Showing posts with label kindle more than paperback. Show all posts
Showing posts with label kindle more than paperback. Show all posts

Lowest Price The Omnivore's Dilemma: A Natural History of Four Meals Review

The Omnivore's Dilemma: A Natural History of Four Meals

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The Omnivore's Dilemma: A Natural History of Four Meals Review

Since I read Eric Schlosser's "Fast Food Nation" over five years ago, I have refused to eat any fast food of any kind. Both morally and nutritionally, my position is that if I were to eat that food again, I would be tacitly accepting an industry that is abhorrent on so many levels. Knowing what I now know, that degree of cognitive dissonance is simply too great for me to overcome.
When my son was born two years ago, my thinking about food choices returned and has become an important part of my day-to-day consciousness.
When I first read about "Omnivore" online, I found the premise compelling. What exactly am I eating? Where does it come from? Why should I care? Exactly the kind of book that I'd been looking for, especially as I try to improve my own health and try to give my little guy the best start in life.
I bought the book as soon as it came out and found it to be highly enjoyable, yet almost mind-numbingly disenchanting. We all know about corn and cows and chickens and how the government subsidizes their production (mainly through corn subsidies). But Pollan has given me a completely new view of corn, its processed derivatives, and secondarily, has made me rethink my view of the farmers growing this stuff and the industries who buying it. There is so much wrong with this picture.
Corn, in the wrong hands, can be used for some terrible things, among them high fructose corn syrup (a major player in the obesity epidemic) and as feed for cows (who get sick when they eat it, requiring anti-biotics!). I can't compartmentalize anymore, just because meat tastes good. As Pollan clearly outlines, there is a very selfish reason why the beef industry doesn't want us to see inside a slaughter house. Many of us would never eat it again if we saw how disgusting and cruel the process typically is.
In the section on the ethics of eating animals, Pollan compellingly summarizes animal ethicist Peter Singer's case against eating animals, making a strong argument for vegetarianism. Then he tries to argue for a more moderate (read: carnivorous) world view, and I have to admit, I wasn't convinced. I am a lifelong meat eater, but am seriously thinking about switching to a vegetarian diet. I can no longer reconcile the slaughter of animals with my own appreciation of them. And beyond slaughter, there are plenty of health benefits to eating a plant-based diet.
Here's my bottom line: If you aren't prepared to question your views on food, or are afraid of what you might learn, then you really need to avoid this book. This has all made my head spin and my heart ache over the past month. Faced with the facts, I actually feel as though I am mourning the loss of my old diet. But I am terribly ambivalent about becoming a vegetarian, not at all happy to be making such a drastic (yet healthy) change. I am embarrassed about it, and worried about how I will deal with a meatless lifestyle in the years ahead. I am glad Pollan opened my eyes to this, but secretly wish I weren't so curious about these issues. The truth hurts.

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Best Price The Magicians: A Novel Review

The Magicians: A Novel

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The Magicians: A Novel Review

Stop thinking this is a fantasy book. I know, I know, it's called "The Magicians," the plot synopsis references all three of the most famous fantasy series and describes a handful of familiar fantasy tropes, including the school of magic and the fairy tale land come to actual life. But forget all of that. I have read more fantasy books than I can remember -- I'm named for a character in perhaps the most famous fantasy series of all time -- and I'm telling you: "The Magicians" is not a fantasy.
It has fantastic elements, yes. There is magic; there is a school for magic, where the characters learn to cast spells, using hand gestures and arcane language and strange mystical components -- Ziploc bag full of mutton fat, anyone? -- and there is a voyage from this world to another, a land of naiads and fauns and magical speaking animals, gods and demons, kings and queens, quests and wishes. But this book is something very different from the usual fantasy novel. In "The Magicians," Lev Grossman has done something unusual, and remarkable, perhaps even unique: this is a grown-up fantasy. This book is to fantasy what "The Grapes of Wrath" is to travel books, what "The Metamorphosis" is to self-help: so much more depressing and visceral and funny and horrifying, and genuine, and fascinating, and hard to read and therefore valuable, that it doesn't belong in the same category despite sharing some central traits. The setting is imagined, and there are supernatural things that happen, but make no mistake: this is a serious novel.
Where the characters in most fantasy books are heroic, larger than life, the sort of people we wish we could be, these magicians are not: the characters are too close to plain old humanity, flawed, contradictory, foolish and foolhardy, to stand in as idealized versions of ourselves. Where most fantasy books provide an escape from our reality, this book does not. In point of fact, the moral of this book is that escape is not only impossible, but dangerous and harmful to attempt. The hero, Quentin Coldwater, attempts to escape every serious situation he faces, and every time, he ends up worse off than he would have been if he had just been able to deal with it, honestly and sincerely. But his response to his worsened circumstances is to try to escape again -- with predictable results. Every step Quentin takes is the wrong one, and every step sinks him deeper and deeper into a quagmire. The book gets hard to read: not because the writing is anything less than excellent, as it is top notch from first page to last, but because the urge to reach into the page and slap, shake, and eventually throttle the main character becomes overwhelming. But that desire, that feeling, should be familiar to every adult who has thought back on his or her life, and shook his or her head, thinking, "Why did I do that? How could I be that stupid?" That desire to smack Quentin is no different from the desire to smack our younger selves, and sometimes, that's a terribly annoying feeling to have, which makes this a somewhat annoying book to read.
The real triumph of this book, however, is that it is not only a serious novel, despite what I have been saying. Grossman is able to describe a world of wonder and imagination, and populate it with characters who are utterly unworthy of the magic all around them, who appreciate nothing, who completely flub their great chance -- just like I would have done if I lived through this experience, just as most of us do with our great chances in our real, mundane, unfantastic lives, which are also as full of wonder as any dreamed by a teller of tales. And because the characters are so real, so easy to relate to, it makes the fantasy seem just as real (which, of course, makes the real world just as fantastic). Brakebills reminded me of my own college experience, and yet it is a magical place. Fillory is indeed a fairy tale land come to life in this book, and I found myself wishing that I could believe I would have handled Fillory better than Quentin does -- but knowing that I would have done almost precisely the same things, made the same choices and the same mistakes. And the ending is glorious: the climactic action scene is thrilling and impossible to put down; the revealed secrets are both surprising and satisfying; the final resolution is, if not completely happy, at least hopeful.
I won't say that this is a great book, on par with "Of Mice and Men" and "Catcher in the Rye" and "To Kill a Mockingbird," but I will say that it is closer to those than it is to "The Hobbit" or the Xanth books. If you are a fan of literature, of thinking about your reading, then you must get this book, especially if you enjoy fantasy. If you are just looking for an escape, look elsewhere -- because this is not a fantasy. Or at least, it isn't only a fantasy. It's a wonder.

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Buy Cheap George R. R. Martin's A Game of Thrones 4-Book Bundle: A Song of Ice and Fire Series: A Game of Thrones, A Clash of Kings, A Storm of Swords, and A Feast for Crows Review

George R. R. Martin's A Game of Thrones 4-Book Bundle: A Song of Ice and Fire Series: A Game of Thrones, A Clash of Kings, A Storm of Swords, and A Feast for Crows

Are you looking to buy George R. R. Martin's A Game of Thrones 4-Book Bundle: A Song of Ice and Fire Series: A Game of Thrones, A Clash of Kings, A Storm of Swords, and A Feast for Crows? here is the right place to find the great deals. we can offer discounts of up to 90% on George R. R. Martin's A Game of Thrones 4-Book Bundle: A Song of Ice and Fire Series: A Game of Thrones, A Clash of Kings, A Storm of Swords, and A Feast for Crows. check out the link below:

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George R. R. Martin's A Game of Thrones 4-Book Bundle: A Song of Ice and Fire Series: A Game of Thrones, A Clash of Kings, A Storm of Swords, and A Feast for Crows Review

I stumbled across this page and saw a handful of 1-star reviews that left me puzzled. Then I realized that all of them were regarding the supposedly-poor quality of the Kindle version. Well, I can't tell you anything about the Kindle version. I'm one of those old-school guys, so I bought the paperback set, and it's undoubtedly worth the money. Obviously, the content is 5-star worthy (see the reviews for each individual book), so I'm going to limit my review to the box set itself. This set contains each of the first four books in the Song of Ice and Fire Series (that's A Game of Thrones, A Clash of Kings, A Storm of Swords, and A Feast for Crows), with all-new cover artwork. Out of all the versions released, this is the most visually enrapturing artwork yet. The novels are brightly colored and contain designs that are brilliant in their simplicity. The outer box contains some high-quality shots from the upcoming HBO series.
Highly recommended for:
-Someone who's never read A Song of Ice and Fire. This is the place to start, and a great value too (4 loooong books for $23).
-Longtime fans whose old paperback copies are worn from reading and re-reading in anticipation of A Dance With Dragons.
-Hardcore series collectors who want to own the best versions.
I lent my older copies of this series to my ex-girlfriend, and since I never got them back, I decided that this box set was a worthy purchase. I'm so satisfied with it, I can honestly say that I don't miss the books I lost, not even one bit. I've posted some pictures of the box set so you can decide for yourself if you like its look enough to drop the money.

George R. R. Martin's A Game of Thrones 4-Book Bundle: A Song of Ice and Fire Series: A Game of Thrones, A Clash of Kings, A Storm of Swords, and A Feast for Crows Overview

George R. R. Martin's A Song of Ice and Fire series has become, in many ways, the gold standard for modern epic fantasy. Martin-dubbed the "American Tolkien" by Time magazine-has created a world that is as rich and vital as any piece of historical fiction, set in an age of knights and chivalry and filled with a plethora of fascinating, multidimensional characters that you love, hate to love, or love to hate as they struggle for control of a divided kingdom. It is this very vitality that has led it to be adapted as the HBO miniseries “Game of Thrones."This bundle includes the following novels: A GAME OF THRONES A CLASH OF KINGS A STORM OF SWORDS A FEAST FOR CROWS

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Best Price State of Wonder Review

State of Wonder

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State of Wonder Review

I am amazed by Ann Patchett's ability to write such riveting books about such a breadth of topics. Bel Canto (P.S.) is one of the most beautiful books I've ever read, and I never thought she'd be able to match that. With this book, I think she has come close.
State of Wonder is the tale of an epic journey. After an employee of a pharmaceutical company dies in the Amazon, a fellow researcher is sent to find out exactly what happened to him. She is also tasked with clarifying on the company's behalf exactly how much progress has been made on the drug being studied there. The visual picture of the Amazon painted by Patchett is vivid and captivating and the characters are very well-defined and sharply rendered. The plot moves along at a nice pace, though admittedly it does slow a bit in the middle.
As for criticism, the science in the book is a little vague and seems slightly "off". However, the experiments are a sort of backdrop and not the main focus so it's not that big a deal. And Patchett does manage to cover an awful lot of political and ethical issues related to drug development and reproduction that are so nuanced as to appear to occur using sleight-of-hand.
Overall, another very strong book from Patchett and a definite recommend.

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Best Buy for Chasing the Night Review

Chasing the Night

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Chasing the Night Review

I look forward to the Eve Duncan books, and this had all the good points of the earlier ones. It was very readable and difficult to put down. The new co-protagonist is Catherine Ling, a very brave and highly skilled CIA operative with a checkered past of childhood poverty & abuse and a life on her own at a very young age. Nine years ago, her 2-year-old son Luke had been stolen from her. Unlike Eve, who knows in her heart that her daughter Bonnie is dead, Catherine believes Luke to be alive. She has come to Eve to ask her to age-progress her son so that when she rescues him (as she firmly believes she will), she will know him. Although Eve is at first reluctant, Catherine's passion wins her over. Aided by Kelly, a 14-year-old genius whom Catherine had rescued and who can see patterns where others cannot, by Joe, and by Venable, her CIA superior, they discover where Luke is being kept. And then they set out to rescue him.
The book is exciting and action-filled. Catherine is one of the cleverest and most capable women I have come across in a long time. Kelly is very likeable and is sure to grow into an amazing woman as well. Johansen does well with strong females.
One does wonder why Eve & Joe never married and why she hasn't had a child with him; does he resent that her obsession with Bonnie has prevented him from true fatherhood?
I was disappointed that we never found out who the little girl was whose skull Eve was working on in the beginning of the book, why she was so brutally murdered, and if the killer was caught & brought to justice. I do think this should at least have been mentioned. I missed Jane, but there was no real part for her in the story, so it's not major.
My main objection, and the reason I gave this 4 stars rather than 5, is that all of the villains lately seem to be horrible, sadistic, truly evil psychopaths (or sociopaths?). The one who was holding Kelly & her father captive was just the first. Not only the main villain but his henchmen were all cut from the same cloth.
I'm getting sick of it. Why can't Eve come up against a villain who is charming, intelligent, not sadistic, and only kills when absolutely necessary--a Thomas Crown type perhaps? I would enjoy a true battle of wits and less blood.

Chasing the Night Overview

A CIA agent's two-year-old child was stolen in the night as a brutal act of vengeance. Now, eight years later, this torment is something Catherine Ling awakens to every day. Her friends, family, and colleagues tell her to let go, move on, accept that her son is never coming back. But she can't. Catherine needs to find someone as driven and obsessed as she is to help her- and that person is Eve Duncan. She knows that Eve shares her nightmare, since closure is also something that eludes Eve after the disappearance of her daughter Bonnie. Now, Eve must take her talents as a forensic sculptor to another level, using age progression as a way to unite Catherine with her child. As Eve gets drawn deeper into Catherine's horror, she must face looming demons of her own. Bonnie's killer is still out there. And a new killer is taunting Eve and Catherine at every turn. Is Catherine's son alive, or not? These two women endure the worst fear any mother can imagine in Iris Johansen's latest thrill ride, a gut-wrenching journey into the darkest places of the soul.

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Best Buy for Now You See Her Review

Now You See Her

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Now You See Her Review

What a fun book! The mega-bestselling team of James Patterson and Michael Ledwidge have whipped up a woman-on-the-run story that's perfect summer reading. Nina Bloom is drawn back into her murky past by a series of unfortunate events, and forced to confront the bad guys who almost destroyed her long ago. It seems her name wasn't always Nina, and she...well, see for yourself. The vivid central character and the relentless pace kept me reading straight through to the end.
James Patterson's solo books are my favorites, particularly the Alex Cross series, but I think Ledwidge is the best of his many collaborators. This stand-alone thriller is as swift and engrossing as their series about the NYPD cop with the 10 kids (Run for Your Life, etc.). And Nina--a.k.a. Jeanine--is a terrific heroine. Take this one to the beach and enjoy. Recommended.

Now You See Her Overview

The perfect lifeA successful lawyer and loving mother, Nina Bloom would do anything to protect the life she's built in New York--including lying to everyone, even her daughter, about her past. But when an innocent man is framed for murder, she knows that she can't let him pay for the real killer's crimes. The perfect lieNina's secret life began 18 years ago. She had looks to die for, a handsome police-officer husband, and a carefree life in Key West. When she learned she was pregnant with their first child, her happiness was almost overwhelming. But Nina's world is shattered when she unearths a terrible secret that causes her to run for her life and change her identity.The perfect way to dieNow, years later, Nina risks everything she's earned to return to Florida and confront the murderous evil she fled. In a story of wrenching suspense, James Patterson gives us his most head-spinning, action-filled story yet--a Hitchcock-like blend of unquenchable drama and pleasure.

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Purchase Cheap Inside of a Dog Review

Inside of a Dog

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Inside of a Dog Review

Scientifically, we might know a lot more about rats than we do about dogs. There are some experimental labs that have dogs as subjects, but lab rats get a lot of scientific attention. Dogs get a lot of domestic attention, but scientific study of dogs, and the ways they get along with humans and with other dogs, has not been a high concern. That may be because we think we know dogs; they are frank and open, and we live closely with them. Alexandra Horowitz thinks we don't know enough, and some of what we know is wrong, and she is out to change our perception of dogs and to do it scientifically. She has to work at making herself a detached observer; she might be a psychologist who has studied cognition in humans, dogs, bonobos, and rhinoceroses, but among the first sentences of her book _Inside of a Dog: What Dogs See, Smell, and Know_ (Scribner) is, "I am a dog person." Is she ever. She didn't deliberately make Pumpernickel, her mixed breed live-in friend (she is an advocate for adopting mutts), a subject of scientific study, but Pump was her entrance, for instance, to the dog park where she could film the interactions of other dogs for acute detailed study later. She gives loving anecdotes of the late Pump in every chapter to illustrate her more objective findings, nicely showing how her scientific examination of dogs paid off in her understanding of her own dog. There are people who worry that scientific examination of any phenomenon takes away the mystery and specialness of the phenomenon, and among the fine lessons in this amusing and enlightening book is that this is far from true.
Dogs do not sense the world we do. To take one of Horowitz's examples, a rose for humans is a thing of visual and olfactory beauty, and also has connotations of a love gift. Dogs are having none of this. It is just another plant among all the plants that surround it; it does not look attractive, and unless some dog has urinated on it recently, it does not smell attractive. Otherwise, the rose doesn't exist. The dog's world is one largely of smells. Everyone knows that dogs are better at detecting odors than we are. It isn't just that they can smell more scents, at thinner concentrations, than we; it's that they gaze at the world by sniffing, and it presents a very different world from ours. Smell, for dogs, has plenty of meanings, but one of them is time. A strong spell is new, a fading one is old. Not only that, but the future may be borne on a breeze if the dog is walking upwind. In scents, the dog doesn't just experience the current scene in an olfactory way, "...but also a snatch of the just-happened and the up-ahead. The present has a shadow of the past and a ring of the future about it." Dogs are evolutionarily descended from wolves, and sometimes dog owners are advised to treat their dogs as lower-caste members of a pack. Horowitz prescribes caution in such interpretations. Dogs are not wolves and have cast away many wolf traits during their evolution. A person (non-wolf) attempting to subdue a dog (non-wolf) in wolf fashion is missing what is special about the human-dog bond. Dogs, for instance, like eye contact; wolves avoid it. There are many experiments described here (some of which Horowitz has herself been in charge of), and one of them involves "gaze following". Dogs can look at our eyes, and can tell where we are looking, so they look over that way, too. The sections of the book that are the most fun are the ones on play. Dogs play more than wolves do, and unlike most animals, they play as adults. It is a bit of a mystery; it isn't essential for dogs to play to get their needed social skills, and it does cost energy and the risk of injury. Horowitz describes the play cues dogs give that can only be seen by humans using very slow video replays, but which keep the play non-aggressive for the participating dogs. Dogs are good at following these rules; a strapping wolfhound and a tiny Chihuahua can negotiate a play session efficiently, with the former handicapping itself to enjoy the mock aggressiveness of the latter.
Horowitz has provided a useful service in her brightly-written summary of experiments and current theories on the minds of dogs. I have an idea that people keep dogs around not just because of their goofy affection for us, or because they are so entertaining, but simply because they are interesting. It is fun to see how a creature who has evolved an intelligence different from our own gets along in the world. Horowitz's book helps explain that interest, and heighten it.

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Best Price I Am Not Myself These Days (P.S.) Review

I Am Not Myself These Days (P.S.)

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I Am Not Myself These Days (P.S.) Review

It's New York city in the mid-1990s and our author is an advertising agent by day and a wild drag queen with fish-filled breasts at night. He performs nightly as his Aquadisiac alter-ego, staying out until the wee hours of the morning fueled by vodka, and crams in work the next day before starting all over again. Fortunately, no one can smell the vodka coming out of his pores. Much of his time is spent reconstructing the night before, figuring out where he is waking up, and trying to remember who he talked to and what he did the night before. His advertising campaigns come in brilliant bursts of last-minute energy.
Then comes Jack, the gay male escort who sweeps Josh's life into a semblance of order. Jack loves Aqua and Josh loves Jack. Mid-way through the book, the reader will realize that all the over-the-top orgies, Jack's S&M clients, the drug use, and the rampant alcohol abuse are just fluff around a true love story. Sure, it's titillating to get a glimpse inside alternate lifestyles, but this is truly the story of two misfits who complete eachother. This is a book that will teach you how a drag queen hides his private parts (an entire chapter is devoted to the deconstruction of the male and invention of the female persona), give you every detail about the process of preparing crack in a NY penthouse kitchen, show you the true friendship that develops between Josh and one of Jack's CEO clients who spends weekends tied up on the penthouse floor, and crush your heart with the agony of loving someone who is addicted to drugs. Josh, with his 10-plus vodka-a-day habit, seems like the messed up one in the beginning, but it is Jack who succumbs to addiction, leaving Josh to helplessly look on.
So we have sex, drugs, and club music, mixed up with a love story that got me in the gut by the end of the book...what more could you need? Josh tops this all off with a hilarious and over-the-top narrative voice. When depressed, he fantasizes about being in a Lifetime movie, so he drinks vodka in bed and walks around the apartment alone making declarations about a marriage, mortgage, or the kids. When he lies for a co-worker, he changes his story half a dozen times to make it more "realistic," nevermind that the facts are completely different. He's not an alcoholic, he's a social catalyst, someone who gets paid to illustrate the chemical process of drinking to other partygoers. When he wakes up to a crack-high Jack standing over him with a knife, Josh complains that he just got the expensive knife for Christmas. Jack changes his mind about the murder-suicide he had planned, and Josh goes back to sleep, reminding him to put the knife back in the rack so it doesn't rust.
As over-the-top as this narrative is, it is in no way implausible (I need to make this statement because James Frey wrote a cover blurb). The story of Jack's present to Josh for his first New York Christmas will touch even the most hardened reader. Truly, this book is Josh's tribute to a man he loved for one unforgettable year in New York city. If you enjoy this, try the darker tale of Ron Nyswaner`s love for a male escort in the book Blue Days, Black Nights.

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Best Price How To Win Friends and Influence People Review

How To Win Friends and Influence People

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How To Win Friends and Influence People Review

I won't waste your time with a rundown of what "How to Win Friends and Influence People" is about. With over 400 reviews on Amazon, with over 15 million copies sold, and with a very self-explanatory title, I think you all get it. For the rare person who may not know what this book is about, here's a succinct description: in 1930s vernacular prose, Dale Carnegie explains that by appealing to the other person's highest ideals, remembering the other person's name, letting the other person do most of the talking, speaking in terms of the other person's interests, allowing the other to save face, by "throwing down a challenge," etc., you can make a friend out of just about anyone.
The advice is largely sound, but I think the reader should keep in mind the context within which this book was written. "How to Win Friends and Influence People" was written in the 1930's and intended primarily as a companion book to Dale Carnegie's classes on how to be a good salesman. In other words, these techniques work very well in the context of sales and public relations, i.e., in relationships that are not expected to be deep and/or long-lasting. I wouldn't recommend using these techniques on close personal friends. Doing so may make a person come across as a bit "plastic."
Also, there is one major point that I think needs to be remembered, but unfortunately is nowhere to be found in "How to Win Friends and Influence People." During my research of Dale Carnegie's techniques, I came across what I believe may be the only biography available about him: Dale Carnegie: The Man Who Influenced Millions by Giles Kemp and Edward Claflin. This book reveals many interesting things, such as the fact that Dale Carnegie grew up poor; he lost part of his left index finger when he was a child; he often broke many of the tenets set forth in this book, often forgetting others' names, often arguing with others, etc. But what I found most interesting was that the last chapter of "How to Win Friends" was to describe those individuals with whom none of Dale Carnegie's techniques work. In this unpublished chapter, Carnegie wrote that there were some people with whom it was impossible to get along. You either needed to divorce such people, "knock them down," or sue them in court.
Why is that chapter absent from this book, you ask? Well, Dale Carnegie was in the middle of writing this chapter when he was offered a trip to Europe, and rather than complete this last chapter he decided to take the trip. The uncompleted book was sent off to publishers, and Carnegie shipped off to Europe.
Giles Kemp and Edward Claflin say that given the optimistic tone of the rest of "How to Win Friends," the European trip was perhaps the better choice. Reconciling the the unwritten chapter with the rest of this optimistic book would've been nearly impossible, they say.
Anyway, I think that this unpublished chapter is important to keep in mind. I had to learn the hard way that the unpublished chapter is very true. There are some people with whom it is impossible to get along. When you meet up with such people, and believe me you will, don't think that you've failed the Carnegie techniques. Instead, remind yourself that you are experiencing exactly what Carnegie describes in that pragmatic, unpublished chapter. And then quickly move on to the nicer people!
Andrew Olivo

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A Moveable Feast

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A Moveable Feast Review

This book is Ernest Hemingway's reminisce about his life in Paris in the 1920s and the literary figures he knew, such as Gertrude Stein, Ford Maddox Ford, Ezra Pound, and F. Scott Fitzgerald. It was left unfinished at the time of Hemingway's death in 1961 and originally published in 1964, edited by his fourth and last wife, Mary. This new "restored" version presents the same book as re-edited by Hemingway's grandson Sean.
The original book is a highly-regarded literary work of art, leaving open the question of why the world needs a new version. The one and only advantage is the inclusion of new, previously unpublished chapters included after the main text, called "Additional Paris Sketches." Anything new written by Hemingway is always welcome.
The problem is Sean Hemingway's editing and the motivation behind it. In his Introduction, he would have us believe Mary somehow wrecked Hemingway's vision of the book and he has now reshuffled the chapters to reflect what his grandfather would have really wanted. Forty-five years after the original publication, Sean writes with what seems to me unusually strong venom at Mary and what he sees as her agenda in making her edits: "The extensive edits Mary Hemingway made to this text seem to have served her own personal relationship with the writer as his fourth and final wife, rather than the interests of the book, or of the author, who comes across in the posthumous first edition as something of an unknowing victim, which he clearly was not." Sean needed to provide some sort of rationale for the new edition, and this is what he would have us believe: the original book reflected Mary's wishes, not Ernest's.
But since the manuscript was left unfinished when Hemingway died, no one knows what he really would have wanted. There is no "definitive" edition and never can one be. Even worse, Sean can well be accused of the same sin as he asserts for Mary: his edits are designed specifically to paint his grandmother Pauline Pfeiffer, Hemingway's second wife and his own grandmother, in a far more favorable light. Readers and scholars can compare the two editions and judge for themselves: is Sean protecting his grandfather's true wishes--whatever they were--or is he doing a favor for his own grandmother at the expense of Hemingway's conception? Sean dug around in the archives and found some things that look good for his grandmother, included them, and rejiggered the original contents in her favor as well.
The good news surely must be that the various heirs of Hemingway can't destroy his work, no matter what their motivations. The text is still the work of one of the 20th century's greatest and most influential writers. Most readers won't need the new edition, as the original, as literature, hasn't really been improved upon. Scholars and Hemingway fans will want to see the new sketches. Probably 45 years into the future, a "scholar's" edition will be published, sans any input from the various heirs of Hemingway, in an attempt to "set the record straight."

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The Glass Castle Review

I grew up in Welch, WV and was acquainted with Jeanette and Brian(Lori was older and Maureen was younger). I can attest that her harrowing account of growing up with an alcoholic father and mentally ill mother in the coalfields of WV was as she says. This was a compelling read, all the more so, because it was about people and places I knew so well. As I read, I was filled with sorrow and shame because I was one of those people who didn't want to have close association with them because they were so different from me. I try to asuage my guilt by telling myself I saw things from a child's maturity level. I wish I could apologize and find myself wondering what would have happened if I had befriended Jeanette. She could have enriched my like tremendously. For those of you who doubt things could not have happened like it was written, don't. I knew it and I saw it, and to a degree, lived it. And as tragic as it was, it was true.

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