching Spanish grammar and composition promotes systematic language development and enables students to strengthen their expressive and editing skills in the language in order to write more effectively and more confidently. Refined by years of classroom testing and analysis of the problems students encounter, this bestselling textbook has been substantially rewritten and incorporates current research in composition, pedagogy, second-language acquisition, and linguistics. Expanded self-correcting exercises are also available online, making "Gramatica para la" composition one of the most valuable textbooks available for advanced students of Spanish. This title focuses on work in six level-appropriate types of composition: description, synopsis, personal narrative, creative narrative, exposition, and argumentation.It is based on ACTFL guidelines for students progressing from intermediate to advanced levels of proficiency. It covers syntax, dictionary skills, problematic word distinctions, and rhetorical features of discourse structure. It contains exercises on grammar practice, working with sentences and paragraphs, guided essays, and free composition. New to the second Edition: each lesson has been clearly divided into two distinct parts - presentation (material that students prepare before class) and Application (the activities they do in class or as homework); and, practices individuals have been expanded and recreated as self-checking exercises that provide immediate feedback and scoring. These practices are available for free online at our associated website. It includes images from William Bull's "Visual Grammar of Spanish" help with distinctions that seem difficult. It contains an Instructor's Manual - available for free online - reviews teaching and grading methodology for writing-intensive courses, offers suggestions for syllabus organization and for teaching each lesson, and provides additional exercises and activities. To download this free PDF, visit our associated website.Free website created by authors contains self-checking exercises at our associated website.

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Best Buy for Random House Webster's Pocket Grammar, Usage, and Punctuation: Second Edition (Pocket Reference Guides) Review

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Random House Webster's Pocket Grammar, Usage, and Punctuation: Second Edition (Pocket Reference Guides) Review

I learned English as a third language and did not get to use it professionally until well into my 20s. There were gaps and errors in my knowledge of formal English, and they had been a hindrance throughout my career.
Looking back, I regret deeply for not studying a reference guide such as this one earlier. It covers the basic grammatical rules, lists the common spelling errors and even discusses the usage of all the important words and phrases. What benefits me the most, nonetheless, is the section on punctuation. I had never quite mastered the usage of colons and semicolons, but now I feel much more comfortable using them.
I purchased the ebook version for my Nook. The formatting looks fine on the small screen. The only constant annoyance is the page number, which corresponds to the paperback version instead of the electronic one. Overall, this is a great reference for anyone who had not gone through rigorous training on professional English writing.

Random House Webster's Pocket Grammar, Usage, and Punctuation: Second Edition (Pocket Reference Guides) Overview

Random House's completely revised best-selling guide to good English.Random House Webster's Pocket Grammar, Usage, and Punctuation is perfect for students, business, and anyone who cares about the correct use of English.Includes:• Clear and concise explanations of English grammar with plenty of examples• Common grammatical and stylistic errors and how to avoid them• Quick reference to commonly misspelled words• User-friendly guide to punctuation and capitalization• Easily confused words and how to tell them apart• Convenient pocket size that fits into backpack, purse, or briefcase

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45% Off Discounts: Purchase Cheap Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation Review

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Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation Review

Readers, check your reaction to the following sentence:
Lynne Truss, an English grammarian is bloody fed up with sloppy punctuation.
Does that sentence leave you feeling confused, irritated, or angry? Do you feel you have to second-guess the author of the sentence, forced to ascertain whether s/he was writing to Lynne Truss or about Ms. Truss?
But that sort of thing is almost the norm these days, on both sides of the Atlantic. Of course, we Americans have been struggling for years with FRESH DONUT'S DAILY and Your Server: "MILLY" -- not to mention the archy-and-mehitabel school of e-mail that neither capitalizes nor punctuates and reading through this kind of sentence really gets confusing i think it does at least do you too?
Turns out that even the British--including the elite "Oxbridge" inteligentsia--are wildly ignorant of punctuation's rules and standards. Lynne Truss, an English grammarian and author of EATS, SHOOTS & LEAVES, is bloody fed up with it! So she wrote this handy little book that is ever-so-correct but not condescending, sometimes savage but not silly, full of mission and totally without mush.
Think of Truss as punctuation's own Miss Manners, a combination of leather and lace, with maybe a bit more emphasis on the leather. (She advocates forming possees to paint out incorrect apostrophes in movie placards.) But her examples of bad punctuation serve a purpose: bad punctuation distorts meaning. EATS, SHOOTS & LEAVES includes numerous hilarious backfires of punctuation -- statements and missives that use the exact same words but convey totally opposite messages due to inappropriate punctuation.
Do commas go where they go for breathing, as the do-it-naturally school of non-grammar so many of us were exposed to would have it? Or were they for Medieval chanting or, more analytically, for grammar? Truss explains that it's a mish-mosh of all three, and proceeds to make useful sense of it all. Along the way she confesses she would have gladly borne the children of the 15th-Century Italian typographer who invented Italics and the forward-slash.
With its blend of high dudgeon and helpfulness, Truss steers the reader through the shoals of possession and apostrophes, quotations (British use is a bit differerent from North American, but only a bit, and she notes the difference), the useful if forlorn semicolon, the mighty colon, the bold and (mea culpa) overused dash and other interrupters like parenthesees and commas.
It's important to note that Truss, while something of a true believer, is a believer who lives in the 21st Century. She does not advocate turning back the clock to the 1906 version of Fowler's MODERN ENGLISH USAGE; she is not a snob; she does not overwhelm us with technical terms of grammar and punctuation for their own sake. Just good, common-sense English prescriptive lessons in grammar. People who know they don't know their stuff will learn the right stuff there. People who felt that "the rules" have somehow become archaic in the last thirty years will be happy to see that there are still rules, and while they have become more fluid and pragmatic, they haven't changed inordinately. "It's" still means "It is" and "Its" is still a possessive: "It's a wise publisher that knows its public," say.
Best of all, the teaching is conveyed with wit, bite, and in a snappy tome easy to carry and inexpensive. I'm a former English teacher and I couldn't help but learn and laugh. Highly recommended.
Oh, John Updike? He uses comma faults all that time, that's a sentence like this that splices main clauses together with a comma, maybe using semicolons or starting a new sentence would be better. For us mere mortals, though, standard punctuation fits the norm: once we become world-famous, then we can punctuate at will.

Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation Overview

A bona fide publishing phenomenon, Lynne Truss's now classic #1 New York Times bestseller Eats, Shoots & Leaves makes its paperback debut after selling over 3 million copies worldwide in hardcover. We all know the basics of punctuation. Or do we? A look at most neighborhood signage tells a different story. Through sloppy usage and low standards on the Internet, in e-mail, and now text messages, we have made proper punctuation an endangered species. In Eats, Shoots & Leaves, former editor Truss dares to say, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. This is a book for people who love punctuation and get upset when it is mishandled. From the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, this lively history makes a powerful case for the preservation of a system of printing conventions that is much too subtle to be mucked about with. BACKCOVER: Praise for Lynne Truss and Eats, Shoots & Leaves: Eats, Shoots & Leaves "makes correct usage so cool that you have to admire Ms. Truss." —Janet Maslin, The New York Times "Witty, smart, passionate." —Los Angeles Times Book Review, Best Books Of 2004: Nonfiction "Who knew grammar could be so much fun?" —Newsweek "Witty and instructive. . . . Truss is an entertaining, well-read scold in a culture that could use more scolding." —USA Today "Truss is William Safire crossed with John Cleese's Basil Fawlty." —Entertainment Weekly "Lynne Truss has done the English-speaking world a huge service." —The Christian Science Monitor "This book changed my life in small, perfect ways like learning how to make better coffee or fold an omelet. It's the perfect gift for anyone who cares about grammar and a gentle introduction for those who don't care enough." —The Boston Sunday Globe "Lynne Truss makes [punctuation] a joy to contemplate." —Elle "If Lynne Truss were Roman Catholic I'd nominate her for sainthood." —Frank McCourt, author of Angela's Ashes "Truss's scholarship is impressive and never dry." —Edmund Morris, The New York Times Book Review

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The Elements of Style Review

This is not the Elements of Style 4th edition in paperback. Its a condensed version of it and should not be a paperback choice of the original hardcover. Will be returning it!

The Elements of Style Overview

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The Elements of Style, Fourth Edition Review

When I write a book I use only a handful of reference tools: dictionary, thesaurus, Gregg's Reference Handbook, Writers Market, and the Elements of Style. Strunk and White is a wonderfully-written, extraordinarily concise tool that pays homage to classic high-end English. It takes language insight to make this prediction in 1979: "By the time this paragraph makes print, uptight... rap, dude, vibes, copout, and funky will be the words of yesteryear." The book begins with eleven "Elementary Rules of Usage," and then continues with eleven more "Elementary Rules of Composition," and eleven "Matters of Form." Each is presented as a brief statement followed by another sentence or two of explanation and a few clarifying examples. This amazing compilation fills only thirty-eight pages, yet covers ninety percent of good writing fundamentals. My favorite section is Chapter IV, a twenty-seven-page, alphabetical listing of commonly misused words and expressions. Here's a trade secret: when my manuscript is "done," I then turn to this chapter and use my word processor's Find function to study every instance of all these problematic words and phrases. I never fail to find errors this way. Many great writers are so only because they've learned to make use of the best available tools. The end of the book contains an essay on "An Approach to Style" with a list of twenty-one "Reminders." Those who fight the apparently-natural tendency to go against these recommendations succeed as writers. Those who don't, fail. It's that simple. The single drawback of The Elements of Style is that it's too concise; it does not stand alone as an all-encompassing tutorial or reference guide. Many readers will seek other sources for more in-depth explanation of style elements. Despite that, it easily replaces ten pounds of other reference material. --Christopher Bonn Jonnes, author of Wake Up Dead.

The Elements of Style, Fourth Edition Overview

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45% Off Discounts: Best Price The Associated Press Stylebook and Briefing on Media Law 2011 Review

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The Associated Press Stylebook and Briefing on Media Law 2011 Review

The AP Stylebook 2011. It is what it is. Great, useful book when working with any kind of writing. Has the "approved" abbreviations and spellings of many confusing or disputed words. Helps me be consistent with the rest of my organization.

The Associated Press Stylebook and Briefing on Media Law 2011 Overview

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Lowest Price Patterns for College Writing with 2009 MLA Update: A Rhetorical Reader and Guide Review

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Patterns for College Writing with 2009 MLA Update: A Rhetorical Reader and Guide Review

So far this book has provided a great source of information. It is given me everything I need to be more accomplished and knowledgeable with the writing and speech process.

Patterns for College Writing with 2009 MLA Update: A Rhetorical Reader and Guide Overview

Click here to find out more about the 2009 MLA Updates and the 2010 APA Updates.

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The Elements of Style (4th Edition) Review

I was looking for a book with basic rules of english grammar to improve the presentation in my recent report and forthcoming thesis. Something that had all in one place, was concise, to the point and no novel-likeness. Strunk & White was the prescription. It has everything a writer needs in terms of language and some aspects of style and presentation. It speaks of the obvious but precious gems which people tend to forget over time. I am impressed with the organisation of the book. What I was really looking for was, Elements of usage and An approach to Style. I recommend this for students planning to write reports, thesis, term papers or any sort of writing that needs to be crisp and clear.The Fine Art of Technical Writing by Carol Rosenblum Perry would be an excellent along with the "little" book for students. It's a necessity if you are in the academia, it's a great aid otherwise.

The Elements of Style (4th Edition) Overview

You know the authors' names. You recognize the title. You've probably used this book yourself. This is The Elements of Style, the classic style manual, now in a fourth edition. A new Foreword by Roger Angell reminds readers that the advice of Strunk & White is as valuable today as when it was first offered.This book's unique tone, wit and charm have conveyed the principles of English style to millions of readers. Use the fourth edition of "the little book" to make a big impact with writing.

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